2017-03-14 18:54:35 UTC
We All Die! What A Circus! Is the solo studio project of João Guimarães from Portugal and was created in 2013. It all started with the release of the EP Drowning Gives Meaning To Breath (June, 2013) which consisted of soundscapes (synths, samples, field-recordings) mixed with post-rock and "folk" guitars with a minimalist approach focusing on the atmosphere. The song "Drowning Gives Meaning to Breath" was featured on the RibsOut Compilation 6 and the song "Hold" was featured on the compilation The Best of Portuguese Post-Rock 2013 made by the Portuguese website Planeta Post-Rock.
In September of 2014 the first full-length "Until The Cosmos Takes Me Back"was released featuring more drone elements, intricated guitar-work and a more layered sound, featuring two singles: From India To Gaza I, one of the highlights of the album with a strong guitar-lead dwelling in the air with its simplicity, and Old Village In Space which combines a sense of nostalgia with an eerie slow-pace solo. The album was considered one of the best Portuguese albums of the year by the website Bandcom and the song "Our Dust Turned Into This" was featured on the compilation The Best of Portuguese Post - Rock 2014 by Planeta Post-Rock.
Between 2015 and early 2017 the new self-titled album was recorded expanding the sound of the project with a different concept, including elements of dark jazz, modern classical all warped up by reverb-drenched drone soundscapes and also post-rock guitar featuring drums for the first time.
The album was released on March, 3, 2017. Conceptually it deals with the existential issues of human life, the need for a meaning of life and/or the lack of it; and how time and space wraps our own existence. It was inspired by the thoughts of philosophers and writers like Emil Cioran and Charles Bukowski (his famous poem Bluebird is recited on that song) and is a homage to them. Sound-wise this album makes heavy use of drone synths and field-recordings processed with various effects setting the atmosphere; some elements of dark jazz and classical modern piano; post-rock guitars for the lead melodies and harmonies and a sparse use of drums, mostly downtempo. Some said it resembles Angelo Badalamenti and Bohren & der Club of Gore making post-rock.
- The Trouble Of Being Born - 05:34
- Emil Cioran's Nightwalk - 07:50
- Bluebird - 09:01
- A Fishing Rod For My Grandpa - 04:28
- Tears Do Not Burn Except In Solitude - 08:13
- What We Think We Become - 04:49
ambient, experimental, acoustic, drone, field, recordings, folk, introspection, post-rock
On Saturday, May 20, multi-instrumentalist and lauded bass player Erik Kramer released his debut studio endeavor, an EP entitled ‘Missed the Boat.’ The Brooklyn-based musician has an especially eclectic sound, one that employs the talent of a slew of musicians: saxophone, trombone, viola, trumpet, back-up vocalists - they’re all there. An experimental record through and through, ‘Missed the Boat’ is an indie record quite unlike anything else that’s come across my desk in recent months.
The Great Long Distance is an audible recollection of the first 12 months of a long distance relationship, including the highs and lows and moments in between. It is a journal without words, each of the 12 tracks representing each month respectively. Inspired by the format of NIN's "Ghosts I-IV", the album is a sonic tapestry of different moods and themes, with various recurring motifs and the subtle melding of synthesizer and samples; the result something not quite classical, ambient or electronic - rather, an eclectic blend of the three. For fans of Ólafur Arnalds, Nils Frahm and later Ulver