2017-07-20 05:38:25 UTC
Nathan Kairis is a composer and multi-instrumentalist based in Asheville, NC. He crafts pieces of music made to bounce off all the nearest peaks of the Appalachian Mountains, like shouting at those surrounding monoliths and listening to the evolution of your own echoes. Each of Nathan’s compositions are reflective, expansive, and imaginative in a different manner than the last. The excitement at the first tremble of thunder, the loneliness of a tundra stretching forever before you, the gentle joy of life with loved ones, and the dynamic interplay between all of these feelings. That is the music of Nathan Kairis.
Acherontia. The Death’s Head Hawkmoth. This album is about disconnection, reconnection, and fluttering between the two. The vibrations between these two emotions can be violent and visceral, or almost calming in their agitation. Here is where we find the shuffling trudge of “Solipsism”, straining pressure of “Surface Tension”, and the breakthrough of the title track. Acherontia is a sonic exploration of what happens in between, a transitory stage that most of us just want to get through.
- Lachesism - 05:28
- Solipsism - 05:32
- Breathing In Peaks - 13:00
- Surface Tension - 08:28
- Insects Dance Softly - 06:02
- Acherontia - 07:45
experimental, ambient, dark, drone, noise, post-rock
Ali Murray is an ethereal folk songwriter/musician from the cold isle of Lewis in the north of Scotland. He writes dark atmospheric folk music with lush sweeping dreamy soundscapes and Celtic-twinged instrumentation. His new album LAND OF EVERGONE strikes a balance that is intimate and soaring, peaceful and haunting, sad and quietly joyful, delicately reverberating with Murray's dreamy voice and guitar playing.
Orellana is a neo-classical/post-rock collective hailing from Bristol, UK. Their new album “52”, released in late December, brought in the new year with it’s explosive and intricate sound. The project’s music transcends genre definitions in order to focus on a broad, diverse concept that is more emotional than tangible. This particular release is full of rich and diverse arrangements, but it is also a powerful exercise in minimalism, one that showcases the strength of very few notes placed in the right spots. The simplicity of the arrangement is actually one of the strongest aspects of this entire release: there’s a palpable stillness created by the long, drone notes in the background, which almost makes you feel like the world is happening in slow motion. When the chords and notes change, it feels quite monumental due to the beautiful contrast between the stillness of the background textures and the expressive sound of the guitar-based melodies.