Party like a Fireman" is a nonstop sonic journey of madness spanning just over an hour, with an overall beat driven, industrial, and darker ambient tone than some of our previous releases. That's not to say it's all doom and gloom. There are serval upbeat and comical moments, but they all eventually veer into an uncomfortable waking dream state.
Macaroni Pudding - 04:02 Moon Garden - 02:28 Madman's Carriage Ride - 02:06 Hidden Caverns - 03:50 Atmospheric Reentry - 02:05 S T A N Stan - 03:55 Let's All Stan - 02:33 Everybody Stan - 04:01 Stan the Dancing Man - 07:27 Residual Babble - 00:58 Brown Mass - 03:48 There's Always Something in the Way - 04:14 Forever a Ghost - 03:36 Leather Slug - 04:19 Death's Sweet Grip - 02:58 Cataract Jack - 02:47 Nobody Knows what it's like to Eat My Dick (Tonight) - 08:24
Dubtrak, recording artist and music producer from Toronto, Canada has been delivering his unique blend of dub, global beats and trippy psytrance electronica since 2008.
Dubtrak’s music has been compared to The Orb, Underworld, Banco de Gaia and the like, but with extra organic ingredients, some exotic spices and unexpected twists.
"Out of thin air" is Dubtrak's 5th full-length release. It represents quite a departure from earlier, bass-heavy, psy-dub oriented grooves, found on the previous releases. Here Dubtrak experiments with some samples from those earlier albums but the sound goes through an ambient treatment, heavily processed into epic dream-like soundscape, as imagined through the prism of Dubtrak's other project, Intersonic Subformation.
Somewhere at the intersection of modern classical, ambient, and post-rock, Philadelphia-based guitarist Patkus evokes nostalgia and contemplation through pulsating swirls of melody that pierce through clouds of harmonic distortion. “These Are But Dreaming Men, Breathe and They Fade” is Patkus’ third full-length album, building upon the idiosyncratic blend of influences and composition techniques heard on 2015’s “Colors.” Dedicated to the loss of his beloved grandmother, “These Are But Dreaming Men, Breathe and They Fade” mirrors Patkus’ journey from loss to acceptance; a search for catharsis tinged with hope.
Tamam Shud - 04:39
The Doorbell Requiem of Catherine Philomena - 04:23
Three Epicycles (or How a Poem on a Flagpole Told Me She Was Stars) - 09:23
Orellana is a neo-classical/post-rock collective hailing from Bristol, UK. Their new album “52”, released in late December, brought in the new year with it’s explosive and intricate sound. The project’s music transcends genre definitions in order to focus on a broad, diverse concept that is more emotional than tangible. This particular release is full of rich and diverse arrangements, but it is also a powerful exercise in minimalism, one that showcases the strength of very few notes placed in the right spots. The simplicity of the arrangement is actually one of the strongest aspects of this entire release: there’s a palpable stillness created by the long, drone notes in the background, which almost makes you feel like the world is happening in slow motion. When the chords and notes change, it feels quite monumental due to the beautiful contrast between the stillness of the background textures and the expressive sound of the guitar-based melodies.
Davenport Rex is a music project based in Detroit, Michigan. Their sound is diverse and challenging, yet accessible and appealing. The band’s music stands out as a combination of tasteful progressive rock, with shades of various influences, ranging from alternative to symphonic hard rock, just to mention a few.