Building on his acclaimed string of drone, glitch and ambient EPs, Hanetration explores freeform minimal techno, rooting his drifting experimental soundscapes with fierce beats. For fans of Wolfgang Voigt's work as GAS.
Alyosha, the fourth full-length album from Philadelphia-based guitarist Patkus, released on September 1st.
An hour-long composition comprising six movements with a prologue and epilogue, Alyosha stands somewhere at the intersection of modern classical, post-rock, and American primitive.
“I was reading The Brother’s Karamazov — which is awesome by the way — and wanted to make something of a similar scale and scope. I wanted to aim high, take a leap of faith, pretend to be a better musician than I actually am, and see what would happen.”
From John Fahey to Mogwai, Steve Reich to Ali Akbar Khan, Patkus' music is an idiosyncratic blend of influences and composition techniques.
Nathan Kairis is a composer and multi-instrumentalist based in Asheville, NC. He crafts pieces of music made to bounce off all the nearest peaks of the Appalachian Mountains, like shouting at those surrounding monoliths and listening to the evolution of your own echoes. Each of Nathan’s compositions are reflective, expansive, and imaginative in a different manner than the last. The excitement at the first tremble of thunder, the loneliness of a tundra stretching forever before you, the gentle joy of life with loved ones, and the dynamic interplay between all of these feelings. That is the music of Nathan Kairis.
Acherontia. The Death’s Head Hawkmoth. This album is about disconnection, reconnection, and fluttering between the two. The vibrations between these two emotions can be violent and visceral, or almost calming in their agitation. Here is where we find the shuffling trudge of “Solipsism”, straining pressure of “Surface Tension”, and the breakthrough of the title track. Acherontia is a sonic exploration of what happens in between, a transitory stage that most of us just want to get through.
Montreal experimental band AIM LOW is set to release Scratched Out on 12" format, a record that has been plagued with numerous issues from disappearing band members, lost recording stems, a messed up vinyl test pressing, artwork problems, and numerous other issues. Toss in a hospital visit (via ambulance, no less), and you can understand why the band is happy to finally release this three song collection of dense shoegaze-y drone density in the vein of early-Sonic Youth, Nadja, and Rhys Chatham. AIM LOW practically took everything into their own hands to get the lp out, right down to the spraypainting process of the lp jackets that can be seen here - https://youtu.be/bbZvcHV2HqQ
Lead off track "Tacit Approval" sets the sound for their forthcoming full length, currently being mixed by Jon Drew, bridging the more experimental nature of their now sold out CD-R Foulards and sold out cassette String Theory with a more structured sound based around the controlled chaos surrounding fuzzed out crackling spoken word vocals. The 12"'s centerpiece "Low Hanging Fruit" was recorded in a church in Montreal West to capture as much natural reverb possible to achieve a contextual Beach Boy sound, complete with "oooh" vocals that are heavily processed with the band's penchant for knob-twiddling effects pedals. And closing track "Phantom Cat" is a twelve minute highway ride of multiple layers and textures in the key of A with lung-straining chanting.
AIM LOW has previously played with the likes of Disappears, Weekend, Moon Duo, and Stephen O'Malley, and plan to support Scratched Out with more dates and a tour in the late Summer of 2017.
Orellana is a neo-classical/post-rock collective hailing from Bristol, UK. Their new album “52”, released in late December, brought in the new year with it’s explosive and intricate sound. The project’s music transcends genre definitions in order to focus on a broad, diverse concept that is more emotional than tangible. This particular release is full of rich and diverse arrangements, but it is also a powerful exercise in minimalism, one that showcases the strength of very few notes placed in the right spots. The simplicity of the arrangement is actually one of the strongest aspects of this entire release: there’s a palpable stillness created by the long, drone notes in the background, which almost makes you feel like the world is happening in slow motion. When the chords and notes change, it feels quite monumental due to the beautiful contrast between the stillness of the background textures and the expressive sound of the guitar-based melodies.
Davenport Rex is a music project based in Detroit, Michigan. Their sound is diverse and challenging, yet accessible and appealing. The band’s music stands out as a combination of tasteful progressive rock, with shades of various influences, ranging from alternative to symphonic hard rock, just to mention a few.