Montreal experimental band AIM LOW is set to release Scratched Out on 12" format, a record that has been plagued with numerous issues from disappearing band members, lost recording stems, a messed up vinyl test pressing, artwork problems, and numerous other issues. Toss in a hospital visit (via ambulance, no less), and you can understand why the band is happy to finally release this three song collection of dense shoegaze-y drone density in the vein of early-Sonic Youth, Nadja, and Rhys Chatham. AIM LOW practically took everything into their own hands to get the lp out, right down to the spraypainting process of the lp jackets that can be seen here - https://youtu.be/bbZvcHV2HqQ
Lead off track "Tacit Approval" sets the sound for their forthcoming full length, currently being mixed by Jon Drew, bridging the more experimental nature of their now sold out CD-R Foulards and sold out cassette String Theory with a more structured sound based around the controlled chaos surrounding fuzzed out crackling spoken word vocals. The 12"'s centerpiece "Low Hanging Fruit" was recorded in a church in Montreal West to capture as much natural reverb possible to achieve a contextual Beach Boy sound, complete with "oooh" vocals that are heavily processed with the band's penchant for knob-twiddling effects pedals. And closing track "Phantom Cat" is a twelve minute highway ride of multiple layers and textures in the key of A with lung-straining chanting.
AIM LOW has previously played with the likes of Disappears, Weekend, Moon Duo, and Stephen O'Malley, and plan to support Scratched Out with more dates and a tour in the late Summer of 2017.
Off the new album 'We Are A Curse', “Neanderthals” is a new track release from The Dream Eaters, the project of Jake Zavracky and Elizabeth LeBaron (formerly known as ‘Jake and Elizabeth’). Both share vocal duties on this track, in addition to the anthemic choir effect to the chorus, which lends a nice element to the already-soaring hook. With polished production emphasizing the eclectic nature of quality chamber-pop, from the twinkling choir around 02:40 to the infectious percussive stuttering effect in the first verses, “Neanderthals” is an impressive project from a quickly rising duo with heaps of potential.
The Dream Eaters' story began in 2015. After playing clubs with various projects and languishing in obscurity for years in his hometown of Boston and later in New York City, Zavracky decided to stop performing completely. Then, while working as a bartender at a dive bar in Brooklyn. he met LeBaron, another bartender who had just relocated from Vancouver Island, BC. Discovering that they were fellow musicians, they began to collaborate and found an instant connection.
As a composer and producer, Zavracky began writing songs for LeBaron to sing alone but soon found their voices blended together in harmony to create a wholly unique sound. The duo released several singles and EPs under the name Jake and Elizabeth, changing it to The Dream Eaters before the release of their self-produced debut EP 'Five Little Pills'. A bare-bones production that they self-recorded and released, it was a precursor to the sound that is now fully realized on their full-length debut album,' We Are A Curse', which was released on April 14th, 2017.
Serial Experiments 1 is the first collection of songs released from an extensive two year binge of spending time recording tracks/ideas between 2015/2017. (With the exception of "orchids" which was originally recorded in 2010 but unreleased). These songs were never meant to make a cohesive album, this one is the 1st of 4 series.
Orellana is a neo-classical/post-rock collective hailing from Bristol, UK. Their new album “52”, released in late December, brought in the new year with it’s explosive and intricate sound. The project’s music transcends genre definitions in order to focus on a broad, diverse concept that is more emotional than tangible. This particular release is full of rich and diverse arrangements, but it is also a powerful exercise in minimalism, one that showcases the strength of very few notes placed in the right spots. The simplicity of the arrangement is actually one of the strongest aspects of this entire release: there’s a palpable stillness created by the long, drone notes in the background, which almost makes you feel like the world is happening in slow motion. When the chords and notes change, it feels quite monumental due to the beautiful contrast between the stillness of the background textures and the expressive sound of the guitar-based melodies.
Davenport Rex is a music project based in Detroit, Michigan. Their sound is diverse and challenging, yet accessible and appealing. The band’s music stands out as a combination of tasteful progressive rock, with shades of various influences, ranging from alternative to symphonic hard rock, just to mention a few.