NO//LIARS is a punk band, straight up no frills, no gimmicks. With one self-produced EP under their belt, they enlisted the help of Jesse Gander of Rain City Recorders (Japandroids, White Lung, The Pack A.D) to record their first full length, The Cause & The Cure (Due in early 2018). They also asked Joao Carvalho (Alexisonfire, Arkells, Silverstein, Protest the Hero) to master the album.
"‘Animal’ is the first single from the record and we think it showcases us at our best. At it’s root, ‘Animal’ is about struggling with inner turmoil and recognizing the darkest parts of ourselves. We wanted the video to portray the terror of losing touch with reality when facing one's inner demons."
Elã (pronounced Elan) is the new record of the Brazilian instrumental/post-rock band Kalouv, formed by Basílio Queiroz (bass), Bruno Saraiva (keyboards), Saulo Mesquita (guitar), Túlio Albuquerque (guitar) and Rennar Pires (drums). The album was composed between December of 2016 and march of 2017, in a country house named Sítio Santa Fé, located in the interior of the state of Pernambuco in Brazil. Also, the record became possible by a crowdfunding campaign, raising 124% of the goal in 45 days.
Between the time of composing in the Sítio Santa Fé, the nine tracks of Elã gained life and made the musicians develop new ways of creating music. This process brought more direct songs inspired by contemporary music that goes from alt rock and IDM genres to pop from the eighties. Therefore the post-rock that guided the previous records get new colors and goes off the sobriety and introspective tone to give space to tracks guided by synths, rhythmic guitars, and vocals, with more interaction between drums, bass and piano.
Created in 2010, the band has in their history two full-length albums, Pluvero (2014) and Sky Swimmer (2011) and an EP, Planar Sobre o Invisível (2016), all of them being well received by Brazilian and foreign media. In this fourth work, the band tries to bring new musical influences and collaborations to the album, like Sofia Freire in the tracks Elã and Pedra Bruta, Yukio in the track Mergulho Profundo and RØKR in the track Hotline Miami. The record had the recording, mixing and mastering by Bruno Giorgi, sound engineer behind other Brazilian music projects like Lenine (winner of Latin Grammy), baleia, Vitor Araújo and others. He also participated in the album adding textures and rhythmic mixing designs to the album.
The graphic art and design project is signed by Thaís Jacoponi, a resident of the city of São Paulo, Brazil. The image of a person hugging this black risk represents the energy that the word Elã brings: innovation, impulse, drastic force. The record was named after we met a little dog in the country house called Elã. The name drew our curiosity because is an unexpected name to put in a dog, so we looked for the meaning and found that it connects entirely with the feeling we were trying to put in our composing time. Also, was a meaningful word to represent our friendship and the stories that we constructed together in seven years as a band.
Pedra Bruta - 04:17 Moo Moo - 05:27 MÃ¡quinas - 05:25 ElÃ£ - 05:36 Hotline Miami - 06:42 Depois do Escuro - 04:52 O Escultor - 06:12 Rei Sem Cor - 05:15 Mergulho Profundo - 06:38
This cosmic journey began life springing from the fretboard of bassist Drew Cranford, whose layered chords, agile arpeggios, and fluid tapping anchors the musical foundation of the project. Starting as a solo artist, Drew's writing focuses on complex riffs and technically demanding performances which produce a unique style of bass playing that challenges the understanding of the role of the instrument itself. Eventually Drew crossed paths with fellow Georgia Tech student Jeff Harrison. An experienced drummer, and somewhat pursuer of good tunes, Jeff instantly connected with Drew’s melodic-centric bass riffs and thus a rhythmic foundation was laid. Over time the duo honed material together, practicing for hours in the basement of a house in Atlanta until eventually the two approached Steve Bledsoe to lead the charge on guitar. A past bandmate and friend of Jeff's, Steve would bring a unique sound to the group, blending classic guitar styles with a more modern, melody focused, vibe.
The three soon coalesced into a well-oiled musical unit, gigging locally around the Atlanta music scene, all the while working out the kinks for the songs that would become the self-published 'Peripheral Sounds' EP. Recorded in whatever spare time the group could afford, the EP served as an early sonic blueprint for the future iteration of Cosmic Carpool. Regrettably, college graduation and subsequent geographic separation became too much to gainfully surmount, and the group amicably parted ways for an indefinite period of time. The members pursued various other musical endeavors, with Jeff and Steve eventually touring together again in a different group. The three remained close friends, however, and would occasionally jam as Cosmic Carpool for a bedroom audience.
Years later, with the disbanding of his touring act, Jeff began experimenting with synthesizers and DAWs developing a deeper understanding of not only music itself, but the underlying technology behind the sounds. Eager to pursue this new passion, Jeff set off to reunite with Cranford and Bledsoe, reinventing Cosmic Carpool into a genre-bending, electronic 'space' rock trio. The group, reinvigorated with fresh songs from Drew's catalog and the sonic possibilities of modern synthesizers, began an intense rehearsal schedule to flesh out what would become 'Horizon'. With Jeff at the console and taking nearly a full year and a half to complete, the resulting LP is a testament to perseverance, and the payoff is huge. The entire record is a joy to listen to from start to finish, and while the songs certainly stand on their own right, the true power of ‘Horizon’ is best appreciated as an entire package.
Transporting listeners through time and space by way of intricate arrangements, bruisingly heavy riffs, and soaring electronic melodies, Cosmic Carpool is a sonic force quite unlike anything you've heard before. Hailing from Atlanta, GA, the genre-bending trio crafts a unique amalgam of rock, electronic, metal, ambient, and dance into something that is far greater than the sum of the parts. Every note is intentional, every passage designed for maximum feeling. Written by Drew Cranford (bass) and Produced by Jeff Harrison (drums/keys/synths), with Performances by Steve Bledsoe (guitar/mandolin), Cosmic Carpool’s debut full length LP 'Horizon' is an ethereal journey whose cadence is perfectly timed from beginning to end.
Hello from the Children of Planet Earth - 02:03 info Horizon - 06:09 info Big Blue Beast - 07:20 info Arise - 03:25 info Beyond 2D - 08:08 info Interlude - 01:27 info Phantom Funk - 02:27 info Nintendose - 09:23 info Reprise - 07:17 info Looper - 04:38 info Metal - 08:27 info
Bob Fossil comprises elements of rock n' roll, funk, alternative and progressive styles of music to create their blend of "Fossil Rock." The band looks to continue sharing a meaningful human experience with people throughout the world via music. Enjoy their new album "Safety Meeting".
Alyosha, the fourth full-length album from Philadelphia-based guitarist Patkus, released on September 1st.
An hour-long composition comprising six movements with a prologue and epilogue, Alyosha stands somewhere at the intersection of modern classical, post-rock, and American primitive.
“I was reading The Brother’s Karamazov — which is awesome by the way — and wanted to make something of a similar scale and scope. I wanted to aim high, take a leap of faith, pretend to be a better musician than I actually am, and see what would happen.”
From John Fahey to Mogwai, Steve Reich to Ali Akbar Khan, Patkus' music is an idiosyncratic blend of influences and composition techniques.
Ali Murray is an ethereal folk songwriter/musician from the cold isle of Lewis in the north of Scotland. He writes dark atmospheric folk music with lush sweeping dreamy soundscapes and Celtic-twinged instrumentation. His new album LAND OF EVERGONE strikes a balance that is intimate and soaring, peaceful and haunting, sad and quietly joyful, delicately reverberating with Murray's dreamy voice and guitar playing.
Orellana is a neo-classical/post-rock collective hailing from Bristol, UK. Their new album “52”, released in late December, brought in the new year with it’s explosive and intricate sound. The project’s music transcends genre definitions in order to focus on a broad, diverse concept that is more emotional than tangible. This particular release is full of rich and diverse arrangements, but it is also a powerful exercise in minimalism, one that showcases the strength of very few notes placed in the right spots. The simplicity of the arrangement is actually one of the strongest aspects of this entire release: there’s a palpable stillness created by the long, drone notes in the background, which almost makes you feel like the world is happening in slow motion. When the chords and notes change, it feels quite monumental due to the beautiful contrast between the stillness of the background textures and the expressive sound of the guitar-based melodies.