PILLARS is an American four piece, primarily instrumental, post-rock band from Indianapolis, Indiana. PILLARS has played alongside established instrumental bands such as Pelican, and indie juggernauts, The Appleseed Cast, The Get Up Kids, The World Is A Beautiful Place And I am No Longer Afraid to Die, We Are Scientists and more.
PILLARS released their first full-length album through the In Store Recordings label, titled "Of Salt and Sea" on December 15th, 2017. “Of Salt and Sea" marks the band’s most complete release to date, while also marking their first entirely instrumental collection of songs. "Of Salt and Sea" exhibits a distinct mesh of musical colors on full display, as the band takes listeners on a aural voyage full of thoughtfully crafted peaks and plunges. From the towering movement, that shares the name of the album, “Of Salt and Sea” to the succinct yet stunning piece “Subtract/Submerge,” the album delivers a rejuvenated post-rock sound that pushes the boundaries of the genre to stratospheric new levels.
"Of Salt and Sea" is available for digital download, in addition to a limited edition pressing on vinyl, which was mastered by Adam Gonsalves (has also mastered albums for Pelican, Elliott Smith, Neurot Recordings, Epitaph Records).
Ali Murray is an ethereal folk songwriter/musician from the cold isle of Lewis in the north of Scotland. He writes dark atmospheric folk music with lush sweeping dreamy soundscapes and Celtic-twinged instrumentation. His new album LAND OF EVERGONE strikes a balance that is intimate and soaring, peaceful and haunting, sad and quietly joyful, delicately reverberating with Murray's dreamy voice and guitar playing.
Orellana is a neo-classical/post-rock collective hailing from Bristol, UK. Their new album “52”, released in late December, brought in the new year with it’s explosive and intricate sound. The project’s music transcends genre definitions in order to focus on a broad, diverse concept that is more emotional than tangible. This particular release is full of rich and diverse arrangements, but it is also a powerful exercise in minimalism, one that showcases the strength of very few notes placed in the right spots. The simplicity of the arrangement is actually one of the strongest aspects of this entire release: there’s a palpable stillness created by the long, drone notes in the background, which almost makes you feel like the world is happening in slow motion. When the chords and notes change, it feels quite monumental due to the beautiful contrast between the stillness of the background textures and the expressive sound of the guitar-based melodies.