Freedom Baby is a boyfriend-girlfriend duo. They met at a local Toronto show that they both performed at back in 2013. The fell in love with each other's record collections and then with each other. In 2016 they decided to try making records together.
It was after a while of experimenting with electronic sounds and orchestral elements that they came up with “Video Daydream”. The combination of Brianna’s voice paired with Eric’s arrangements creates a dreamy and melancholic experience.
"We arranged the song with a Snakes & Ladder game board as our blueprint. Each melody and instrument snakes and climbs from one place to another and each time you play something new is going to reveal itself. "
"Cruel" comes from a place of honestly trying to listen and hear other people’s experience of the world - particularly those whose voices are often silenced and shut down. those voices we need to be listening to and raising up right now.
“Cruel” was produced by Kindness (Robyn, Solange, Blood Orange) along with the rest of Adrian Underhill's debut album which is set for release later this year. The 10 songs on ‘CU Again’ are the culmination of many years of sonic exploration. Having grown up in Vancouver before moving to Montreal and then Toronto, spending time in rock bands and making lo-fi recordings on his own, before moving towards a 70s songwriter vibe infused with a more modern production style & sound.
"On ‘Cruel’, I was lucky to have Damon Riddick (DāM-FunK) on drums, Keith Eaddy on bass and Blue May on guitar with those perfectly placed guitar licks. I love how the live drums and bass sit over top of the samples and drum machine giving the track a unique rhythmic backdrop that keeps pushing you forwards."
Dore Mear Beon is a solo recording project by Andrew Sagriff. The project mixes math rock, progressive rock and post rock elements to envelope an intricate yet emotive sound.
"A Commending Paean for the Forgotten Henrietta Swan Leavitt" is a full length album by Dore Mear Beon. It is emotive progressive instrumental rock album, layered with an album narrative that explores cosmological and human themes, mixing the personal with the universal which reflects the music's balance of intricate song structures with affective harmonies.
“Seventeen, Baby” hooks from the get-go, with late-night brass and a smoothly paced rhythm section establishing the feel. The vocals begin with a subdued presence, though escalate as the track progresses, going as far to compare to Jeff Buckley’s emotional presence at points.
The “seventeen, baby” pause – followed by the smattering of brass – is an excellent mid-point placement, guiding into a final minute that’s beautifully capped off by a vocal turn into smooth R&B, for a fleeting moment.
"Seventeen, Baby" started out as purely electronic track made by Richard, the guitar player. "We liked it very much and started experimenting with it, playing it together live and it slowly formed to its current form," the band explains. "There were, however, empty parts in the beginning and in the middle and we immediately felt that trumpet would do magic there. Fortunately, we have a friend who is a trumpet player and he played a beautiful trumpet link in the parts we wanted and even in other parts of the song to enhance the emotion. It is the only track that has a guest musician in it from the album."
"We´re kinda like black sheep on the scene, a four-piece: a natural shredder, a drummer, a singer, and a misanthrope. Our history began sometime in the fall of 2010. Since then, we´ve played any genre that the critics and fans could come up with. We come from a relatively small town of Prešov, in a relatively small country of Slovakia, so we´re relatively humble but somewhere deep inside, everyone of us wants to sell out and buy a roadster. Our mutual goal is to be idolized sometime in the future, just like motivation speakers or cat videos."
"When writing my new single “Fathers Day”, I realized that everyone is a little lost - that gave me some solace in trusting my own opinions. The song sheds some new light on my childhood and inspired some conflicting realizations about my last few months with my father.Thematically, “Fathers Day” is an accurate representation of the musical project as a whole. The foundation of NONA is based on feeling the pressure to create and realize something on my own without compromise. There’s a deep rooted self reflection in each song which inspires a sense of nostalgia."
GroundBurst is an instrumental rock trio whose sound strikes for the band’s kaleidoscopic approach and wide-open mindset. The band consists of Phil, Si, and Erik, respectively on guitars, bass & keys, and drums. These three talented musicians set out to create a lush, diverse and textural musical backdrop, borrowing from influences as diverse as electronic music, psychedelia, rock and even jazz with a minimalistic flair. Their recent release, “Triad” is an EP featuring 3 original compositions, as the title of the release might lead you to guess!
These Are Truly The Last Days is a musical project with a driven experimental twist. Their music blurs the lines between various genres, including ambient, electronica, glitch hop, and more. The project’s self-titled studio effort features 11 studio tracks.