2017-12-13 19:48:06 UTC
Gibberish is the experimental-psych duo of Derek and Lorie Bromley. Formed in their spare bedroom in Arkansas before moving to Los Angeles (where they now reside), Gibberish started out with looping live drums through effects, with Lorie playing bass and keys and Derek rounding things out with a melody and guitar after looping some sort of distorted beat. They enjoy surrounding their songs in textured, spacey blankets, but having a core of rhythmic, lo-fi percussive sounds anchoring the wafty synths and sparkling guitars.
“The new album Kneehigh was written right after we moved from Arkansas to Los Angeles,” the duo explains. “It’s about being in a sort of survival mode that we also felt was mirrored in a lot of ways by society at large around this time.”
“Feet Wet” begins in a luxurious psych-pop haze, gently leading to mellow vocals just prior to the one-minute mark, after an exotic and shimmering introduction of fluttering acoustics and sweeping vocal harmonies. The next four minutes showcase a budding, gorgeous sound that breaks around 02:23, though just briefly until it unleashes cathedral-sized psych-pop bliss in the final minute. It’s an excellent, majestic effort that shows what Gibberish do well: developmental psych-pop with a magical feel.
psychedelic, indie, dream-pop
Orellana is a neo-classical/post-rock collective hailing from Bristol, UK. Their new album “52”, released in late December, brought in the new year with it’s explosive and intricate sound. The project’s music transcends genre definitions in order to focus on a broad, diverse concept that is more emotional than tangible. This particular release is full of rich and diverse arrangements, but it is also a powerful exercise in minimalism, one that showcases the strength of very few notes placed in the right spots. The simplicity of the arrangement is actually one of the strongest aspects of this entire release: there’s a palpable stillness created by the long, drone notes in the background, which almost makes you feel like the world is happening in slow motion. When the chords and notes change, it feels quite monumental due to the beautiful contrast between the stillness of the background textures and the expressive sound of the guitar-based melodies.
Ali Murray is an ethereal folk songwriter/musician from the cold isle of Lewis in the north of Scotland. He writes dark atmospheric folk music with lush sweeping dreamy soundscapes and Celtic-twinged instrumentation. His new album LAND OF EVERGONE strikes a balance that is intimate and soaring, peaceful and haunting, sad and quietly joyful, delicately reverberating with Murray's dreamy voice and guitar playing.