Élvio Rodrigues is a composer and producer from Madeira island, now based in Lisbon, Portugal. In spite of being a player of multiple instruments, in the last couple of years, Élvio has been experimenting with piano, field recordings, and ambient soundscapes. The result is embodied in Slowburner’s debut EP - Before I Return To Dust - which was bself-released in digital and CD formats on March 14th 2017.
The EP deals with the realization that time is limited. Most of the time we’re just living life on autopilot and forget our dreams and hopes for the future. We somehow expect for things to fall into place, except things don’t always work out that way. In that sense, ‘Before I Return To Dust’ is a statement - the time to accomplish all those things we’ve always wanted is now. Time’s ticking.
Start where you are with what you have - 03:56
Time waits for no one - 05:03
Never too late to be someone else, somewhere else - 05:34
Please let me be more than this fleck of dust in the air - 07:29
The video for AIDA 's single “Let’s Ride” is now out. "The video was able to come to life because of the amazing crew from La maison baldman. When I first heard the instrumental for this song, I immediately pictured myself riding down the beach. I saw palm trees, funky neon colors and me in a red corvette. This record which is a part of my very first EP entitled “My Retrospective”, is nothing else but a party in musical form. "
Fresh off the heels of having his first release of 2017, “Stuck in the Middle”, land on Spotify’s “New Music Friday” and “U.S. Viral 50” playlists, SIDIZEN KING returns with “Roll the Dice”, an electro-funk jam that tackles the age-old challenge of escaping the “friend-zone.” Filled with clever lines like “I’m just tryna find my lane up in your track meet, you complain we all run games, but you stay chasing the athletes” King’s signature metaphor-savvy writing style compliments the smooth chorus and Ryan Spraker’s (Pell, Daye Jack) gliding production.
The latest emerging talent from the music and cultural hive of Los Angeles, SIDIZEN KING arrives at the cross section of electronic music and hip-hop with an experimental, hybrid sound that is quickly gaining an audience amongst both tastemakers and casual listeners. Amassing two million plays in the short year since he first stepped into the booth, Sid hopes to continue to deliver uncompromised lyricism and storytelling over captivating production.
After a decade of hiding in the shadows as a sideman and session musician, Erik Kramer is stepping out with a powerful first collection of songs entitled 'Missed the Boat'. The 27-year old Brooklyn resident's bass playing has been featured on records by Endangered Speeches, Sun Cut Flat, Sonnymoon, The Blind Woods, and more. At a time when information travels so fast, 'Missed the Boat' allows the listener to slow down and take a 33-minute journey through this collection of six potent songs, performed by some of NYC's elite musicians. The music is hard to define as it draws on influences from all over the musical and lyrical spectrum, but has a little something for everyone. The album is due out in late May of 2017. Kramer is also currently the bass player for The Undercover Dream Lovers. He also recorded on a track and video for Sonnymoon, and was co-collaborator/songwriter for Sun Cut Flat. He has played for numerous other projects in the performing world, on some notable bills and festivals.
The Kenyan born and now Seattle based artist has received wide spread recognition being featured on NPR. In "Beautifully Human", Wachira highlights issues of human equality, especially when it undermines the divine sacredness of those who are different. Her sophmore album "Songs of Lament" she describes, ‘was born out the many tragic losses we’ve witnessed globally."
On Saturday, May 20, multi-instrumentalist and lauded bass player Erik Kramer released his debut studio endeavor, an EP entitled ‘Missed the Boat.’ The Brooklyn-based musician has an especially eclectic sound, one that employs the talent of a slew of musicians: saxophone, trombone, viola, trumpet, back-up vocalists - they’re all there. An experimental record through and through, ‘Missed the Boat’ is an indie record quite unlike anything else that’s come across my desk in recent months.
The Great Long Distance is an audible recollection of the first 12 months of a long distance relationship, including the highs and lows and moments in between. It is a journal without words, each of the 12 tracks representing each month respectively. Inspired by the format of NIN's "Ghosts I-IV", the album is a sonic tapestry of different moods and themes, with various recurring motifs and the subtle melding of synthesizer and samples; the result something not quite classical, ambient or electronic - rather, an eclectic blend of the three. For fans of Ólafur Arnalds, Nils Frahm and later Ulver