New EP "Harbors" by Lanterns of Hope

2018-09-17 04:43:38 UTC

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Eastern-Washington's Lanterns of Hope creates an evolving indie rock and Americana sound with Celtic influences. Lanterns of Hopes performances emphasize songwriting, structure, and creating an upbeat atmosphere.

After performing with indie bands in ten states on Winter in July Records, Joshua released solo neo-classical project Lessons in the Wind. Later on he started in the Northwest and gathered some of his friends to form three piece Americana band Lanterns of Hope. Currently, Joshua performs solo around the Northwest as Lanterns of Hope and promotes his new EP Harbors.


Track List

1.The River 03:30

2. They Drink the Wine 03:29

3. There was this Girl 03:42

4.St. Peter 02:41

5.Compass 02:07

6.Bare Hands 02:25


Genre : acoustic, folk, alternative, americana, indie, singer-songwriter, songwriter, Washington

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New EP "Peach Blossom Spring" by Astral Harmonies

2018-09-17 04:36:52 UTC

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UK ambient composer and producer Astral Harmonies (Ben Rath, Slow Heart Music) graces the mystical ether with an overwhelmingly atmospheric follow-up to 2016's immersive, introductory debut EP, undeniably met with sincere approval among music lovers all over. 

Now returning with a clearly blooming and experienced sophomore, Peach Blossom Spring is not only an extraordinary long-player, but a celestial body-of-work gleaming straight into the mind's eye - and even a possible glimpse into the psyche of Astral Harmonies' artistic and unique vision. 

Peach Blossom Spring by Astral Harmonies is available for FREE download via independent imprint and family MoonSwing Netlabel



Track List


  • Primordial - 04:04 
  • Mandala - 04:52 
  • Ascension - 08:26 
  • Soul Growth - 06:11 
  • Silver Bells - 07:25 
  • Impermanence (I) - 06:35 
  • Impermanence (II) - 06:47 
  • No Time - 05:03 


Genre : astral, harmonies, ben, rath, electronic, experimental, moonswing, United, Kingdom, ambient, art, celestial, composition, meditation, post-rock, sci-fi, shoegaze, soundscape, Cape, Town

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At The Piano by Alex Tiuniaev

2018-09-16 06:59:22 UTC

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Alex Tiuniaev is a piano and cinematic music composer from Moscow, Russia. Alex has been making music since 2005 when he released his debut album Artificial Symphony on OtterSong Records in the US. The album was a mixture of ambient pop, orchestral colours, and electronica.

In 2008 Alex released I Knew Her, his most popular album to date, on Cold Spring Records in the UK. It contained a single 40-minute neo-classical piece and was heavily influenced by American minimalist composers such as Philip Glass and Steve Reich.

In 2010s Alex switched to a clearer, more intimate sound of the piano. In 2012 he released Blurred on Heat Death Records and a series of EPs for numerous netlabels, including the popular Earth Mantra and Audio Gourmet labels.

In 2017 Alex decided to self-release all future works through BandCamp. Currently two albums and two singles are available, all of them belonging within the intimate genre of chamber neoclassical music with ambient undertones. His major influences include film music composers, such as Howard Shore, John Williams, Ennio Morricone, and Hans Zimmer, as well as ambient and electronic artists such as Harold Budd, Brian Eno, Cliff Martinez, Aphex Twin, and Sigur Ros. 

This is a collection of solo piano pieces inspired by the nighttime ambience and the starless skies of his hometown. Also, by Blade Runner and Erik Satie.

Track List


  • Kyoto Blues - 02:42 
  • Meditation - 02:44 
  • Arabesque (For Harold Budd) - 02:48 
  • Eyes Open - 02:09 
  • Sleepwalker - 02:58


Genre : classical, acoustic, ambient, chamber, music, cinematic, piano, contemporary, film, instrumental, minimalism, modern, neo-classical, solo, soundtrack, город

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New album "Smooth Sailing" by Mike Pace and the Child Actors

2018-09-11 04:59:44 UTC

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The first thing you notice about Smooth Sailing, Mike Pace and the Child Actors' new LP, is that it gleams. Picture a studio stuffed with synth whizzes, session bassists, forty or fifty world-class audio engineers. Picture some label accountant rubbing his temples, grilling a Child Actor over some outrageous line item ("ten thousand dollars for 'vibe maintenance??'). Picture, of course, the man himself, Mike Pace: stomping around in a speedo and bathrobe, refusing sleep, verbally abusing children, sinking periodically into morose funks, instantaneously emerging from those funks with gnomic yet emotionally lucid career highlights like this album's "Troubleshooting," etc.

The reality is, in its way, even more outlandish. In the years since Pace adopted his Child Actors moniker and released Best Boy, he's had no fewer than two children, acquired a mortgage, and settled fully into a consuming job in production music. Smooth Sailing, then, was written and recorded in the cracks of a full and meaningful life: in those minutes or hours most of us use to watch bad TV, or stare blankly into the middle distance. And yet in terms of scope and lushness of sound, and in the way it updates and personalizes a whole slew of classic rock reference points, it stands with the best of War on Drugs or Father John Misty. Like those guys, Pace is first and foremost a nerd, the good kind: someone who cares passionately and unpretentiously about something most people never think about, specifically progressive rock and big-tent singer-songwriter stuff from the 1970s, and puts that care to productive artistic use.

On some level Smooth Sailing is its own classic rock radio station, diverse enough to appeal to a whole jammed freeway's worth of commuters. Some might prefer the Randy Newman/10cc-style "Senior Statesman" (one of Pace's full-fledged story songs, which some enterprising movie producer should option ASAP), others the perfect power-pop of "Blaster" (think Sugar, or Matthew Sweet). Undoubtedly some will cry right there in their cars to "Disconnected Heart," a ballad so beautiful you could picture a Xanax-addicted SoundCloud rapper sampling it. I personally love "Americana Manhasset"—a pink-sunset ambient-instrumental track which harkens back to at least four imagined pasts, only one of which I lived through. (Credit goes as well to Matt LeMay, the producer/multi-instrumentalist who embellished, shaped and mixed each of the songs on Smooth Sailing.)

If you've ever listened to Pace's music you know this already, but just to be clear: this is no kind of bloodless genre exercise. As always with Pace, the cherished albums are all mixed up with the memories of those cherished albums, and with the memories those albums soundtracked, so that the result—filtered through Pace's well-established interest in nostalgia, time's passing, etc.—is on the one hand new and idiosyncratically Pace-imprinted and, on the other, familiar and comforting and kind of pleasantly sad—pop sad.

This stuff might not sound much like Mike's last band, Oxford Collapse—possibly New York's last great indie rock band, before the whole operation shipped over to Philadelphia—but it definitely feels like Oxford Collapse, because all of Pace's songs yearn in this totally unique way. And as ever these songs are set in places built for yearning: beach towns, high school hallways, commuter trains. The yearning has something to do with growing up, with putting away childish things. A song like "Escape the Noise," with lyrics about giving up on guitars and "ragged nights," has a ton of parallels in Pace's discography, but this one's his best—for many reasons, but especially because we now know for sure that he doesn't actually mean it—that he'll be writing about this stuff for a long while to come. - Daniel Kolitz


Track List


  • Everyone Out of the Car - 03:13 
  • Senior Statesman - 03:59 
  • Blaster - 03:46 
  • Escape the Noise - 04:27 
  • Disconnected Heart - 03:46 
  • Service Merchandise - 03:55 
  • Young and Beautiful - 01:54 
  • Troubleshooting - 03:16 
  • Business in Bermuda - 03:53 
  • Americana Manhasset - 04:46


Genre : aor, alternative, punk, prog, college, rock, gospel, power, pop, progressive, singer-songwriter

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New Album "Nina" by Jonathan Lear

2018-09-11 04:30:37 UTC

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Jonathan Lear released his first short experimental/acoustic/ambient album “Outside Worlds” in December of 2011. Following the reception of some really high and unexpected praise, he began work on a full length album which took approximately two years and two inter-continental trips to write and record. After carrying out a successful crowdfunding campaign via Kickstarter to press the record on vinyl, he released “Memory Well” in March of 2014.

Since Memory Well Jonathan has put out two more one-man-band, instrumental math rock-esque records: “Reflection” (August 2016) and “Nina” (August 2018). While Reflection was very much a sequel to Memory Well, Nina is much more of a tribute to his ex-landlord’s dog Nina. Both albums are available in both digital and physical formats. 

"Nina" is an instrumental math rock journey. Although the few lyrics on the album give away very little, conceptually speaking, the record is in fact Jonathan's attempt to keep up with his landlord's dog: an utterly gigantic, supremely energetic, deaf pit bull / Dalmatian mix named Nina, who he is tasked with walking, feeding, and occasionally babysitting. Long story short, Jonathan peers into Nina's soul and realizes that there is a fully-formed human being inside, and this record is his attempt to capture that humanity in musical form. In doing so, Jonathan realizes that is actually dogs that make us human.

Track List

  • Beef Bucket - 00:54 
  • Horse Dog - 01:38 
  • Tobaccula - 03:14 
  • Nina's Nap - 03:36 
  • Nina's Nightmare - 05:45 
  • Nina, Haley, and Jonathan - 02:32 
  • Fire and Sky - 01:43 
  • Freudian Bebop - 05:54 
  • Clocktower - 03:27 
  • Space Blanket - 03:10 
  • Nina - 03:54 
  • Water Bowl - 00:52


Genre : progressive, rock, acoustic, indie, instrumental, math, Berkeley

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Review for the new EP "I Wanna Be Exploited" by Tommy Red

A combination of retro aesthetics, enduring lyrics and alt-rock grit. The best music happens when artists refuse to remain stuck in their own comfort zones and creative boxes. Whenever this happens, they are free to give full range to their vision, and they can really come up with something that’s groundbreaking and personable. This is certainly the case here with Tommy Red and his brand new EP release, “I Wanna Be Exploited.”

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Dream within a Dream by Marva Von Theo

Marva Von Theo is an Electropop / Synthwave duo formed in 2016 by the Athens-based singer-songwriter Marva Voulgari and the Vienna-based composer-producer Theo Foinidis. Their Debut Album “Dream within a Dream” was released early in 2018. The 12 songs on their Album, lean towards an electronic sound that incorporates a variety of influences ranging from the music of the 80’s until today. Darkwave sounds, Jazz harmonies, Rock and Dance drum beats resonate together and mature into something darkly romantic.

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