2017-03-30 05:07:29 UTC
Ontario based electro project DAVIDS premiere “Crown of Burrs. The song propels forward with a combination of industrial grooves and rock riffs, while the vocals arrive from a new wave nightmare. ‘Crown of Burrs’ is a song that is perpetually building and it races to an elevated height.
"The inspiration for “Crown of Burrs” came after a long night of indigestion, caused by a Reuben sandwich of questionable freshness that I’d purchased at a roadside kiosk just outside of Birtle, Manitoba in August 1998. At one point I was vomiting with such ferocity out of the back of the camper that I heard an audible POP! in my spine. I lost consciousness. When I finally came to the bass line for the song was already in my mind, and it looped there for the remainder of the trip. Once I’d gotten home and dropped off the last of the scout troop I barricaded myself in the makeshift studio I’d cobbled together in a dumpster behind the local Giant Tiger. 19 years later I emerged, finished track in hand, with a pet rat that I’d taught to speak. His name is Brad and we are quite happy. Enjoy the song. Thank you. "
electronic, electronica, indie, new, wave, synth, pop, synthpop
Ali Murray is an ethereal folk songwriter/musician from the cold isle of Lewis in the north of Scotland. He writes dark atmospheric folk music with lush sweeping dreamy soundscapes and Celtic-twinged instrumentation. His new album LAND OF EVERGONE strikes a balance that is intimate and soaring, peaceful and haunting, sad and quietly joyful, delicately reverberating with Murray's dreamy voice and guitar playing.
Orellana is a neo-classical/post-rock collective hailing from Bristol, UK. Their new album “52”, released in late December, brought in the new year with it’s explosive and intricate sound. The project’s music transcends genre definitions in order to focus on a broad, diverse concept that is more emotional than tangible. This particular release is full of rich and diverse arrangements, but it is also a powerful exercise in minimalism, one that showcases the strength of very few notes placed in the right spots. The simplicity of the arrangement is actually one of the strongest aspects of this entire release: there’s a palpable stillness created by the long, drone notes in the background, which almost makes you feel like the world is happening in slow motion. When the chords and notes change, it feels quite monumental due to the beautiful contrast between the stillness of the background textures and the expressive sound of the guitar-based melodies.