Mixtaped Monk is a DIY music project by a journalist and music producer (Arka Sengupta) who believes in making music that soothes the mind. This project was started as an outlet for his creative expressions. Under the moniker of Mixtaped Monk, he not only expresses himself as a music producer but also as a writer and a visual artist.
Being socially awkward since childhood, he always loved solitude. And, in his solitude, the thing which he liked to do the most is discovering music. Be it the cassette of Pink Floyd's “Dark Side of The Moon,” which he discovered, in his uncle's old room, during his early teenage, or the first mixtape that he made for a girl when he was a little bit older, music has always been his sole companion. Gradually, he picked up playing the keyboard and the guitar, started experimenting with music and realized that there is a whole world of possibilities for him to explore. That is how the idea of Mixtaped Monk started.
Mixtaped Monk's debut album, "Urban Lonesome," is a very personal and emotional album to Arka. Through sounds, it talks about the different experiences a person has and what he feels when he finally comes back home after spending 5 years in various cities following his passion. The album tries to convey how the person feels when he finds out that the city, and the whole atmosphere around it has changed drastically. He feels like he is stranded in a deserted island; friendless, lonely and anxious.
The album is inspired by Arka's own experiences after he shifted to his hometown recently. Sonically, it borders around Atmospheric, Ambient, Post-Rock and Experimental music.
Sundaug is the pseudonym for Philadelphia-based composer and performer Steve Bonitatibus.. Steve became interested in percussive fingerstyle guitar early on in his playing days and even studied guitar performance during his undergraduate studies at the University of Virginia. While his first two albums — Empyrean Fantasy (2013) and Nocturnality (2015) — featured music that could be likened to contemporary guitarists such as Andy McKee and Kaki King, his latest effort marks a shift towards post-rock.
"To Bloom, To Wither" is Sundaug's third, full-length album. Unlike his previous two works, which featured primarily solo acoustic numbers, this album embraces a heavier, post-rock sound. Using a wide array of eclectic instrumental textures, To Bloom, To Wither attempts to blend the soothing timbres of modern acoustica with the more blaring sounds of rock music. The album was officially released on February 24th, 2017, and is available in music stores and across streaming platforms.
George D. Stănciulescu is a Romanian electronic and experimental music producer, composer / sound designer and PhD in Philosophy of Digital Music & New Media. In 2005, he founded the neo-classical ambient / avant-garde ensemble Ad Ombra, which consequently released a CD trilogy: Rites of Genesis (2008), Magna Charta Illusorum (2009) and Almost Eternity (2011). In 2009, Stănciulescu started to focus on the more electro-dance oriented sonic dimensions by creating the eclectic electronica music project LeVant, which had its debut CD, Beyond the Masque of Eden (2010). The second album, Knock, Knock, Ginger (digital) came in 2014, revealing an eclectic paradigm that comprises indie electro, trip-hop, contemporary music and art-pop altogether. Since its inception, LeVant has performed acclaimed multimedia shows both as a band and as a DJ at various national & international festivals and venues, with a plethora of featured vocalists and guest artists, ranging from theater and film, choreography, visual arts and so on. LeVant’s releases have been featured in the international underground press, in a number of online publications, radio shows and samplers worldwide.
According to LeVant, “UnFinetude” is a rather special work and probably the most radical and genre-bending amongst the ones he made so far so far. As a sort of “raison d’etre” for its genesis, came from the subconscious challenge he got from various persons asking him what is that? So he thought of creating a digimodern work and this slowly shaped in, thanks to some hours of expanding fantasy, unrelenting encounters with the realm of Illusion and a handful of plugins."
Following the dark, yet melodious nostalgia of Sunwarper, and the hazy summer warmth of Life Aquatic, Selles returns with the otherworldly single, Callisto. A song built from real instruments being spliced and warped to create an immediately recognizable, yet seemingly foreign melody. Selles creates an auditory world filled with ghostly synths, warped guitars, booming bass, and field recordings teeming underneath an electronic surface. Taking influence from artists as varied as Boards of Canada, Cloudkicker, Tycho and Explosions in the Sky, Selles combines the ambience and groove of IDM and Chillwave with the instrumentation and aesthetic of Post-Rock. This was part of a planned early 2017 EP; however, as writing progressed it became apparent that this would be the start of the next Selles full length album.
Michael Jakucs began creating music as Selles in 2013 to explore the electronic experimentation of chopping instruments into samplers. Drawing equal influence from artists as varied as Boards of Canada, Explosions in the Sky, Tycho and Eluvium, Jakucs’ music is filled with carefully crafted chords, organic sounds and instruments manipulated beyond recognition with a computer. Using the tumult of the world as influence, Jakucs creates a memory filled soundscape of fractured melodies with meaning buried under the audible surface.
« All Right Yellow Bird », is the new EP of the Astray project. In between electronica, ambient and experimental music, the 4 tracks of the new opus are built on aerial synthetic textures, heavy beats, and melancholic piano themes, punctuated of vocal samples, to offer an instrumental and contemplative sound.
On Saturday, May 20, multi-instrumentalist and lauded bass player Erik Kramer released his debut studio endeavor, an EP entitled ‘Missed the Boat.’ The Brooklyn-based musician has an especially eclectic sound, one that employs the talent of a slew of musicians: saxophone, trombone, viola, trumpet, back-up vocalists - they’re all there. An experimental record through and through, ‘Missed the Boat’ is an indie record quite unlike anything else that’s come across my desk in recent months.
The Great Long Distance is an audible recollection of the first 12 months of a long distance relationship, including the highs and lows and moments in between. It is a journal without words, each of the 12 tracks representing each month respectively. Inspired by the format of NIN's "Ghosts I-IV", the album is a sonic tapestry of different moods and themes, with various recurring motifs and the subtle melding of synthesizer and samples; the result something not quite classical, ambient or electronic - rather, an eclectic blend of the three. For fans of Ólafur Arnalds, Nils Frahm and later Ulver