Un Bosque Noruego was born in the mist, among mountains oscillating with each other. Un Bosque Noruego is from the North and that shows in his music. Noise and melodies invoking mystical beings born in Nature comprise the rest of the project. Haust//El Otoño is an Ode to the fall scenery, its twilights and the swaying leafs slowly falling to the ground. The EP was solely recorded by Daniel Vicente in Asturias (Spain) between the months of August and September.
This cosmic journey began life springing from the fretboard of bassist Drew Cranford, whose layered chords, agile arpeggios, and fluid tapping anchors the musical foundation of the project. Starting as a solo artist, Drew's writing focuses on complex riffs and technically demanding performances which produce a unique style of bass playing that challenges the understanding of the role of the instrument itself. Eventually Drew crossed paths with fellow Georgia Tech student Jeff Harrison. An experienced drummer, and somewhat pursuer of good tunes, Jeff instantly connected with Drew’s melodic-centric bass riffs and thus a rhythmic foundation was laid. Over time the duo honed material together, practicing for hours in the basement of a house in Atlanta until eventually the two approached Steve Bledsoe to lead the charge on guitar. A past bandmate and friend of Jeff's, Steve would bring a unique sound to the group, blending classic guitar styles with a more modern, melody focused, vibe.
The three soon coalesced into a well-oiled musical unit, gigging locally around the Atlanta music scene, all the while working out the kinks for the songs that would become the self-published 'Peripheral Sounds' EP. Recorded in whatever spare time the group could afford, the EP served as an early sonic blueprint for the future iteration of Cosmic Carpool. Regrettably, college graduation and subsequent geographic separation became too much to gainfully surmount, and the group amicably parted ways for an indefinite period of time. The members pursued various other musical endeavors, with Jeff and Steve eventually touring together again in a different group. The three remained close friends, however, and would occasionally jam as Cosmic Carpool for a bedroom audience.
Years later, with the disbanding of his touring act, Jeff began experimenting with synthesizers and DAWs developing a deeper understanding of not only music itself, but the underlying technology behind the sounds. Eager to pursue this new passion, Jeff set off to reunite with Cranford and Bledsoe, reinventing Cosmic Carpool into a genre-bending, electronic 'space' rock trio. The group, reinvigorated with fresh songs from Drew's catalog and the sonic possibilities of modern synthesizers, began an intense rehearsal schedule to flesh out what would become 'Horizon'. With Jeff at the console and taking nearly a full year and a half to complete, the resulting LP is a testament to perseverance, and the payoff is huge. The entire record is a joy to listen to from start to finish, and while the songs certainly stand on their own right, the true power of ‘Horizon’ is best appreciated as an entire package.
Transporting listeners through time and space by way of intricate arrangements, bruisingly heavy riffs, and soaring electronic melodies, Cosmic Carpool is a sonic force quite unlike anything you've heard before. Hailing from Atlanta, GA, the genre-bending trio crafts a unique amalgam of rock, electronic, metal, ambient, and dance into something that is far greater than the sum of the parts. Every note is intentional, every passage designed for maximum feeling. Written by Drew Cranford (bass) and Produced by Jeff Harrison (drums/keys/synths), with Performances by Steve Bledsoe (guitar/mandolin), Cosmic Carpool’s debut full length LP 'Horizon' is an ethereal journey whose cadence is perfectly timed from beginning to end.
Hello from the Children of Planet Earth - 02:03 info Horizon - 06:09 info Big Blue Beast - 07:20 info Arise - 03:25 info Beyond 2D - 08:08 info Interlude - 01:27 info Phantom Funk - 02:27 info Nintendose - 09:23 info Reprise - 07:17 info Looper - 04:38 info Metal - 08:27 info
Released a week ago from today, single "On My Own" is a piece of twangy, ascending beauty from Boston-based act TOLEDO
When Jordan Dunn-Pilz and Daniel Alvarez de Toledo were just small lads, they started playing guitar in the nearby town to attract listeners. Now, the two seasoned musicians are gigging and giggling their way to success with their new band TOLEDO. With a blend of traditional and modern sounds, TOLEDO is an indie-pop, sailor-shanty, pirate-rock band from Boston, MA. Collaborating with visual artists and animators, the band is a multifaceted machine. Stay tuned to hear new content from these goons every month.
“A Future Remembered” is a new thought-provoking release by A Signal In The Static.
The project is the brainchild of Steven K. Smith, a talented and dedicated composer formerly known as the founding member of Mabou, a well-received dark ambient act. On this new musical adventure, Steven set out to create a tantalizing atmosphere with a stunning textural vibe.
A Future Remembered strikes with blankets of noise cutting through the air. Melodies swiftly overtake the layers of fuzzy, white noise and become more intelligible, paving the way for some beautiful guitar lines. The rhythm section is uncomplicated and refreshingly minimalistic, offering a backbone to the melodies, without ever overpowering the sonic aesthetics of this particular release.
The album is built on a lush and haunting layers of drones and textures, alternating atonal dissonances with compelling melodies. The sound makes me think of the work of artists as diverse as This Will Destroy You, Mogwai or Godspeed You! Black Emperor or Maserati, just to mention a few.
The record’s production is also worth being mentioned. The sound is understated and direct with a very organic quality to it. The album’s playlist extends throughout 10 tracks that stretch the album’s sound towards different directions - from the depth of post-rock to the cinematic atmospheres of ambient music and the experimental edge of electronica.
“Enemies from Orion” is perhaps one of my favorite songs on this release. The track begins with a brooding atmosphere, as the drones of noise and grime get consistently louder, leading up to an edgy drum and bass groove, making its way through the static.
“A Future Remembered” lives somewhere in that space where noise becomes melodies and melodies turn to noise, going for a stunning sequence of forward-thinking musical metamorphosis and transformational ideas that transcend the usual canons of post-rock, aiming for a more personal and experimental sound.
The songs on this album flow seamlessly like an engaging playlist, but they also stand out on their own, as every single track showcases a remarkable identity.
"Triad" is the new EP from Groundburst, released on September 4th by Out is within records. Groundburst are an instrumental trio from Dublin. Their music combines complex rhythms with lyrical melodies and unusual concepts and draws upon elements of funk, jazz , soundtrack and electronic music.
Ali Murray is an ethereal folk songwriter/musician from the cold isle of Lewis in the north of Scotland. He writes dark atmospheric folk music with lush sweeping dreamy soundscapes and Celtic-twinged instrumentation. His new album LAND OF EVERGONE strikes a balance that is intimate and soaring, peaceful and haunting, sad and quietly joyful, delicately reverberating with Murray's dreamy voice and guitar playing.
Orellana is a neo-classical/post-rock collective hailing from Bristol, UK. Their new album “52”, released in late December, brought in the new year with it’s explosive and intricate sound. The project’s music transcends genre definitions in order to focus on a broad, diverse concept that is more emotional than tangible. This particular release is full of rich and diverse arrangements, but it is also a powerful exercise in minimalism, one that showcases the strength of very few notes placed in the right spots. The simplicity of the arrangement is actually one of the strongest aspects of this entire release: there’s a palpable stillness created by the long, drone notes in the background, which almost makes you feel like the world is happening in slow motion. When the chords and notes change, it feels quite monumental due to the beautiful contrast between the stillness of the background textures and the expressive sound of the guitar-based melodies.