In the middle of México, in the Capital of the Country, north of the so called “City of Hope” Rafael Gtz. Under the nickname: Elvaan Ibanfure rises as an alternative with a totally aggressive, contradictory and defiant proposal for the social context in which it develops.
Elvaan Ibanfure, with a long career as a musician and singer with some of the most unique and original bands in México (All You Hate) and Arda is now exploring the music world as a solo artist, confronting his own mind and maturity, maturity that has been cause and result of some series of tragedies and events that, with time, allowed him to extend his consciousness and made him aware about social decadency, which goes over borders and infest the whole planet.
Upon the reality in which he lives, a strong feeling of impotence arises, that began to take form in his mind and heart, in front of the apparent inevitable destruction of life, men, nature and universal virtues, and then realizing that the only possible way to make a significant change in the environment, it’s creating a massive “wake up” expressed in one of the branches of the human language… Music.
Elvaan then created a rich universe in which all of his songs take place, the world of "Nothing" where an accidental god soon realizes that his creation should not be taken lightly.
This is the world of "Sheol"
Elvaan Ibanfure tempts people to be free to love and hate, without prejudices, always searching the evolution of the spirit & never to give up.
Several demo songs are now under his sleeve, and now Elvaan Ibanfure launches his first official material, under the name of "The Wolves Are No Longer Howling". A 5 minute instrumental opus that transcends the borders of Rock & Metal, showing the world, his unique and singular style of aggressiveness, despair, pain, hate, love and thirst of justice and change. With catchy and powerful guitars, deep and vibrant bass lines, explosive drums charged with rhythm and the finesse and class of strings and brass sections makes it clear that this is music for the intelligent, music for the elite. This is his new vision of Metal, his particular vision of Music.
This self-produced EP is the first work by Go Ask Alice: eight instrumental tracks, composed between 2012 and 2013, recorded and mixed by Matteo Spinazzé, in collaboration with Curzio Ferri playing drums and Andrea Oggiano with his acoustic guitar. Perfection is terrible is the first verse of Sylvia Plath's poem "The Munich Mannequins". "Perfection" here is completeness, closure, inability to evolve and reborn, perfection is death. Perfection is indeed terrible, can't have a child, just as Plath's Munich Mannequins, cold marble statues, beautiful and perfect, frozen with us in a never ending present, the immense futureless present of the "capitalist realism": the end of history.
Joel Porter started playing music at an early age, starting with violin and then moving onto french horn (5th grade), guitar and bass (6th grade), and songwriting in high school. Porter and Eric Hillman (producer + 1/2 the band Foreign Fields) recorded everything on 'Mountain Twin' in the Dark Heart studio by themselves, covering violin, guitar, bass, piano, trumpet, french horn, and vocals, as well as any electronic samples you might hear. the Porter explains that Mountain Twin' EP is about growth. Over the course of four folk-based, painstakingly carefully crafted songs, which include a song he co-wrote with his musician parents, he illustrates the nature, feelings, memories and what it means to seek for the truth. You can easily feel yourself being in the desolate plains, where the snow is falling, the river is flowing and the mountains howling.
The album was released on March, 3, 2017. Conceptually it deals with the existential issues of human life, the need for a meaning of life and/or the lack of it; and how time and space wraps our own existence. It was inspired by the thoughts of philosophers and writers like Emil Cioran and Charles Bukowski (his famous poem Bluebird is recited on that song) and is a homage to them. Sound-wise this album makes heavy use of drone synths and field-recordings processed with various effects setting the atmosphere; some elements of dark jazz and classical modern piano; post-rock guitars for the lead melodies and harmonies and a sparse use of drums, mostly downtempo. Some said it resembles Angelo Badalamenti and Bohren & der Club of Gore making post-rock.
"The idea of "Whirl Music" was to capture a blur of past moments in one's emotional life," Jasper X, the New Jersey-based project frontman, explains. "Our memories are often blurred snapshots of multiple moments that we think of from time to time, like being a whirl of thoughts. The initial chord progression is the foundation of the song along with the driving kick drum on the downbeat. The idea was to create modest builds and colors around that foundation and what came out was a positive sonic vibe that crescendos into the instrumental outro." The track is off his new full-length, 'Aegean Lanes'
Singer/songwriter Jasper X has been writing and recording records for the past 15 years. He began his music career playing small clubs in NYC, bouncing around from one project to the next. It would take a while for Jasper to finally organize his musical thoughts and put a dedicated effort into a studio recording. After writing indie-rock oriented pieces, such as the 2011 release 'Cameras and Paragons', he chose to let his current influences at the time (Wilco, Elliot Smith, Ryan Adams) take him in a different direction. His latest release, 'Aegean Lanes', enters the alt-folk/singer-songwriter genre with personal, acoustic-based songs having unique chord progressions (Only Patterns, Fortunes) and pulsating rhythms (Whirl Music, Alpha Rays).
Orellana is a neo-classical/post-rock collective hailing from Bristol, UK. Their new album “52”, released in late December, brought in the new year with it’s explosive and intricate sound. The project’s music transcends genre definitions in order to focus on a broad, diverse concept that is more emotional than tangible. This particular release is full of rich and diverse arrangements, but it is also a powerful exercise in minimalism, one that showcases the strength of very few notes placed in the right spots. The simplicity of the arrangement is actually one of the strongest aspects of this entire release: there’s a palpable stillness created by the long, drone notes in the background, which almost makes you feel like the world is happening in slow motion. When the chords and notes change, it feels quite monumental due to the beautiful contrast between the stillness of the background textures and the expressive sound of the guitar-based melodies.
Ali Murray is an ethereal folk songwriter/musician from the cold isle of Lewis in the north of Scotland. He writes dark atmospheric folk music with lush sweeping dreamy soundscapes and Celtic-twinged instrumentation. His new album LAND OF EVERGONE strikes a balance that is intimate and soaring, peaceful and haunting, sad and quietly joyful, delicately reverberating with Murray's dreamy voice and guitar playing.