2016-11-06 05:11:36 UTC
Kabaal klankbaan is Gauteng-based musician Floris Groenewald’s folk-rock music project. “It’s not a stage name,” says Floris, “but a band, of which I’m the only permanent member.” They play acoustic, alternative folk-rock, which varies from indie-pop songs, folky dystopian love songs, bluesy rock & roll, to songs about robots and video games.
Most live performances consist of one guy with an acoustic guitar, harmonica, and stompbox, rocking and rolling and folking in an attempt to ignore genre limitations. His next show might be Afrikaans, English, bilingual, folky, rocky, accompanied or solo. In 2015 Kabaal klankbaan performed several times as a duo, joined by saxophinist Andre van Coller, and for a special Halloween show in October 2016, they pulled out all the stops as a four-piece band.
Kabaal klankbaan has released a debut album, Dit wat oorgebly het, in October 2012, closely followed by a standalone, free download single, This town is for lovers, in November 2012. They launched a new single, Player Two (featuring Gad de Combes from Adventure Man and Shortstraw), in October 2013, and a second full-length album, Baptism, in June 2015.
Robot Girlfriend is a fun, humourous, electro/indie-pop song with a fair share of sincerity and heart.
Floris Groenewald, songwriter, frontman, and vocalist, describes the song with his tongue in his cheek: “Robot Girlfriend is simply about how flippin’ sweet it would be to have a girlfriend who’s a robot.”
“But it’s also about when your love life is so completely disappointing that you just retreat into a fantasy world and reject all sense of reality – or so my doctors say.”
acoustic, folk, pop, indie, electro
Ali Murray is an ethereal folk songwriter/musician from the cold isle of Lewis in the north of Scotland. He writes dark atmospheric folk music with lush sweeping dreamy soundscapes and Celtic-twinged instrumentation. His new album LAND OF EVERGONE strikes a balance that is intimate and soaring, peaceful and haunting, sad and quietly joyful, delicately reverberating with Murray's dreamy voice and guitar playing.
Orellana is a neo-classical/post-rock collective hailing from Bristol, UK. Their new album “52”, released in late December, brought in the new year with it’s explosive and intricate sound. The project’s music transcends genre definitions in order to focus on a broad, diverse concept that is more emotional than tangible. This particular release is full of rich and diverse arrangements, but it is also a powerful exercise in minimalism, one that showcases the strength of very few notes placed in the right spots. The simplicity of the arrangement is actually one of the strongest aspects of this entire release: there’s a palpable stillness created by the long, drone notes in the background, which almost makes you feel like the world is happening in slow motion. When the chords and notes change, it feels quite monumental due to the beautiful contrast between the stillness of the background textures and the expressive sound of the guitar-based melodies.