2017-07-17 06:12:16 UTC
Hours alone. Low lights, late nights, and soft melodies.
This is how NH-born composer Brad Couture crafts his music from start to finish - writing, playing, recording, and mixing all his own material in the isolation of his studio. From the first hammer strike on piano string, to the last synthesizer wrapping up all in a warm blanket, his sonic structures are constructed with care - emotionally inspired and acoustically defined.
From the sparse, ambient piano arrangements stretching to full orchestral swells backed by chiming guitars, his melodically driven songs weave uplifting crescendos with melancholic introspection to paint cinematic soundscapes.
With the release of Brad’s new album, Lower Tones, Brad has drawn additional inspiration from neo-classical styles of composition, replacing some the roaring guitars and pounding drums of previous releases with the gentle swells of ambient noise and solo cello. Lower Tones provides the perfect atmosphere to plug in earphones, and unplug from the world.
This is Brad Couture's a first full length album - He wrote, played, recorded and mixed every song himself.
ambient, cinematic, film, music, neo-classical, piano, post-rock
Crafting a concept album is an incredibly difficult task. Tying together a cohesive narrative across a record’s worth of songs isn’t just daunting, it’s an endeavour that even some of the industry’s finest have failed to do memorably. This task, however, becomes notably more difficult when you’re dealing in the abstract via instrumental soundscapes. That is what Chronotope Project, the moniker of composer Jeffrey Ericson Allen, attempts to do with his latest project, ‘Ovum.’
NAAL is an eclectic music project led by Chicago composer Dave Mantel. This talented musician has a true passion for great melodies and haunting musical textures. His blend of ambient, shoegaze and experimental drone music feels personal and unique, echoing the work of artists such as Slowdive, Boards of Canada or Sigur Ros, just to mention a few.