“Inches Apart” is a single from Brooklyn’s Magana, accompanied by a stunning new video from director Lauren Finerman (New York City Ballet) and backed by exclusive remixes from Frog and Benjamin Shaw. Magana’s debut EP, Golden Tongue, found praise and support from The Line of Best Fit, London In Stereo, yvynyl, BBC, GoldFlakePaint, IMPOSE, The Le Sigh, The Deli Magazine and many others.
Haunted and emotional, “Inches Apart” touches on the work of St. Vincent, Diane Cluck, Sharon Van Etten and Rebecca Moore. It's heartfelt and emotional music with ghosts whispering through the walls.
"Tree Trunks" is the second single from Basement Revolver and is off their upcoming EP 'Agatha' out on 21st July On Yellow K Records (U.S.) and fear of missing out records (U.K.)
'Tree Trunks' was written when I started experiencing panic attacks for the first time, and my increasing need to find a professional who could help me to find better ways to cope. It also tries to mirror how I imagine the environment feels sometimes - and how the environment is tied to many people's mental health. I was very fortunate to find the help that I needed and I would encourage everyone to go after the mental health resources that are available to them."
MAJJ is an alternative rock band from France. Created in late 2015 under the impulse of Julian and Julien (who previously worked together as "Atlantic Drop"), and quickly joined by Matthieu on drums and Alex on the bass. With an always growing catalog of compositions, the band playeds a series of live shows within the local music scene during 2016 and 2017 and released they debut album "Motion Bloom" on June 21st.
"Motion Bloom" is an album made of 10 songs with atypical structure, that oscillates between dynamic post-rock and shoegaze, with some flavour of math-rock. It was written, recorded, mixed and mastered by the band in the beginning of 2017.
Ali Murray is an ethereal folk songwriter/musician from the cold isle of Lewis in the north of Scotland. He writes dark atmospheric folk music with lush sweeping dreamy soundscapes and Celtic-twinged instrumentation. His new album LAND OF EVERGONE strikes a balance that is intimate and soaring, peaceful and haunting, sad and quietly joyful, delicately reverberating with Murray's dreamy voice and guitar playing.
Orellana is a neo-classical/post-rock collective hailing from Bristol, UK. Their new album “52”, released in late December, brought in the new year with it’s explosive and intricate sound. The project’s music transcends genre definitions in order to focus on a broad, diverse concept that is more emotional than tangible. This particular release is full of rich and diverse arrangements, but it is also a powerful exercise in minimalism, one that showcases the strength of very few notes placed in the right spots. The simplicity of the arrangement is actually one of the strongest aspects of this entire release: there’s a palpable stillness created by the long, drone notes in the background, which almost makes you feel like the world is happening in slow motion. When the chords and notes change, it feels quite monumental due to the beautiful contrast between the stillness of the background textures and the expressive sound of the guitar-based melodies.