An Ant And An Atom is a solo project of Sean Warkentine, based in Lethbridge, AB, commanding electronic noise, drone, ambient, and post-rock genres into a mass of sound. Having appeared at numerous music festivals including Calgary’s renown Sled Island Festival, Winnipeg's Big Fun Festival, Edmonton's Endless Bummer, and Lethbridge's Electric Eye, he has performed alongside diverse acts, including Big|Brave, R.Ariel, Technical Kidman, Bitter Fictions, Pigeon Breeders, Jung People, Pyramid//Indigo, and recently completed a prairie-provinces tour with the master of ambience, Valiska. Live performances join together An Ant And An Atom‘s love of intricate design and powerful immersion as he crafts slow burning melodies atop hazy vocal samples layered with visceral textures that explode into blasts of noise.
Following the successes of previous EPs and 2016's Entropy, a 24-minute experimental musical work created for an exhibition of art by Lauren Crazybull, new release, Exterior, comes as a new collection of 5 pieces looking outward and upward. With intense mastering treatment by the acclaimed, James Plotkin, this work heads to darker and dronier places than previous releases.
In support of these releases, An Ant And An Atom will be performing a few Alberta dates and across British Columbia with tourmate, FOONYAP, along with dates at the prominent SLED ISLAND FESTIVAL in Calgary, and the EDMONTON NOISEFEST in August. Full dates and show info is listed below:
June 23 - Calgary at Broken City, Sled Island Festival, with Midden & Ursa
June 30 - Tent City at Kinney Earthship, with FOONYAP
July 12 - Vancouver at TBA, with FOONYAP, Echuta, & guest
July 13 - Victoria at Copper Owl, with FOONYAP, Psychic Pollution, Prince Shima
July 15 - Nanaimo at White Room, with FOONYAP & Prince Shima
July 19 - Abbotsford at O'Neill's, with FOONYAP, Gold Gloom, Pacific Coliseum (a.k.a. Teen Daze)
July 20 - Vancouver at Hidden City, with FOONYAP & Hazy
July 21 - Kelowna at Summerhill Pyramid Winery, with FOONYAP & Neon Runner
July 22 - Vernon at Record City, with FOONYAP & Murphy Luzod
July 23 - Ymir at The Ymir Schoolhouse, with FOONYAP & Murphy Luzod
August 26 - Edmonton at The Ortona, Edmonton Noisefest
FOONYAP is announcing a new remix EP, Apropos, which features one An Ant And An Atom remix of her stunning piece, "Mourning Coup."
An Ant And An Atom has also contributed a track to the new compilation album, "It's More Like An Homage To You," a tribute to the renown Connecticut screamo, power violence, hardcore band, Jeromes Dream, dismantling and reworking one of their intense songs. It is being released on cassette by the Hamilton label, Zegema Beach Records and features 29 of the 3-piece band's songs redone by artists from around the world. All proceeds from the sale of the album will be donated to FLINT RISING COALITION (flintrising.com) in support of the ongoing Flint, MI, water crisis.
My Craft Broke At Launch - 04:56
The Crush Of Gravity - 04:55
Locked In Adrift - 05:59
I Dreamt Of Reaching Space, But Couldn't Calculate The Escape Velocity For Reality - 03:52
Heat Up Another Planet, Burn Out Another Sun - 11:49
Orphique is the ambient experimental alias of Essex/East London producer Ruffien.
After three years, Orphique returns with his second album - "Babel". It is said to be his "most personal" and his "most accomplished project yet". The inspirations of this album surround conflict, personal loss, dealing with depression but ultimately exploring various ways to seek contentment within himself.
Paradise Caught - 05:08 Myth - 05:43 Cor(o)ners - 05:51 Group Motion - 07:26 Caved In - 04:08 Babel - 06:46 Weigh Me Down - 05:31 Closer - 08:09
Iyari is Josep Mateo's guitar project. He is the guitar player of the bands Kartar Atma and Silveryarn. Iyari's music is based on improvisation with electric guitar, Josep builds soundscapes and melodies. He has released two records: "Sura" and "Sons de Tardor".
Silencis - 03:06 La dansa de les fulles - 02:18 Novembre - 03:26 Talamanca - 04:55 El camÃ - 04:46 Mestral - 02:06 Nit de Tempesta - 04:34 Quillan - 02:51
Blair Coron is a musician and composer residing in Glasgow, Scotland, blending the borders between contemporary classical music, ambience, flourishes of electronics, folk and poetry and with the aid of a string ensemble his primary intention is to create enchanting atmospheres that sets course for introspection.
When he is not performing with the band, he regularly collaborates and composes for those in the other arts with a keen interest in how the arts can be translated between one another. Currently he is scoring the soundtrack to a play by Andrew Edwards (winner of the Roxy Theatre award), which will be performed throughout the whole of the Edinburgh Fringe Festival.
“An ordinary narrative” is EP for the little moments in our lives. Bold, repetitive and simple are three suitable words to describe the material in “An ordinary narrative”. This EP is the representation of Nhung Nguyen everyday life – a narrative which is both real and surreal. Seven piano pieces with a touch of soundscape are processed with a minimal level of editing to create a sense of imperfection. The raw quality of these pieces carries Nhung Nguyen's honest and sincere feelings toward life, memories and music. “An ordinary narrative” is the theme for the dreamy time of the youth.
Ali Murray is an ethereal folk songwriter/musician from the cold isle of Lewis in the north of Scotland. He writes dark atmospheric folk music with lush sweeping dreamy soundscapes and Celtic-twinged instrumentation. His new album LAND OF EVERGONE strikes a balance that is intimate and soaring, peaceful and haunting, sad and quietly joyful, delicately reverberating with Murray's dreamy voice and guitar playing.
Orellana is a neo-classical/post-rock collective hailing from Bristol, UK. Their new album “52”, released in late December, brought in the new year with it’s explosive and intricate sound. The project’s music transcends genre definitions in order to focus on a broad, diverse concept that is more emotional than tangible. This particular release is full of rich and diverse arrangements, but it is also a powerful exercise in minimalism, one that showcases the strength of very few notes placed in the right spots. The simplicity of the arrangement is actually one of the strongest aspects of this entire release: there’s a palpable stillness created by the long, drone notes in the background, which almost makes you feel like the world is happening in slow motion. When the chords and notes change, it feels quite monumental due to the beautiful contrast between the stillness of the background textures and the expressive sound of the guitar-based melodies.