Calvin Jung, known by his stage name Plusol, is a Canadian electronic musician and 3D visual artist. Growing up in Burnaby, British Columbia, he attended the Digital Sound Production program at Burnaby North Secondary, which led him to study in the Music Technology Diploma program at Douglas College in which he graduates in June. Aside from his music, Calvin also runs an Instagram page where he post 3D art using geometric shapes while he develops an fantasy like environment. He has also provided album art for Vancouver based collective “Crystals” for their third compilation album.
Following a string of singles, Plusol’s first album, “Aura” focuses on creating a surreal, and nostalgic experience through a combination of music and artwork. He finds inspiration in film and video game scores, as well as music produced by his fellow peers in the Vancouver electronic music scene. Covering a diverse range of genres within electronic music, Plusol focuses on simultaneously diversifying his style, while creating a cohesive album experience.
Iyari is a project of Josep Mateo, member of Karta Atma, Rebery and Silveryarn, apart from other instrumental music projects and experimental like Soundreamer Days and Leth. His music is based on improvisation with guitar. He tries to capture the magic of the moment and explore new paths towards what unknown. These sounds are part of our trip, and they are waiting for us for when we need them most. With his themes he tries to return to this original point of connection where all the sounds flow and you can perceive the second music, everything is recorded in a single track; mistakes and indecisions are also part of the magic of moment. His first album "Sura" was recorded in June 2016 presenting a collection of improvisations with guitar where total freedom is the common denominator of sound, in communion with total anarchy in terms of structures and construction of the songs. In October of the same year, "Sons de Tardor" appeared and shows a certain evolution in to sound and Josep's constant search for new paths to express himself through his guitar, he brings to us eight improvisations that explain a story among all of them. In 2017 Iyari starts performing live with concerts in Ronda Barcelona and the Experimental Music Festival of Barcelona (LEM Festival) where Josep elaborates a presentation of his songs incorporating other elements such as loop pedals, drum machines and visual support with projections. In this 2018 he edits "Ostara" which is a step forward in his career recording the whole album with a loop pedal and using the effects to create hypnotic environments, other landscaping, but always looking for beauty and the mystery with its six strings.
Chelidon Frame is an experimental electronic project from Milano, Italy. He works with drones, found-objects, shortwave radios, guitars and loops. In 2014 “Antartica” was premiered at the fifth Marrakech Biennale for “herenowhere?”, installation by Satout Radio. In 2017 a piece of radio art was broadcasted during the edition of Radiophrenia Glaswgow. He released four albums and one EP.
"Left Blank", the fifth studio album of Chelidon Frame gather pieces recorded in different sessions between 2015 and 2018, built around found objects, field recordings, analog and digital synths, acoustic, prepared and electric guitars, quench flute, beer bottles, radio noises and drone.
The album is released in a limited batch of 30 C50 cassette tapes, 20 in standard edition (with double sided j-card and download code) and 10 in a limited edition with an additional postcard reproduction of the front cover.
“What I Came Here For” is the new emotional song by Luca Fogale. A well-made piece that touched our hearts.
“What I Came Here For” was written following a story my grandmother told me about being caught in a bombing raid with my grandfather in Italy during World War II. She recalled that when the attack started and they tried to find cover, one of her family members was killed, and they realized that all they could do was hold on to each other and hope to make it through unharmed.
Over the past few years of playing and sharing my music everywhere that I possibly could, I started to notice a trend. Out of all my songs, people felt the most profound connection to "What I Came Here For." Regardless of what the reason was, the song usually incited conversation – I have spoken with people who had experienced situations that were similarly devastating to the event that I wrote the song about, people who listen to it every morning to help them get out of bed, people who had made an effort to reconnect with their partner after listening to it, and countless others with a seemingly unlimited number of reasons why they were drawn to it above all else. This song has been one of the things that have helped me to remember how intensely music can connect us, which in turn has helped me to constantly rediscover the reasons why I chose to write songs in the first place.
My hope is that this studio recording of “What I Came Here For" is able to reach and connect with even more people, and in turn start even more of the kinds of conversations that I’ve been so privileged to have already had so many of."
A combination of retro aesthetics, enduring lyrics and alt-rock grit.
The best music happens when artists refuse to remain stuck in their own comfort zones and creative boxes. Whenever this happens, they are free to give full range to their vision, and they can really come up with something that’s groundbreaking and personable. This is certainly the case here with Tommy Red and his brand new EP release, “I Wanna Be Exploited.”
Marva Von Theo is an Electropop / Synthwave duo formed in 2016 by the Athens-based singer-songwriter Marva Voulgari and the Vienna-based composer-producer Theo Foinidis.
Their Debut Album “Dream within a Dream” was released early in 2018. The 12 songs on their Album, lean towards an electronic sound that incorporates a variety of influences ranging from the music of the 80’s until today. Darkwave sounds, Jazz harmonies, Rock and Dance drum beats resonate together and mature into something darkly romantic.