George D. Stănciulescu is a Romanian electronic and experimental music producer, composer / sound designer and PhD in Philosophy of Digital Music & New Media. In 2005, he founded the neo-classical ambient / avant-garde ensemble Ad Ombra, which consequently released a CD trilogy: Rites of Genesis (2008), Magna Charta Illusorum (2009) and Almost Eternity (2011). In 2009, Stănciulescu started to focus on the more electro-dance oriented sonic dimensions by creating the eclectic electronica music project LeVant, which had its debut CD, Beyond the Masque of Eden (2010). The second album, Knock, Knock, Ginger (digital) came in 2014, revealing an eclectic paradigm that comprises indie electro, trip-hop, contemporary music and art-pop altogether. Since its inception, LeVant has performed acclaimed multimedia shows both as a band and as a DJ at various national & international festivals and venues, with a plethora of featured vocalists and guest artists, ranging from theater and film, choreography, visual arts and so on. LeVant’s releases have been featured in the international underground press, in a number of online publications, radio shows and samplers worldwide.
According to LeVant, “UnFinetude” is a rather special work and probably the most radical and genre-bending amongst the ones he made so far so far. As a sort of “raison d’etre” for its genesis, came from the subconscious challenge he got from various persons asking him what is that? So he thought of creating a digimodern work and this slowly shaped in, thanks to some hours of expanding fantasy, unrelenting encounters with the realm of Illusion and a handful of plugins."
Ali Murray is an ethereal folk songwriter/musician from the cold isle of Lewis in the north of Scotland. He writes dark atmospheric folk music with lush sweeping dreamy soundscapes and Celtic-twinged instrumentation. His new album LAND OF EVERGONE strikes a balance that is intimate and soaring, peaceful and haunting, sad and quietly joyful, delicately reverberating with Murray's dreamy voice and guitar playing.
Orellana is a neo-classical/post-rock collective hailing from Bristol, UK. Their new album “52”, released in late December, brought in the new year with it’s explosive and intricate sound. The project’s music transcends genre definitions in order to focus on a broad, diverse concept that is more emotional than tangible. This particular release is full of rich and diverse arrangements, but it is also a powerful exercise in minimalism, one that showcases the strength of very few notes placed in the right spots. The simplicity of the arrangement is actually one of the strongest aspects of this entire release: there’s a palpable stillness created by the long, drone notes in the background, which almost makes you feel like the world is happening in slow motion. When the chords and notes change, it feels quite monumental due to the beautiful contrast between the stillness of the background textures and the expressive sound of the guitar-based melodies.