Par is the project of Nacho Adda (Montevideo, 1983) focused on conceiving spaces and concepts with electronic music. Par has 3 studio albums, 2 EP and 3 remixes albums with 4 nominations to the Uruguayan Music Graffiti Awards as well as soundtracks for several short films and drama plays.
Sueños de irme is the first single from the upcoming album of the Uruguayan electronic producer Par, to be released in 2018. It's the second time that the Montevidean artis
collaborates with the local singer / songwriter Alfonsina. (The duo already recorded together in 2012 for a version of his track Colateral). It's a return to the a more conventional song format for Par, with a track that combines the voice and guitar of Alfonsina with a minimalist beat, climatic synths and the deep groove of the bass.
The Cruelest Animal has been a work in progress for Drummer / Guitarist / Producer Alex Crane since 2009. The band started as a recording project featuring guest performances by members of Intronaut, National Sunday Law, and The Great Wall. The music is inspired by a wide variety of styles including classic prog rock groups like King Crimson and Pink Floyd, as well as Trip Hop acts like Massive Attack, Dj Shadow, and Radiohead. Aspects of technical and spacey influences are blended into a sound rooted in early 90s metal.
The album Soothing Rays of Eternity represents a leap forward creatively. With the addition of Matt Boylan on bass (former Bear Baiting and Cuneiform), and use of Ableton Live looping software, what was once a recording project has developed into a live two-piece band.
The album is structured abnormal rhythmic cycles and features drums and bass as primary elements. The rhythm section is accentuated by heavy, yet spacey guitars, keyboards, and vocals. The song Unleash the Swine features David Timnick of Intronaut on Tablas, and Derek Donley of Bereft and National Sunday Law on Vocals.
Soothing Rays of Eternity was self recorded and mixed in our rehearsal space in 2016 and was released via Bandcamp on April 21, 2017.
Alex Crane: Drums, Guitar, Vocals, MIDI programming, Recording, and Mixing
Matt Boylan: Bass and Vocals
Grant Lewis: Keyboards
Derek Donley: Vocals on tracks 2 and 4
David Timnick: Tablas on track 4
William Paton: Vocals on tracks 5, 6, and 7 (We'll miss you, buddy)
Dream wave duo Lunar Twin release new 'Night Tides' EP via Moon Sounds Records FOR FANS OF: Nick Cave, Mark Lanegan, David Sylvian, Massive Attack, Soulsavers, Washed Out, Talvin Singh LEAD TRACKS: Waves, Birds of Paradise, Coral Sea, Prayers of Smoke
The EP literally flows from beginning to end, taking listeners on a journey through lush downtempo, synth and chill wave, and ultimately to the ocean at night. Tracks ‘Waves’, ‘Coral Sea’ and ‘Blood Moon’ seamlessly blend indie electronica and tropical noir, while synth and chill-wave are at their best on ‘Prayers of Smoke’, ‘Birds of Paradise’, and ‘Night Tides’.
A few years after a chance meeting at the Denver Underground Music festival, Bryce Boudreau and Chris Murphy started working under the Lunar Twin moniker in 2013. They derived the band’s name from a theory about earth having possibly had a twin moon. Inspired by space and time, as well as nature and culture.
Boudreau, vocalist and songwriter and also a Los Angeles native, currently resides in Hawaii, while multi-instrumentalist producer Chris Murphy lives in Salt Lake City. In recent years, he has shared the stage with numerous renowned artists, such as Grimes, Bonnie Prince Billy, and Peaches, through other projects he’s involved with.
Ali Murray is an ethereal folk songwriter/musician from the cold isle of Lewis in the north of Scotland. He writes dark atmospheric folk music with lush sweeping dreamy soundscapes and Celtic-twinged instrumentation. His new album LAND OF EVERGONE strikes a balance that is intimate and soaring, peaceful and haunting, sad and quietly joyful, delicately reverberating with Murray's dreamy voice and guitar playing.
Orellana is a neo-classical/post-rock collective hailing from Bristol, UK. Their new album “52”, released in late December, brought in the new year with it’s explosive and intricate sound. The project’s music transcends genre definitions in order to focus on a broad, diverse concept that is more emotional than tangible. This particular release is full of rich and diverse arrangements, but it is also a powerful exercise in minimalism, one that showcases the strength of very few notes placed in the right spots. The simplicity of the arrangement is actually one of the strongest aspects of this entire release: there’s a palpable stillness created by the long, drone notes in the background, which almost makes you feel like the world is happening in slow motion. When the chords and notes change, it feels quite monumental due to the beautiful contrast between the stillness of the background textures and the expressive sound of the guitar-based melodies.