Northwest is one of the most promising musical projects in the independent scene. They gained media attention because of their ethereal and cinematic sound, their nostalgic and mysterious image and their diverse blend of influences (from bands like Radiohead and Portishead to composers such as Debussy and Robert Wyatt).
Northwest was formed in 2015 in the UK by multi-instrumentalist, composer and producer Ignacio Simón and visual artist, composer and singer Mariuca García-Lomas They gained attention with three home recorded singles (Reflection, Wind and Look At Me) which were released independently and with very little promotion, accompanied by three artistic videos directed by Mariuca García-Lomas herself.
The duo Northwest moved from Spain to the UK and spent half of the year traveling around England and Scotland. Inspired by these trips, they started writing their debut album in 2016. This album has been almost entirely writen and recorded in less than a year while the artistic couple locked themselves in a country house outside of London.
Northwest has managed to create an original and otherwordly atmosphere thanks to their unique blend of experimental jazz rhythms, ethereal and enigmatic layered vocals, classical orchestration, delicate production and nostalgic lyrics. Their upcoming debut album is one of the most awaited and promising projects of the independent music scene.
Élvio Rodrigues is a composer and producer from Madeira island, now based in Lisbon, Portugal. In spite of being a player of multiple instruments, in the last couple of years, Élvio has been experimenting with piano, field recordings, and ambient soundscapes. The result is embodied in Slowburner’s debut EP - Before I Return To Dust - which was bself-released in digital and CD formats on March 14th 2017.
The EP deals with the realization that time is limited. Most of the time we’re just living life on autopilot and forget our dreams and hopes for the future. We somehow expect for things to fall into place, except things don’t always work out that way. In that sense, ‘Before I Return To Dust’ is a statement - the time to accomplish all those things we’ve always wanted is now. Time’s ticking.
Start where you are with what you have - 03:56
Time waits for no one - 05:03
Never too late to be someone else, somewhere else - 05:34
Please let me be more than this fleck of dust in the air - 07:29
ANTETHIC is an instrumental rock trio from St. Petersburg, Russia. One of the most interesting and innovative bands on the European post-rock scene. The trio is notable for an impressive and organic combination of a variety of genres, such as electronic, progressive rock, ambient, drone, and shoegaze. Staying true to the band's experimental and atmospheric roots every new release shows progression towards more balanced and electronic sound. Throughout a 5 years lifetime, Antethic has released 2 LP albums, several EP and singles.
The latest album 'Ghost Shirt Society' is the first work of Antethic as a trio in 3 years. The record challenged them with the line up changes and expanded each member involvement on multiple instruments. This resulted in more detailed and yet flowing compositions which they see as their best works so far. The album is inspired by idealism philosophy, utopian and post-catastrophic ideas. As usual Antethic was looking for the way to express specific philosophical or political idea by the means of music.
Following the dark, yet melodious nostalgia of Sunwarper, and the hazy summer warmth of Life Aquatic, Selles returns with the otherworldly single, Callisto. A song built from real instruments being spliced and warped to create an immediately recognizable, yet seemingly foreign melody. Selles creates an auditory world filled with ghostly synths, warped guitars, booming bass, and field recordings teeming underneath an electronic surface. Taking influence from artists as varied as Boards of Canada, Cloudkicker, Tycho and Explosions in the Sky, Selles combines the ambience and groove of IDM and Chillwave with the instrumentation and aesthetic of Post-Rock. This was part of a planned early 2017 EP; however, as writing progressed it became apparent that this would be the start of the next Selles full length album.
Michael Jakucs began creating music as Selles in 2013 to explore the electronic experimentation of chopping instruments into samplers. Drawing equal influence from artists as varied as Boards of Canada, Explosions in the Sky, Tycho and Eluvium, Jakucs’ music is filled with carefully crafted chords, organic sounds and instruments manipulated beyond recognition with a computer. Using the tumult of the world as influence, Jakucs creates a memory filled soundscape of fractured melodies with meaning buried under the audible surface.
Pipe Dream” is the third Jet Plane album. Its mood, emotions and imagery have been inspired by events going on around us – in the here and now. Beautiful airy tunes entwine into an atmosphere of tension and dismay, ethereality and featheriness are followed by a vibrant crescendo. Peace and harmony seem a pipe dream; but it has long been considered just as inapproachable for a man to hit the skies and fly. So let us dream.
Classic post-rock harmonies enframed by violin remind of Mogwai and Yndi Halda. Apart from that, Jet Plane employ bagpipes and nyckelharpa, which is the band’s specialty distinguishing them from the rest. The album sound has been also moulded by famous Japanese musicians and sound producers Takahiro Kido and Kashiwa Daisuke having worked on album’s mixing and mastering.
On Saturday, May 20, multi-instrumentalist and lauded bass player Erik Kramer released his debut studio endeavor, an EP entitled ‘Missed the Boat.’ The Brooklyn-based musician has an especially eclectic sound, one that employs the talent of a slew of musicians: saxophone, trombone, viola, trumpet, back-up vocalists - they’re all there. An experimental record through and through, ‘Missed the Boat’ is an indie record quite unlike anything else that’s come across my desk in recent months.
The Great Long Distance is an audible recollection of the first 12 months of a long distance relationship, including the highs and lows and moments in between. It is a journal without words, each of the 12 tracks representing each month respectively. Inspired by the format of NIN's "Ghosts I-IV", the album is a sonic tapestry of different moods and themes, with various recurring motifs and the subtle melding of synthesizer and samples; the result something not quite classical, ambient or electronic - rather, an eclectic blend of the three. For fans of Ólafur Arnalds, Nils Frahm and later Ulver