"'Waiting to Begin' is a song inspired by the constant struggle of becoming too busy or driven to live or enjoy life; whether you're an artist or working the nine-to-five, you've got to put things on pause once in awhile and appreciate why we're in this mess and how we can make the most of it," Patrick explains. "That's the feeling I wanted to convey, from my own perspective as an artist to everybody out there feeling the same fatigue chasing down lofty goals or obligations when we should really be living in the moment and doing what we love, day after day."
Pittsburgh native, Los Angeles resident & Award-Winning singer/songwriter Patrick Joseph has been active in the music world for years now, having toured extensively in North America, Europe, and having showcased at festivals such as SXSW, CMJ, NXNE, ASCAP Expo, and the Sundance Film Festival. With the support of music licensing, having landed dozens of film and TV placements (The Office, Grey’s Anatomy, Gossip Girl, American Housewife, Chicago Fire, Marry Me, Happy Endings) and the support of influential independent radio such as KCRW and KEXP, Joseph has independently forged a spot for himself as one of LA’s brightest young songwriters and rising stars on the indie scene.
Often compared to a range of contemporaries from Ryan Adams, James Bay, Jeff Buckley, and Tom Waits, Joseph is a freshly unique brand of indie-rock flair in the modern realm of the singer/songwriter genre.
A multiple winner in the Independent Music Awards as well as multiple awards won locally and internationally, Joseph's music is a hidden gem of pristine caliber from the indie music scene.
Central California-based HATE DRUGS was founded in the summer of 2014 by David Caploe with the release of the EP, 'Rough Daze.' The other members (Josiah Caploe, Norman Lee, Adrian Diaz and John Irwin IV) joined the band shortly after and together released two more EPs, 'Anna Grahm' (2015) and 'Beach Weekend' (2016), which garnered hundreds of thousands of online listens. After a few West Coast tours, the band started production on their debut album in late 2016.
After nearly a year of work with producer Cory Reyes, the band announced the release of their long-awaited debut album, 'Tsunami Soul II', released September 29th, 2017. The band is looking forward to the next step in their journey, touring and connecting with new fans.
Non m’importa della luna is a chilean band that’s influenced by the sounds of modern japanese pop, post-rock, trip-hop and dream pop. On the 15th of september, 2017, they released their first LP, El Fin Del Mundo y Antes Del Amanecer -name taken from the manga Sekai no Owari to Yoake Mae by the renowned mangaka Inio Asano-. This first LP it’s an ambitious display of ambiental sugar-coated sounds, with trap influenced beats and energetic melodies, that swing between calm and eerie, with a heavy pop sensibility that at the same time is uncompromising, without fearing taking a more experimental side sometimes. This release solidifies the identity of the band, striving to be one of the most original band on the chilean scene. 8 tracks -one being a new versión of the song Ponón, from their first EP- and 4 remixes (by Tenzon, Orquesta Pandroginia, RISHO and The Holydrug Couple) make this album an incredible journey through a immense variety of sounds and instruments. The album was composed by the band, with the production and mixing done by Andrés Martinez and RISHO, the master also done by the later, except track 9, mixed and mastered by The Holydrug Couple.
Milkããã«ã¯ã - 03:52
Gakoãã¬ã³ã - 04:07
Nova ãããã - 03:08
Dream Inn ãããªã¼ã ã¤ã³ã - 04:12
PonÃ³nãããã³ã - 04:44
Uchu ãå®å®ã - 05:18
Matildaãããã«ãã - 06:03
El Fin del Mundo y Antes del Amanecerãä¸çã®çµããã¨å¤æãåã - 10:01
"A couple years ago during Canadian thanksgiving I was phoned by a friend Diane and she asked me to pray for her friend, a 30 year old woman who had two children and had been just diagnosed with cancer. She had been given two weeks to live. I really didn’t know what to do, so I wrote the first half of this song. I sang it every day for those weeks and she ended up living another 2 years.
After she passed the song took on a new meaning for me. Originally it was about giving her another chance to live, but now it’s song of hope. A song that is about fighting when you feel you have nothing left. It’s about supporting your friends and being unafraid to strive for your dreams.
So why release the song now and not 4 years ago? Well there’s been a new fight for me recently. The beautiful natural habitat which is featured in this video currently has a court case where developers are trying to rezone it and rip it up. This is our fight to keep it green.
The song is about hope and supporting each other, and the music video is about supporting the people, plants, and living things in your environment."
French music and video producer Woochia processes heavily every-day sounds to create smooth and melodic techno tunes. Inspired by progressive rock bands such as Tool or Rishloo, he implements wide atmospheres and meditation sounds in his music - such as Tibetan or Inuit throat singing.
After Studying Musicology at the University of Evry and 10 years of composing computer music, his projects lead him to work with artists like Richard "Kory" Rivereau (Beyond the Dust, Rise) and Ebde (Ebde, Otter, and Snake).
The work of this multi-faceted artist, who does his mixes and video himself, has been featured in mix-tapes from "Reason France vol.3" in his early beginnings to "L'été à la ferme" by the Farworker (Champ’Caine Records).
Beside his music productions, Woochia also produces videos for his Youtube channel where he shares how he processes some of his sounds as well as some musical challenges.
Created by French music-producer Woochia based in London, this 6-tracks album - or EP - uses the soothing tones of acoustic instruments (like guitars or didgeridoo) with tones usually used for meditation (singing bowls, different types of throat singing) mixed with powerful drums and electronic bass lines to deliver a soft and melodic techno music, perfect for travelling. All the tracks of this album have been composed in trains, buses and coaches while traveling between and around London and Paris. These songs capture the feeling of being on the road, following the drift of the mind in its own imagination while the landscapes go by, behind the window.
These Are Truly The Last Days is a musical project with a driven experimental twist. Their music blurs the lines between various genres, including ambient, electronica, glitch hop, and more. The project’s self-titled studio effort features 11 studio tracks.
Crafting a concept album is an incredibly difficult task. Tying together a cohesive narrative across a record’s worth of songs isn’t just daunting, it’s an endeavour that even some of the industry’s finest have failed to do memorably. This task, however, becomes notably more difficult when you’re dealing in the abstract via instrumental soundscapes. That is what Chronotope Project, the moniker of composer Jeffrey Ericson Allen, attempts to do with his latest project, ‘Ovum.’