Spiricom is a two-person project from Ohio featuring elements of post-rock, shoegaze, ambient and experimental rock. The project was started by Steven K. Smith, who has also been involved in bands such as A Signal In The Static, Dolmen, Mabou, and Daye of Skye.
In 1980, William O'Neil and George Meek built the spiricom apparatus to communicate with the spirits of the deceased. Stranger still is that O'Neil claims to have gotten assistance in the radio-like device's development via psychic interaction with Dr. George Mueller, who had died in 1967. The concept of otherworldly communion mixed with technology is Spiricom's primary theme, but they also explore more archaic forms of spiritual communication.
Smith handles the programming, percussion, keyboards and synthesized guitar in Spiricom, while Marc Cody explores soundscapes, auditory textures, and fuzzy walls of distortion on lead guitar.
Spiricom's Hammer of Witches EP glimpses the lengths to which the zealous will go in the pursuit of righteousness. Three companion pieces evoke how men wielded pain, fire, and unyielding conviction in the pursuit of holy purification. Competing spiritual forces create a cascade of textures. Guitars lull and sear a redemptive path through illuminating and angelic synths. Drums beat out a shamanistic trance while a percussive march gathers on the borders.
Once Upon A Winter is a solo post-rock/post-metal project from Greece, created by Ilias Kakanis. 2017 was the year that the debut album "Selective depression in chase of the Big Bang" was released. One year later, on February 2018, the second album was released.
.existence is the second studio album of the project. Heavier and darker than its predecessor, .existence still aims to create haunting atmospheres, with elements of classical strings, ambient and heavy guitars.
I've seen the skies shatter - 05:25 info
In the chronicles of mediocre egos - 08:02 info
Cognitive dissonance - 03:42 info
Unsettling minds climax in the darkest hours - 06:43 info
This haunting and harrowing epic showcases their mix of post rock, post punk and black metal, and has been collaboratively released by Broken World Media, Close Quarters Coalition and Hybrid Records on the 24th February.
The Romance of Crime - 11:38 Your Beautiful Bones - 11:38
Post-Rock, Blackgaze band from Wien, Austria, MAIRA, was formed in 2014 to create music, that leads through landscapes – first barren and eerie, and then visually stunning and fascinating. Waking up in a dark area, dreaming, in the middle of the forest, high trees are taking the light… Nothing, nothing but the cold, darkness, loneliness to feel, far away from any civilization. Chirping birds in the distance. Hope that tomorrow will come… Suddenly a sound pierces through the thick leaves, steady, pulsing. Slowly a melody unfolds… it grows. The heart creates new realms, new expectations, until the melody penetrates everything, the battle begins. The morning arises; the ray of the sun’s first light is winning the battle; so the goddess of dawn pierces the thick leaves, warms the heart… like an island, like an island of the blessed… Such, or similar emotions are to be released by music, joyful but thought-provoking. We invite you to follow us on a road full of myths, in the past, when back then as well as today a small ray of light could make a change. A road everyone experiences differently, a journey into yourself and your heart. I’m falling and I am free!
Ali Murray is an ethereal folk songwriter/musician from the cold isle of Lewis in the north of Scotland. He writes dark atmospheric folk music with lush sweeping dreamy soundscapes and Celtic-twinged instrumentation. His new album LAND OF EVERGONE strikes a balance that is intimate and soaring, peaceful and haunting, sad and quietly joyful, delicately reverberating with Murray's dreamy voice and guitar playing.
Orellana is a neo-classical/post-rock collective hailing from Bristol, UK. Their new album “52”, released in late December, brought in the new year with it’s explosive and intricate sound. The project’s music transcends genre definitions in order to focus on a broad, diverse concept that is more emotional than tangible. This particular release is full of rich and diverse arrangements, but it is also a powerful exercise in minimalism, one that showcases the strength of very few notes placed in the right spots. The simplicity of the arrangement is actually one of the strongest aspects of this entire release: there’s a palpable stillness created by the long, drone notes in the background, which almost makes you feel like the world is happening in slow motion. When the chords and notes change, it feels quite monumental due to the beautiful contrast between the stillness of the background textures and the expressive sound of the guitar-based melodies.