Sundaug is the pseudonym for Philadelphia-based composer and performer Steve Bonitatibus.. Steve became interested in percussive fingerstyle guitar early on in his playing days and even studied guitar performance during his undergraduate studies at the University of Virginia. While his first two albums — Empyrean Fantasy (2013) and Nocturnality (2015) — featured music that could be likened to contemporary guitarists such as Andy McKee and Kaki King, his latest effort marks a shift towards post-rock.
"To Bloom, To Wither" is Sundaug's third, full-length album. Unlike his previous two works, which featured primarily solo acoustic numbers, this album embraces a heavier, post-rock sound. Using a wide array of eclectic instrumental textures, To Bloom, To Wither attempts to blend the soothing timbres of modern acoustica with the more blaring sounds of rock music. The album was officially released on February 24th, 2017, and is available in music stores and across streaming platforms.
George D. Stănciulescu is a Romanian electronic and experimental music producer, composer / sound designer and PhD in Philosophy of Digital Music & New Media. In 2005, he founded the neo-classical ambient / avant-garde ensemble Ad Ombra, which consequently released a CD trilogy: Rites of Genesis (2008), Magna Charta Illusorum (2009) and Almost Eternity (2011). In 2009, Stănciulescu started to focus on the more electro-dance oriented sonic dimensions by creating the eclectic electronica music project LeVant, which had its debut CD, Beyond the Masque of Eden (2010). The second album, Knock, Knock, Ginger (digital) came in 2014, revealing an eclectic paradigm that comprises indie electro, trip-hop, contemporary music and art-pop altogether. Since its inception, LeVant has performed acclaimed multimedia shows both as a band and as a DJ at various national & international festivals and venues, with a plethora of featured vocalists and guest artists, ranging from theater and film, choreography, visual arts and so on. LeVant’s releases have been featured in the international underground press, in a number of online publications, radio shows and samplers worldwide.
According to LeVant, “UnFinetude” is a rather special work and probably the most radical and genre-bending amongst the ones he made so far so far. As a sort of “raison d’etre” for its genesis, came from the subconscious challenge he got from various persons asking him what is that? So he thought of creating a digimodern work and this slowly shaped in, thanks to some hours of expanding fantasy, unrelenting encounters with the realm of Illusion and a handful of plugins."
Ordeal & Plight are an instrumental Post-Rock/Doom Metal band from Germany. Formed in 2012 by K and black metal band Black Horizonz guitarist H, Ordeal & Plight began as a project experimenting on combining post-rock with black metal and doom metal elements. Joined by bass guitarist R, the band began recording their first demos in the Dunkelkammer Studios in Kamen, Germany, leading up to their self-titled debut record. Mixed and recorded at Fragment, Dortmund, in 2016, the album Ordeal & Plight was released on Chaosthrone Records on January 13th, 2017.
Three-piece post-rock/doom metal band Ordeal & Plight released their self-titled debut album on Chaosthrone Records. Almost 5 years in the making, the album explores contrasts: uplifting post-rock anthems ("Your Patience") arise from devastating swamps of doom ("Nine Years"), crisp melodies soar over heavy, gloomy chords. Coming from different musical backgrounds such as jazz, folk, or black metal, Ordeal & Plight's members experiment with each of them to create a sound that is both light and clean, heavy and dark, and takes listeners to muse over the boundaries and overlaps of memory and premonition ("Mnemosyne"/"Lethe"), and life and death.
Mixtaped Monk is a DIY music project by a journalist and music producer (Arka Sengupta) who believes in making music that soothes the mind. This project was started as an outlet for his creative expressions. Under the moniker of Mixtaped Monk, he not only expresses himself as a music producer but also as a writer and a visual artist.
Being socially awkward since childhood, he always loved solitude. And, in his solitude, the thing which he liked to do the most is discovering music. Be it the cassette of Pink Floyd's “Dark Side of The Moon,” which he discovered, in his uncle's old room, during his early teenage, or the first mixtape that he made for a girl when he was a little bit older, music has always been his sole companion. Gradually, he picked up playing the keyboard and the guitar, started experimenting with music and realized that there is a whole world of possibilities for him to explore. That is how the idea of Mixtaped Monk started.
Right from the time he was in school, Arka had an immense fascination for anime. And that led to his (almost) obsession with Japanese culture. It all started with Naruto and Naruto Shippuuden. But when he watched Rurouni Kenshin for the first time, he was fascinated with the way the city of Kyoto was portrayed in the anime. And so he began researching the city, its current form and the long history associated with it. Since then, from time to time, he's had these dreams about the city. Sometimes they were associated with historical events and sometimes with the modern era. But in all, they were always so vivid that he could literally feel the profound beauty and heritage of Kyoto within him.
Through DREAMS OF KYOTO, Arka has tried to provide a soundtrack for the nature of the dreams he has of Kyoto.
Arq is the new album of Par, project by Nacho Adda (Montevideo, Uruguay, 1983) based on experimental electronic music. While his previous works El Futuro (2013) and Ahí viene la Tormenta (2015) were more socially influenced, Arq is strongly marked by the modernist and rational concepts of modern architecture and its theoreticians. In this case, the producer attempts to translate these concepts to sounds and structures in 10 songs that make up the album. Preserving his experimental and minimalist nature, the album creates atmospheres that place the listener in different spaces and environments by using a dense or delicate, but always subtle, electronic sound palette.
"This album reflects upon how the city influences us emotionally from its structure and infrastructure; and at the same time it raises questions, driven by the sound atmospheres it creates, about alienation, the degradation of the public area and our perception of community"
It was recorded and mixed by Nacho Adda and mastered by Emiliano Zapata. The cover design is by Nacho Adda with 3D modeling by Carlos Laviña.
On Saturday, May 20, multi-instrumentalist and lauded bass player Erik Kramer released his debut studio endeavor, an EP entitled ‘Missed the Boat.’ The Brooklyn-based musician has an especially eclectic sound, one that employs the talent of a slew of musicians: saxophone, trombone, viola, trumpet, back-up vocalists - they’re all there. An experimental record through and through, ‘Missed the Boat’ is an indie record quite unlike anything else that’s come across my desk in recent months.