2017-04-06 04:15:02 UTC
Reid Karris is a multi-instrumentalist, composer, sound enthusiast and improviser hailing from Chicago, Illinois trying very hard to get all the music stuck in his head out for all the world to hear. After spending years as an odd guitarist trying to fit in with the world of rock music, Reid shifted his focus towards improvisation, noise, drone and avant-garde. His primary instruments for doing so are prepared guitar and drum kit sent through electronics. With prepared guitars, he performs solo as well as in various groups including Set Self on Fire, HKM Guitar Trio, The Chicago Scratch Orchesta and Coffin Screws; the later consisting of himself on prepared guitars along with a revolving rhythm section usually consisting of a drummer and bassist who do not regularly play together. He also plays drums in the experimental duo Step Slow and works with an array of found metal percussion. In studio settings, he either records albums of improvised music employing himself on prepared guitars or conceptual abstract compositions. He has released music on Pan Y Rosas Discos, Lungbasket Recordings and Lurker Bias.
Mortuus Loqueris - 14:47
Spiritus Mundi - 15:25
experimental, electroacoustic, improvisation, guitar, noise
Ali Murray is an ethereal folk songwriter/musician from the cold isle of Lewis in the north of Scotland. He writes dark atmospheric folk music with lush sweeping dreamy soundscapes and Celtic-twinged instrumentation. His new album LAND OF EVERGONE strikes a balance that is intimate and soaring, peaceful and haunting, sad and quietly joyful, delicately reverberating with Murray's dreamy voice and guitar playing.
Orellana is a neo-classical/post-rock collective hailing from Bristol, UK. Their new album “52”, released in late December, brought in the new year with it’s explosive and intricate sound. The project’s music transcends genre definitions in order to focus on a broad, diverse concept that is more emotional than tangible. This particular release is full of rich and diverse arrangements, but it is also a powerful exercise in minimalism, one that showcases the strength of very few notes placed in the right spots. The simplicity of the arrangement is actually one of the strongest aspects of this entire release: there’s a palpable stillness created by the long, drone notes in the background, which almost makes you feel like the world is happening in slow motion. When the chords and notes change, it feels quite monumental due to the beautiful contrast between the stillness of the background textures and the expressive sound of the guitar-based melodies.