Raised in Edmonton, Canada, Wilroy takes R&B as his musical starting point. He’s now based in Liverpool, and cites influences ranging from hip-hop to electronic music and jazz. Recently selected by Gilles Peterson’s Brownswood Music talent discovery initiative Future Bubblers, and played on BBC Radio 1Xtra, Worldwide FM & Bandcamp Weekly, 2018 looks to be a promising year for the producer.
Too Dark To See The Green, Wilroy’s debut EP serves as a cathartic journey through the arc of heartache, as told through the ghosts of 70’s soul men. His music paints grand, maximalist sonics: tracks change shape and mutate as they go, akin to the evolution of a dream. The EP’s 5 tracks wring out every last drop; from the opening nightmarish strings, and the dungeon-low dirge of the title track, to the liberated, gospel highs of Ascension.
In trance suites by drums, bass, keyboards and guitar musicians explore the depths of space rock, subtle electronic, ambient and even punk-jazz. Euphonic constellations and electric tales arise of foggy tissues of melody, harmony and pulse suspended in weightlessness. Improvising sound spaceport formed in 2012 at Warsaw, Poland. Michał Jarosz – drums, Jerzy Karpowicz – bass guitar, Bartosz Ługowski – electric guitar, Paweł Wutkowski – keyboards
Spirits of Leo are a post-punk band founded by singer Ryan Santos Phillips in Santa Rosa, CA and currently based in Brooklyn, NY. Inspired by artists like The Cure, The Chameleons and Red House Painters, Spirits of Leo deliver ethereal soundscapes united with driving intensity and immersive performances.
Equinox is the self-produced, forthcoming LP from the band. Written and recorded by Phillips over the course of four years, Equinox is a marked departure from the band's previous discography, exploring darker, more cultivated themes and textures.
"Spirits of Leo started in December 2012, when I was a 19-year-old attending junior college," Phillips explains. "At that time, it felt as if nobody in my immediate vicinity seemed interested in making the kind of music I was desperate to make. I'd always loved the sounds of the New Wave era, having grown up on those kinds of records. I began recording my own tracks one layer at a time, experimenting with various effects and borrowing a friend's microphone, until the songs felt finished, into what would become the first self-titled EP. Much of the subject matter at that time centered on anxieties, nightmares, isolation, and feelings of helplessness. Shortly after being posted on Bandcamp, Spirits of Leo was met with warm reception from my peers and in music blogs overseas. After that, I felt encouraged to pursue a more ambitious project as Spirits, Anastasia (2013), the first full-length album."
"Until last year, Equinox was only a concept, a collection of demos dating back to late 2013. The unfinished album had been weighing on me for years until finally, I decided to fully construct the album, filling-in missing pieces, re-writing, re-recording guitar parts, re-recording vocals, polishing, and mixing. Like the rest of the album, both songs were self-recorded on my two-input audio interface, partially in my parents' home in Northern California and in my room in Brooklyn (apart from the drums, which were later recorded in a professional studio)."
""Eden" was written and recorded in one, overnight sitting. It was a response to a major breach of trust and dealing with that pain, which felt immovable at the time. The lyrics deal with attachment, infidelity, trust, and a world capsized."
Below A Silent Sky has just released their album A View From Afar.
" We're proud to announce our 2nd album - A View From Afar - is now official released on bandcamp and available on CD in our merch store and at our shows. We worked with blood, sweat and tears for over half a year to record these new tracks and shaped them till they hit our ideas. For now, it`s time to thank all of you guys who supported us on our way either at our shows, in the studio, with the artwork and the thousands of other things related to this record and our music."
Loud, sweaty, sweet rock n roll- Miesha & The Spanks are two of Calgary AB's busiest road junkies. Miesha Louie (guitar/vox) and Sean Hamilton’s (drums) brand of garage rock sits somewhere between the timeless jam of The Runaways and scrappiness of The Gits, with just enough influence from 50s girl-group romanticism to catch a case of pop sensibility. They’re explosive together on stage, and their upcoming album ‘Girls Girls Girls,’ produced by Paul Rawson and Danny Farrant (of The Buzzcocks) promises to put that on record. Miesha & The Spanks are at their best spilling out of their van and onto a stage after a real long drive.
It was a chance meeting with Danny Farrant at Sled Island Music Festival that led to their collaboration, first with 'Stranger EP,' cited by Mike Bell (Calgary Herald) as “representing Miesha and The Spanks at their most polished and more accessible." The EP sets the stage for ‘Girls Girls Girls,’ offering a taste of what’s still to come: ten songs with the impassioned songwriting fans are used to, but imbued with a new visceral energy and unbridled electricity.
Miesha & The Spanks have toured coast to coast many times, with additional performances at NXNE, Halifax Pop Explosion, Sled Island, Canadian Music Week, and BreakOut West. They have shared the stage with Queens of The Stone Age, Death From Above 1979, Hot Snakes, Nashville Pussy, Imperial State Electric, Pack AD, C’mon, Bison BC, Hot Hot Heat and many more amazing bands.
Ali Murray is an ethereal folk songwriter/musician from the cold isle of Lewis in the north of Scotland. He writes dark atmospheric folk music with lush sweeping dreamy soundscapes and Celtic-twinged instrumentation. His new album LAND OF EVERGONE strikes a balance that is intimate and soaring, peaceful and haunting, sad and quietly joyful, delicately reverberating with Murray's dreamy voice and guitar playing.
Orellana is a neo-classical/post-rock collective hailing from Bristol, UK. Their new album “52”, released in late December, brought in the new year with it’s explosive and intricate sound. The project’s music transcends genre definitions in order to focus on a broad, diverse concept that is more emotional than tangible. This particular release is full of rich and diverse arrangements, but it is also a powerful exercise in minimalism, one that showcases the strength of very few notes placed in the right spots. The simplicity of the arrangement is actually one of the strongest aspects of this entire release: there’s a palpable stillness created by the long, drone notes in the background, which almost makes you feel like the world is happening in slow motion. When the chords and notes change, it feels quite monumental due to the beautiful contrast between the stillness of the background textures and the expressive sound of the guitar-based melodies.