Hors Sujet is the solo project of Florent Paris, started in 2006. Stories told through shapes, noises, feedback and landscapes. Hors Sujet is proud & excited to announce the release of its new EP, "Seuls les moins humbles en hériteront", a 2-songs EP for 21 minutes of drone and post-rock, recorded between november 2016 and january 2017 in Toulouse, France.
Élvio Rodrigues is a composer and producer from Madeira island, now based in Lisbon, Portugal. In spite of being a player of multiple instruments, in the last couple of years, Élvio has been experimenting with piano, field recordings, and ambient soundscapes. The result is embodied in Slowburner’s debut EP - Before I Return To Dust - which was bself-released in digital and CD formats on March 14th 2017.
The EP deals with the realization that time is limited. Most of the time we’re just living life on autopilot and forget our dreams and hopes for the future. We somehow expect for things to fall into place, except things don’t always work out that way. In that sense, ‘Before I Return To Dust’ is a statement - the time to accomplish all those things we’ve always wanted is now. Time’s ticking.
Start where you are with what you have - 03:56
Time waits for no one - 05:03
Never too late to be someone else, somewhere else - 05:34
Please let me be more than this fleck of dust in the air - 07:29
Pacific Loon is an artistic project by Francesco Busiello born in 2013.
First of all he’s a member/composer of Starframes, later he focused on cinematics, field recording and visuals. His first ep “Growth”, was born after an accidental meeting between himself and Leana Pizzoferrato, music inspired by her images to analyze aspects such as the rise and fall of humain being. In September 2016 he was selected to compose a soundtrack for Artemisia Gentileschi masterpiece “Giuditta che decapita Oloferne” at Museo di Capodimonte in Naples. He had been always fascinated by the city, so then he decided to start doin’ mini concept records.
"It was darker, then lighter, till it was all drowned in splendor" it's a concept record based in Naples, it goes through esoteric and hidden places of my hometown. Every places got his own music composition, supported by minimal static videos; I did also experience some rough field recording, to make it part of music composition: I wanted to make a "low-fi" record, I didn't look for perfect sounding, cause it's reflects how the city lives. I've been always fascinated by light in Naples, warmer and delicate in spring, iced and cruel in winter, so that's where the title comes from. EP starts with big reverb and dark mood of "Piscina Mirabilis", a big cistern built by Romans, to end with "Santa Maria Della Fede(to wane without disparagement)" set in an old cemetery, one of the most brightest day of my life."
Piscina Mirabilis - 02:52 info
Oh, Vergilius - 03:12 info
Botanique - 04:45 info
San Felice - 04:26 info
Santa Maria Della Fede (to wane without disparagement) - 03:19 info
The Great Long Distance is an audible recollection of the first 12 months of a long distance relationship, including the highs and lows and moments in between. It is a journal without words, each of the 12 tracks representing each month respectively. Inspired by the format of NIN's "Ghosts I-IV", the album is a sonic tapestry of different moods and themes, with various recurring motifs and the subtle melding of synthesizer and samples; the result something not quite classical, ambient or electronic - rather, an eclectic blend of the three. For fans of Ólafur Arnalds, Nils Frahm and later Ulver
In order to excel in the independent music industry, an act has to define itself as especially unique with a sound quite unlike anything else in the community. This is a tall order, one that isn’t easily filled by acts entering variations of rock music due to the immense amount of bands flooding the scene right now. Palehorse/Palerider, a “doomgaze” trio from Denver, has released an EP entitled ‘Burial Songs’ that does a surprisingly superb job at separating itself from the pack. Let’s delve into it.
Even though the independent rock scene is quite inundated with new acts, there’s always a welcome place for an outfit that changes the formula enough to be consistently interesting and worth taking notice of. The New York-based alternative rock group Voices from Deep Below attempts to do just that, fusing together a variety of styles into a surprisingly coherent sound. Their new record, “I Want to Stand Where the Sun Himself Shakes with Fear”, is a five song album that navigates alt-rock, experimental, and borderline metal and progressive influences all at the same time.