"Reservoir of Impermanent Bliss" is the album from Low Sun out now via our buds at Art of the Uncarved Block.
"It is amidst the mundane and familiar moments where light seems eager to seep in and startle you from a spiritual pause. The finest way to pass the time is to transcend it; to stumble drunkenly upon a fervent richness. These are reservoirs of impermanent bliss. Cradle them tightly. Care for them as you would your child; as you would a smouldering ember between fires…"
Sept 9th- Toronto, ON @ The Burdock, Sept 22nd- Toronto, ON @ The Smiling BuddhaOct 5th - Olomouc, CZ, Oct 6th - Orlova, CZ, Oct 7th - Piensk, PL ,Oct 8th - Decin, CZ, Oct 9th - Dresden, DE, Oct 10th - Leipzig, DE (booked), Oct 13th - Riga, Latvia,, Oct 14th - Helsinki, Finland, Oct 15th - Tallinn, Estonia, Oct 16th - Kaunus, Lithuania, Oct 17th - Warsaw, PL, Oct 18th- Krakow, PL, Oct 21st - Brno, CZ, Oct 22nd - Prague, CZ, Oct 26th - Yokohama @ BB Street, Oct 27th - Shimokitazawa (Tokyo) @ Rokudemonaiyoru, Oct 28th - Sangenchaya (Tokyo) @ HevensDoor, Oct 29th - Osaka @ environment 0g, Oct 30th - Kyoto @ GROWLY, Oct 31st - Nagoya @ Rock and Roll Club, Nov 1st - Tokyo @ Kichijyouji Warp, Nov 3nd - Hong Kong @ The Wanch, Nov 4th - Hong Kong @ Secret Location
Two Paths - 02:24 Sacred Grove - 02:11 I Love Everything (I Do Not Have) - 02:39 Round Soul - 03:30 Into Sun - 03:22 Quiet Wave - 02:34 A Fearless Past - 03:38
Jake Gusto has just released his latest EP "Mindgame". The instrumentals were produced by MdL (Justin Bieber, Maroon 5, Sammy Adams) and Mantra (Rihanna, Future, Sean Paul). "Mindgame" is his first project release since making the move to LA last fall and much of it is written around the "mind game" of that transition.
"The concept of Mindgame is derived from the toil I experienced transitioning from the midwest to SoCal. In short, I discovered that success - both the actualization and realization - is all in our head. We often perceive success as something physical or quantitative: an award, a certificate, a million Spotify streams, etc. I think we forget that these physical items manifest from a mental origin."
Chicago-based Floral Couches, the project of Cody Gray, released his new album Electric Fever in August. One of the album's highlights, “Ketamine Dreaming” is a nice display of Floral Couches’ late-night atmospheric development and knack for emerging, twinkling hooks — present here just past the one-minute mark, with twangy guitars entering the fold shortly thereafter.
Floral Couches' debut album came in 2016, with Not Quite Your Type. "I recorded all of it in a Logan Square bedroom over the course of a 16-month span and it was just a totally weird pop album. The cohesiveness was nonexistent but it was really just me experimenting with my own sound."
From there, Cody decided to pursue a more electronic-minded sound. Shortly, he had three songs written with synths and buzzsaw basses, and put them in a folder called "Electric Fever". That name stuck, and after a year Cody had his second album, Electric Fever. "I never had any plans to play live shows since i dealt with bad performance anxiety in the past and just didn't have any friends in Chicago to perform with. When I met my best friend Conor we just worked out how the hell two people could perform this stuff live and we've been performing for about five months."
Both tracks (as well as every other Floral Couches track) were recorded and mixed using only instruments and VSTs in Logic, including the guitars. "I was broke when I first started recording under Floral Couches and decided I was going to fully exhaust Logic of everything I could do with it before I purchased new equipment or instruments," Cody explains. "About half of Electric Fever actually has some serious track bleed on the vocal takes because while I was recording "Now You've Done It", my headphones broke and I couldn't afford to get another pair for a while. I was going to redo the vocals, but I liked the washed-out sound that it had produced and decided to keep them as is. "
Per Cody, "Ketamine Dreaming" is the only really sad song on the album. "A week before Christmas 2016 our dog passed away unexpectedly and I just totally lost it. I emailed my boss that I wasn't going to be going into work for a while and nobody saw me for about two weeks. When I was in high school and college I was dealing with peak depression and anxiety and I was absolutely coping by drinking myself stupid. I stopped drinking for the most part after college... During that two weeks of intense grieving I basically kept myself sustained on beer and cheese (I'm a Wisconsin boy at heart). It was the first time since I had graduated college that I was trying to just escape from what was happening in my life. I wrote the lyrics to capture that escapism mentality... "I don't need to feel pleasure/ and anything's better than this" was exactly what I had going through my head."
Alyosha, the fourth full-length album from Philadelphia-based guitarist Patkus, released on September 1st.
An hour-long composition comprising six movements with a prologue and epilogue, Alyosha stands somewhere at the intersection of modern classical, post-rock, and American primitive.
“I was reading The Brother’s Karamazov — which is awesome by the way — and wanted to make something of a similar scale and scope. I wanted to aim high, take a leap of faith, pretend to be a better musician than I actually am, and see what would happen.”
From John Fahey to Mogwai, Steve Reich to Ali Akbar Khan, Patkus' music is an idiosyncratic blend of influences and composition techniques.
Wil Bolton is a London-based artist and musician, whose work uses guitars, acoustic instruments, vintage keyboards and effects to create warm and emotive melodies, fragmented and submerged among beds of droning ambient textures and environmental sounds. He has released albums on labels including Hibernate, Time Released Sound, Eilean, Home Normal, Dauw, Dronarivm and Fluid Audio. He has also shown his sound and video works in exhibitions at ICA, Incheon Art Platform, Liverpool Biennial and others, and has performed at venues including Cafe Oto, Tate Liverpool and I'Klectik Art Lab.
'"Night Paths' is an album of dreamy ambience inspired by reveries of moonlit summer nights, walking aimlessly through forest paths. Made with a refined instrumental palette of electric guitar, analogue synthesizers and looper pedals, asynchronous loops and layers merge and collide in hypnotic lulling repetitions. An array of stomp box effects and crackling amp noise blur and disrupt these tones. Swathes of gauzy reverb and woozy delays and chorusing effects evoke daydreams and soft-focus memories."
These Are Truly The Last Days is a musical project with a driven experimental twist. Their music blurs the lines between various genres, including ambient, electronica, glitch hop, and more. The project’s self-titled studio effort features 11 studio tracks.
Crafting a concept album is an incredibly difficult task. Tying together a cohesive narrative across a record’s worth of songs isn’t just daunting, it’s an endeavour that even some of the industry’s finest have failed to do memorably. This task, however, becomes notably more difficult when you’re dealing in the abstract via instrumental soundscapes. That is what Chronotope Project, the moniker of composer Jeffrey Ericson Allen, attempts to do with his latest project, ‘Ovum.’