Escuri has been actively producing and performing experimental music in the Philippines. He released several EP which include Parallel Worlds (2013), a compilation of avant-garde analog sound works which took inspiration from the literary works of Haruki Murakami and Kobo Abe; Coloring Book (2015), a collection of purely digital audio works; and ORBIT21 (2016), a collaborative sound work with music producers from California, UK, Texas, Netherlands and London.
His musical works has been featured in local radio stations and publication. His current musical project involves performing electronic music in various settings (public, semi-public and private spaces) in an attempt to explore how these physical spaces contribute to and/or affect sound and performance. In addition, the project also explores how synthetic sounds interact with natural sounds and how this interaction affect the binaural perception of the listeners . Other on-going projects include field recordings with visual artists .
He is part of Pixel Collective, a local group of emerging digital/electronic/analog/lo-fi musicians; and Buwan Buwan Collective, a record label dedicated to unearthing substantial electronic art forms.
A collaboration Purveyr and adidas Originals.
Around August 2016, they roamed around the streets of Escolta, Philippines and did a soundwalk.
This opportunity paved way in exploring field recordings. In the process, they recorded ambient sounds and collaborated with the locals by asking them to do rhythmic beats using familiar objects (coins, hammer, basketball and even coffee machine!)
Like photography, music also has the power to capture a moment, make it eternal and deliver euphoria and nostalgic memories.
Somewhere at the intersection of modern classical, ambient, and post-rock, Philadelphia-based guitarist Patkus evokes nostalgia and contemplation through pulsating swirls of melody that pierce through clouds of harmonic distortion. “These Are But Dreaming Men, Breathe and They Fade” is Patkus’ third full-length album, building upon the idiosyncratic blend of influences and composition techniques heard on 2015’s “Colors.” Dedicated to the loss of his beloved grandmother, “These Are But Dreaming Men, Breathe and They Fade” mirrors Patkus’ journey from loss to acceptance; a search for catharsis tinged with hope.
Tamam Shud - 04:39
The Doorbell Requiem of Catherine Philomena - 04:23
Three Epicycles (or How a Poem on a Flagpole Told Me She Was Stars) - 09:23
Indifferent is the first track on Laughed the Boy’s upcoming full-length album scheduled to be released by the end of the year. It’s one of the first songs they started playing as a full band and really captures the garage-minimalist sound that will be prevalent on the album. Though bright and bouncy in melody, the song is a personal reflection on disenchantment in young adulthood. Laughed the Boy began as an outlet for honest and unpretentious 90s nostalgia inspired songs. While rehearsing for shows, they ended up with an album’s worth of fresh material and headed into the studio once again to record 9 new tracks that will make up their debut full-length LP scheduled to be released by the end of 2016.
Crafting a concept album is an incredibly difficult task. Tying together a cohesive narrative across a record’s worth of songs isn’t just daunting, it’s an endeavour that even some of the industry’s finest have failed to do memorably. This task, however, becomes notably more difficult when you’re dealing in the abstract via instrumental soundscapes. That is what Chronotope Project, the moniker of composer Jeffrey Ericson Allen, attempts to do with his latest project, ‘Ovum.’
NAAL is an eclectic music project led by Chicago composer Dave Mantel. This talented musician has a true passion for great melodies and haunting musical textures. His blend of ambient, shoegaze and experimental drone music feels personal and unique, echoing the work of artists such as Slowdive, Boards of Canada or Sigur Ros, just to mention a few.