Montreal experimental band AIM LOW is set to release Scratched Out on 12" format, a record that has been plagued with numerous issues from disappearing band members, lost recording stems, a messed up vinyl test pressing, artwork problems, and numerous other issues. Toss in a hospital visit (via ambulance, no less), and you can understand why the band is happy to finally release this three song collection of dense shoegaze-y drone density in the vein of early-Sonic Youth, Nadja, and Rhys Chatham. AIM LOW practically took everything into their own hands to get the lp out, right down to the spraypainting process of the lp jackets that can be seen here - https://youtu.be/bbZvcHV2HqQ
Lead off track "Tacit Approval" sets the sound for their forthcoming full length, currently being mixed by Jon Drew, bridging the more experimental nature of their now sold out CD-R Foulards and sold out cassette String Theory with a more structured sound based around the controlled chaos surrounding fuzzed out crackling spoken word vocals. The 12"'s centerpiece "Low Hanging Fruit" was recorded in a church in Montreal West to capture as much natural reverb possible to achieve a contextual Beach Boy sound, complete with "oooh" vocals that are heavily processed with the band's penchant for knob-twiddling effects pedals. And closing track "Phantom Cat" is a twelve minute highway ride of multiple layers and textures in the key of A with lung-straining chanting.
AIM LOW has previously played with the likes of Disappears, Weekend, Moon Duo, and Stephen O'Malley, and plan to support Scratched Out with more dates and a tour in the late Summer of 2017.
Ordeal & Plight are an instrumental Post-Rock/Doom Metal band from Germany. Formed in 2012 by K and black metal band Black Horizonz guitarist H, Ordeal & Plight began as a project experimenting on combining post-rock with black metal and doom metal elements. Joined by bass guitarist R, the band began recording their first demos in the Dunkelkammer Studios in Kamen, Germany, leading up to their self-titled debut record. Mixed and recorded at Fragment, Dortmund, in 2016, the album Ordeal & Plight was released on Chaosthrone Records on January 13th, 2017.
Three-piece post-rock/doom metal band Ordeal & Plight released their self-titled debut album on Chaosthrone Records. Almost 5 years in the making, the album explores contrasts: uplifting post-rock anthems ("Your Patience") arise from devastating swamps of doom ("Nine Years"), crisp melodies soar over heavy, gloomy chords. Coming from different musical backgrounds such as jazz, folk, or black metal, Ordeal & Plight's members experiment with each of them to create a sound that is both light and clean, heavy and dark, and takes listeners to muse over the boundaries and overlaps of memory and premonition ("Mnemosyne"/"Lethe"), and life and death.
Palehorse/Palerider is a "doomgaze" band from Denver, Colorado. They released their debut lp, "Burial Songs" digitally last Friday. Vinyl will release in March/April. They have been described as a cross between Earth and Slowdive, but with bits of True Widow, Chelsea Wolfe, Sleep, MBV.
Crafting a concept album is an incredibly difficult task. Tying together a cohesive narrative across a record’s worth of songs isn’t just daunting, it’s an endeavour that even some of the industry’s finest have failed to do memorably. This task, however, becomes notably more difficult when you’re dealing in the abstract via instrumental soundscapes. That is what Chronotope Project, the moniker of composer Jeffrey Ericson Allen, attempts to do with his latest project, ‘Ovum.’
NAAL is an eclectic music project led by Chicago composer Dave Mantel. This talented musician has a true passion for great melodies and haunting musical textures. His blend of ambient, shoegaze and experimental drone music feels personal and unique, echoing the work of artists such as Slowdive, Boards of Canada or Sigur Ros, just to mention a few.