2016-10-06 00:00:00 UTC
Somewhere at the intersection of modern classical, ambient, and post-rock, Philadelphia-based guitarist Patkus evokes nostalgia and contemplation through pulsating swirls of melody that pierce through clouds of harmonic distortion. “These Are But Dreaming Men, Breathe and They Fade” is Patkus’ third full-length album, building upon the idiosyncratic blend of influences and composition techniques heard on 2015’s “Colors.” Dedicated to the loss of his beloved grandmother, “These Are But Dreaming Men, Breathe and They Fade” mirrors Patkus’ journey from loss to acceptance; a search for catharsis tinged with hope.
- Tamam Shud - 04:39
- The Doorbell Requiem of Catherine Philomena - 04:23
- Three Epicycles (or How a Poem on a Flagpole Told Me She Was Stars) - 09:23
- Intermission - 01:16
- Tamam Reprise - 04:08
- No God Rang the Bells - 05:35
- The Minutes - 04:56
alternative, ambient, drone, minimalism, post-rock, psychedelic
Ali Murray is an ethereal folk songwriter/musician from the cold isle of Lewis in the north of Scotland. He writes dark atmospheric folk music with lush sweeping dreamy soundscapes and Celtic-twinged instrumentation. His new album LAND OF EVERGONE strikes a balance that is intimate and soaring, peaceful and haunting, sad and quietly joyful, delicately reverberating with Murray's dreamy voice and guitar playing.
Orellana is a neo-classical/post-rock collective hailing from Bristol, UK. Their new album “52”, released in late December, brought in the new year with it’s explosive and intricate sound. The project’s music transcends genre definitions in order to focus on a broad, diverse concept that is more emotional than tangible. This particular release is full of rich and diverse arrangements, but it is also a powerful exercise in minimalism, one that showcases the strength of very few notes placed in the right spots. The simplicity of the arrangement is actually one of the strongest aspects of this entire release: there’s a palpable stillness created by the long, drone notes in the background, which almost makes you feel like the world is happening in slow motion. When the chords and notes change, it feels quite monumental due to the beautiful contrast between the stillness of the background textures and the expressive sound of the guitar-based melodies.