Danijel Zambo is a self-taught musician and began playing guitar and piano at the age of 14. After having played in a few bands, he released his first solo album "All my demons" in 2008. A wonderful debut between electronica and classical music. More critically acclaimed albums have followed and he is working as a freelance musician these days composing music for new media projects etc. "THE WORLD IS TOO LOUD, is a compilation of instrumentals I haven't released before because they simply didn't fit any album. Now I felt the time is right to release them and some of the tracks date back to more than ten years ago. Dreamy and evocative guitar ambience - a soundtrack for this age of turmoil."
Mostacho Xprmnt was founded by Costa Rican drummer and composer Andres Marin in Brooklyn, New York. The NeoSoul/Fusion band is formed by Leala Cyr on vocals, Luis D'Elias on guitar, Dave Lowenthal on bass and Hayely Lam on keys.
It started as an outlet to create music without limitations as far as genres or styles, therefore the experimental component. It consolidated in 2013 with Eitan Akman, Haruka Yabuno and Najwa Mahiaddin. As they worked with Malayan singer Najwa Mahiaddin the group took a stronger R&B and Soul direction, while maintaining elements of rock, jazz, funk and latin music. Some of their main influences include Erykah Badu, Esperanza Spalding, Snarky Puppy, Frank Zappa and Hiatus Kaiyote.
In 2015, korean singer Song Yi Jeon took over the lead vocals and in 2016 they released their first single “Que Mae Mas Raro” with Dave Lowenthal on bass, Luis D’Elias on guitar and Miguel Gallardo on keys. They have performed at Rockwood Music Hall, Pianos, The Shrine, ShapeShifter Lab, Williamsburg Music Center and more venues in New York as well as in Costa Rica and Nicaragua.
In 2017 singer Leala Cyr and pianist Hayley Lam join the band. In November they released an eclectic EP of remixes by 28 Lines, Matt Sokol and Copper Tony. They are currently working on post-production of the second single “Clap With Me”
Mostacho Xprmnt partnered with producers 28 Lines, Matt Sokol and Copper Tony to create the first EP of remixes of their Fusion/NeoSoul music. It was released under Music Dribble Entertainment. The result is 3 radically different songs with sounds that push genre boundaries in the same way that the band does, but bringing it into the electronic realm.
The original song "Que Mae Mas Raro" is an atonal composition and an ode to weirdness. It was performed by Song Yi Jeon on vocals, Luis D'Elias on guitar, Dave Lowenthal on bass, Miguel Gallardo on keys and Andres Marin on drums.
“The river that everything drags is known as violent, but nobody calls violent the margins that arrest her.”
This quote from Bertolt Brecht is the best way to portray FLEUVE, the devastating new album of belgian outfit THOT. After a decade of challenging its music across several albums, EPs, videos, alternative versions, remixes and european tours, the gang lead by Grégoire Fray is going to bring a breath of fresh air in the industrial-rock and post-rock genres. Produced by Magnus Lindberg (Cult of Luna) and engineered in live circumstances, FLEUVE features 9 songs built around a powerful drums/bass/guitar trio, on which passionate vocals, heavy synths, clarinet laments and bulgarian choirs melt together perfectly. Thereby, FLEUVE is a luminous ode to the european continent and its cultural history, to nature’s immuable inspiration, to women and transcendance.
ICAUNA - 02:36 info ODRA - 03:36 VLTAVA - 04:01 RHONE - 05:53 RHEIN - 07:32 DUNA - 07:44 VOLGA - 03:37 info SAMARA - 04:44 BOSPHORE - 13:10 info NOW'S THE ONLY TIME I KNOW (Fever Ray Cover - Bonus track) - 04:03
As a student, Ally studied opera, sang in a gospel choir and in the Toronto Youth Mendelssohn Choir and began writing her own songs. Before long she took the advice of friends to join them in Los Angeles to get to know and work with other musicians. She found some modest success writing for other artists while working part time to make ends meet.
In 2015, a producer from France asked Ally if she could submit one of her songs for a special project he was working on. Her song, Heartbeat, was selected. Once released, it quickly went to #1 on the Billboard and Apple ITunes in France, sitting at the top of the charts in France for 4 weeks straight. This success has emboldened Ally to focus on her own artistry as SEREDA.
Sereda's chilled out electro-pop sound extends the genre with hip-hop and classic rock influences that create an edgier, richer whole. Sereda has been making waves on the international scene, with her single "Heartbeat" reaching #1 on Billboard in France. Give “I Got You” a listen in anticipation of an album coming out in December this year!
Living out of a suitcase can be lonely, exciting, and mysterious all at the same time.Jade The Moon's new song “Hotels” was partially inspired by Quentin Tarantino's 4 ROOMS and the band’s real world experiences with life on the road. In writing this new single the band hoped to capture the psyche of the traveling artist that welcomes the feeling of the unknown and undone.
There's a thrill in chasing archaic moments in foreign spaces. More often than not this is where we find our inspiration.
Hotels” is from their upcoming album 11:11 which is set for release early 2018. It’s a collection of tracks best described as musical photographs. A moment in time turned dance party, true story turned love song, a daydream turned erie alt-pop lullaby.
"We hope to take the audience on an emotional roller coaster, these new songs truly reflect our stories. Although very personal and coming from very different places, our collective experiences feel somewhat universal."
Ali Murray is an ethereal folk songwriter/musician from the cold isle of Lewis in the north of Scotland. He writes dark atmospheric folk music with lush sweeping dreamy soundscapes and Celtic-twinged instrumentation. His new album LAND OF EVERGONE strikes a balance that is intimate and soaring, peaceful and haunting, sad and quietly joyful, delicately reverberating with Murray's dreamy voice and guitar playing.
Orellana is a neo-classical/post-rock collective hailing from Bristol, UK. Their new album “52”, released in late December, brought in the new year with it’s explosive and intricate sound. The project’s music transcends genre definitions in order to focus on a broad, diverse concept that is more emotional than tangible. This particular release is full of rich and diverse arrangements, but it is also a powerful exercise in minimalism, one that showcases the strength of very few notes placed in the right spots. The simplicity of the arrangement is actually one of the strongest aspects of this entire release: there’s a palpable stillness created by the long, drone notes in the background, which almost makes you feel like the world is happening in slow motion. When the chords and notes change, it feels quite monumental due to the beautiful contrast between the stillness of the background textures and the expressive sound of the guitar-based melodies.