Lazybones Flame Kids is a four-piece post-rock band from Sardinia. They mix the atmospheric touches of instrumental rock with the emotional pull of classic post-rock repetitive arpeggios. Their music is mainly instrumental, although sometimes they scream and whisper in a typical narrative mood. Their debut album L.F.K has been released in February 2016 under Coypu Records Recorded at Corlo (FE), at Emanuele Fusaroli’s recording studio with artistic producer Gabriele Boi (The Rippers and The Mojomatics). The album was anticipated by the singles A Ride in an Amusement Park, a tribute to one of the best American stand-up comedians of all time, Bill Hicks, and Too Close, a collaboration with the Sardinian folksinger Beeside. L.F.K is all live recorded, with few overdubs, and it is a completely analogical album. Theband decided to use mixers, instruments and echo tapes from 60s-70s to give the album original vintage sounds and atmospheres with evocative texture and fragile, solemn, compact and fascinating song.
Once Upon A Winter is a solo post rock project from Xanthi, Greece, created by Ilias Kakanis in 2012. In 2014, the first EP of the band became available through soundcloud, and in 2017 the debut album "Selective depression of the Big Bang" was released.
"Selective depression in chase of the Big Bang" is the debut album of the solo post rock project Once Upon A Winter. It is a melody-based post rock album, which draw inspiration from the "you vs yourselves and the constant changing surroundings" issue. All music was written and performed by Ilias Kakanis.
SKG - 05:44 info
The stars may be dead, but we're here and we've stopped the time - 04:58 info
xââ - 06:26 info
Once upon a winter - 04:22 info
Lack of a greater possible memory - 06:00 info
Purpose of stillness - 05:54
Her lost love, my entropy - 03:36 info
Selective depression in chase of the Big Bang - 08:42 info
Interns’ first incarnation came to be in 2013 as a side-project between bassist Christian Harris and guitarist Andrew Reinhardt while playing together in the Louisiana-based jazz collective The Telegraph Salesmen, along with the leader of the group, Carter MacFarland, on drums. Many of the songs featured on Vanity Mirror were written during this time period.
The group dissolved in 2014, as Harris and Reinhardt separated geographically. After a three year hiatus, the two found themselves both living in Austin, Texas. With the addition of drummer James Bauer and guitarist Cole McDonnell, the group began to rework and refine the existing material, as well as write new music. The music combines the atmospheric nature of modern post-rock built around a classic psych framework.
Interns recorded their first studio album Vanity Mirror at Earthship Studios in Baton Rouge, with recording engineer and producer Benjamin Livingston. The album features guest musicians Sungkyung Woo, violin, Blayke Weatherford, vibraphone, and Carter MacFarland, keyboards.
Vanity Mirror was released on February 21st, 2017, and is available on all major streaming platforms. A physical release is to follow.
Interns aim to frame the ambient, spacey goodness of post-rock around a structure that is easily digestible for listeners of any background. Like much of their peers, they forego lyrics in an attempt to let their instruments convey their thoughts and emotion.
In the beginning, the band started out as a duo and MAD ONES put out their first three records that way. They toured their last album as a trio and it worked out so well that they decided to go into the studio together, Regretless being the result.
End Of You” is an existential meltdown played out over the course of a 3 minute rock song. Initially it was set during the industrial revolution and written from the viewpoint of someone contemplating the value of human life and likely speculating on the existence of an afterlife. The song is also appropriately suited to the recent rise of right wing populism in the US, the strength of the opposition to it and the sinking feeling we are, as a species, doomed to repeat our mistakes.
George D. Stănciulescu is a Romanian electronic and experimental music producer, composer / sound designer and PhD in Philosophy of Digital Music & New Media. In 2005, he founded the neo-classical ambient / avant-garde ensemble Ad Ombra, which consequently released a CD trilogy: Rites of Genesis (2008), Magna Charta Illusorum (2009) and Almost Eternity (2011). In 2009, Stănciulescu started to focus on the more electro-dance oriented sonic dimensions by creating the eclectic electronica music project LeVant, which had its debut CD, Beyond the Masque of Eden (2010). The second album, Knock, Knock, Ginger (digital) came in 2014, revealing an eclectic paradigm that comprises indie electro, trip-hop, contemporary music and art-pop altogether. Since its inception, LeVant has performed acclaimed multimedia shows both as a band and as a DJ at various national & international festivals and venues, with a plethora of featured vocalists and guest artists, ranging from theater and film, choreography, visual arts and so on. LeVant’s releases have been featured in the international underground press, in a number of online publications, radio shows and samplers worldwide.
According to LeVant, “UnFinetude” is a rather special work and probably the most radical and genre-bending amongst the ones he made so far so far. As a sort of “raison d’etre” for its genesis, came from the subconscious challenge he got from various persons asking him what is that? So he thought of creating a digimodern work and this slowly shaped in, thanks to some hours of expanding fantasy, unrelenting encounters with the realm of Illusion and a handful of plugins."
Crafting a concept album is an incredibly difficult task. Tying together a cohesive narrative across a record’s worth of songs isn’t just daunting, it’s an endeavour that even some of the industry’s finest have failed to do memorably. This task, however, becomes notably more difficult when you’re dealing in the abstract via instrumental soundscapes. That is what Chronotope Project, the moniker of composer Jeffrey Ericson Allen, attempts to do with his latest project, ‘Ovum.’
NAAL is an eclectic music project led by Chicago composer Dave Mantel. This talented musician has a true passion for great melodies and haunting musical textures. His blend of ambient, shoegaze and experimental drone music feels personal and unique, echoing the work of artists such as Slowdive, Boards of Canada or Sigur Ros, just to mention a few.