Shores of Orion is an experimental post-rock project from India. Born out of insomnia, this project started back in 2015 as an idea of expressing emotions. After a debut with 'Saudade', Shores of Orion is back with their second full-length album 'The Courage Of Stars'. 'The Courage Of Stars' is a cinematic/post-rock album, consisting of 14 songs written in the period of last year. Every song on the album has a different feel that sets them apart from each other, and expresses a large spectrum of emotions. Experimenting with simple yet interesting and relaxing soundscapes was this album's focus and it shows throughout the album. It is simple in its arrangements yet expressive in its melodies. This album is dedicated to one of our close friends who we lost last year.
In trance suites by drums, bass, keyboards and guitar musicians explore the depths of space rock, subtle electronic, ambient and even punk-jazz. Euphonic constellations and electric tales arise of foggy tissues of melody, harmony and pulse suspended in weightlessness. Improvising sound spaceport formed in 2012 at Warsaw, Poland. Michał Jarosz – drums, Jerzy Karpowicz – bass guitar, Bartosz Ługowski – electric guitar, Paweł Wutkowski – keyboards
Spiricom is a two-person project from Ohio featuring elements of post-rock, shoegaze, ambient and experimental rock. The project was started by Steven K. Smith, who has also been involved in bands such as A Signal In The Static, Dolmen, Mabou, and Daye of Skye.
In 1980, William O'Neil and George Meek built the spiricom apparatus to communicate with the spirits of the deceased. Stranger still is that O'Neil claims to have gotten assistance in the radio-like device's development via psychic interaction with Dr. George Mueller, who had died in 1967. The concept of otherworldly communion mixed with technology is Spiricom's primary theme, but they also explore more archaic forms of spiritual communication.
Smith handles the programming, percussion, keyboards and synthesized guitar in Spiricom, while Marc Cody explores soundscapes, auditory textures, and fuzzy walls of distortion on lead guitar.
Spiricom's Hammer of Witches EP glimpses the lengths to which the zealous will go in the pursuit of righteousness. Three companion pieces evoke how men wielded pain, fire, and unyielding conviction in the pursuit of holy purification. Competing spiritual forces create a cascade of textures. Guitars lull and sear a redemptive path through illuminating and angelic synths. Drums beat out a shamanistic trance while a percussive march gathers on the borders.
"Echoes Across The Sky" was formed in late 2011 as an alternate project for musician Craig Siegelbaum. Craig known mostly for his guitar work in rock bands Supergenius and Half Circle Drive as well as his solo guitar instrumental project. With "Echoes Across The Sky," Craig broadens his musical landscape. In fact there is very little guitar used in the music. It's a more of a piano and string based sound with thunderous drums and bass. The debut EP is was released in October 2012. The EP was very well received. With downloads from all over the world already. Echoes Across The Sky is just starting to take off. The debut full length album "The Growing Distance" was released on 5.5.15 and is available at all digital retailers. The sophomore album "Rise" was released 1.1.18 and is also available at all digital retailers and streaming services.
This song is from a new EP Lowercase Noises will be releasing in the coming months.
" I took a very different songwriting approach this time around and limited myself to only guitar and synthesizer (with one exception on one track). These songs are slow, simple and unassuming. I wrote them all very quickly after getting back from my last house show tour in a somewhat unprecedented burst of creativity and excitement. I'm very happy with how everything turned out."
Orellana is a neo-classical/post-rock collective hailing from Bristol, UK. Their new album “52”, released in late December, brought in the new year with it’s explosive and intricate sound. The project’s music transcends genre definitions in order to focus on a broad, diverse concept that is more emotional than tangible. This particular release is full of rich and diverse arrangements, but it is also a powerful exercise in minimalism, one that showcases the strength of very few notes placed in the right spots. The simplicity of the arrangement is actually one of the strongest aspects of this entire release: there’s a palpable stillness created by the long, drone notes in the background, which almost makes you feel like the world is happening in slow motion. When the chords and notes change, it feels quite monumental due to the beautiful contrast between the stillness of the background textures and the expressive sound of the guitar-based melodies.
Ali Murray is an ethereal folk songwriter/musician from the cold isle of Lewis in the north of Scotland. He writes dark atmospheric folk music with lush sweeping dreamy soundscapes and Celtic-twinged instrumentation. His new album LAND OF EVERGONE strikes a balance that is intimate and soaring, peaceful and haunting, sad and quietly joyful, delicately reverberating with Murray's dreamy voice and guitar playing.