New Jersey's Blood Cultures conjures majestic pop fireballs and zaps your senses with dreamy, summery synth sounds evident in the debut album release "Happy Birthday." Washed Out's ethereal vocals meets Neon Indian's fuzzed out synth sounds in the 12-track release that's so far seen the success of singles including "Indian Summer," "Moon," and "Detroit."
"Happy Birthday" is officially out tomorrow and be sure to catch Blood Cultures' debut live performance at Rough Trade NYC on August 9th.
Berlina are an alt-rock band based in Madrid, Spain, which formed in 2007. Their music touches upon a wide variety of genres, from shoegaze to dream pop, post-rock to psychedelic. Despite the undeniable pop influence, Berlina's music tends to drift towards the experimental. Texture plays a vital role in the band's sound, formed by layers of distortions, ethereal vocals, atmospheric soundscapes and ambitious instrumentals. Composer Alfonso Herrero's lyrics are quite introspective and deal with the constant struggle with shifting emotional states. They have often been compared to Slowdive, Lower Dens, Autolux, Deerhunter, and early The Verve.
Their debut album Desértico has been released by Grabaciones a Montones (Spain) and The Burros Discos (Colombia) in the current year, and was produced by Manuel Cabezalí (Havalina), as well as their previous works. “Desértico” features eleven new songs and represent a personal approach to genres such as shoegaze, dreampop, psychedelia and post-rock.
Chelsey and the Noise melds deep analog synths, glitch inspired beats, and aggressive vocals to create a darker breed of electronic music. The Bay Area based duo draws on influences from genres such as dream pop and electrogaze to deliver a sound both alluring and haunting.
Garlands is a Dream Pop / Newgaze (Shoegaze) band from Oakland California formed in 2014 by Bay Area musicians, Lisa Light of The Lovemakers (Interscope) and El Elle and Mikael Johnston of Mephisto Odyssey (Warner Bros.) and Dresden & Johnston. Veering left of their collective pop and dance background, Garlands is an exploration of the liminal and subtle elements of sound and melody. Beach House, Cocteau Twins, Mazzy Star may, Bat for Lashes come to mind upon first taste, but there are many layers within. Two years in the making, the debut album features intricate poetries and plenty of velvet-covered hooks. Swedish mixer Hans Ollson Brookes (I Break Horses) completes the sonic palette with his faraway spacious touch.
These Are Truly The Last Days is a musical project with a driven experimental twist. Their music blurs the lines between various genres, including ambient, electronica, glitch hop, and more. The project’s self-titled studio effort features 11 studio tracks.
Crafting a concept album is an incredibly difficult task. Tying together a cohesive narrative across a record’s worth of songs isn’t just daunting, it’s an endeavour that even some of the industry’s finest have failed to do memorably. This task, however, becomes notably more difficult when you’re dealing in the abstract via instrumental soundscapes. That is what Chronotope Project, the moniker of composer Jeffrey Ericson Allen, attempts to do with his latest project, ‘Ovum.’