George D. Stănciulescu is a Romanian electronic and experimental music producer, composer / sound designer and PhD in Philosophy of Digital Music & New Media. In 2005, he founded the neo-classical ambient / avant-garde ensemble Ad Ombra, which consequently released a CD trilogy: Rites of Genesis (2008), Magna Charta Illusorum (2009) and Almost Eternity (2011). In 2009, Stănciulescu started to focus on the more electro-dance oriented sonic dimensions by creating the eclectic electronica music project LeVant, which had its debut CD, Beyond the Masque of Eden (2010). The second album, Knock, Knock, Ginger (digital) came in 2014, revealing an eclectic paradigm that comprises indie electro, trip-hop, contemporary music and art-pop altogether. Since its inception, LeVant has performed acclaimed multimedia shows both as a band and as a DJ at various national & international festivals and venues, with a plethora of featured vocalists and guest artists, ranging from theater and film, choreography, visual arts and so on. LeVant’s releases have been featured in the international underground press, in a number of online publications, radio shows and samplers worldwide.
According to LeVant, “UnFinetude” is a rather special work and probably the most radical and genre-bending amongst the ones he made so far so far. As a sort of “raison d’etre” for its genesis, came from the subconscious challenge he got from various persons asking him what is that? So he thought of creating a digimodern work and this slowly shaped in, thanks to some hours of expanding fantasy, unrelenting encounters with the realm of Illusion and a handful of plugins."
Superstructure's new record is called "R.S.I. Therapy Center". As with all his stuff, Josh Younggren is still struggling to properly explain it, but seeing as this was a great opportunity to make a political record (as an American), he finds it telling he couldn't make it overtly political. The music here is an examination of our repetitive tendencies - simultaneously soothing and harmful.
Arq is the new album of Par, project by Nacho Adda (Montevideo, Uruguay, 1983) based on experimental electronic music. While his previous works El Futuro (2013) and Ahí viene la Tormenta (2015) were more socially influenced, Arq is strongly marked by the modernist and rational concepts of modern architecture and its theoreticians. In this case, the producer attempts to translate these concepts to sounds and structures in 10 songs that make up the album. Preserving his experimental and minimalist nature, the album creates atmospheres that place the listener in different spaces and environments by using a dense or delicate, but always subtle, electronic sound palette.
"This album reflects upon how the city influences us emotionally from its structure and infrastructure; and at the same time it raises questions, driven by the sound atmospheres it creates, about alienation, the degradation of the public area and our perception of community"
It was recorded and mixed by Nacho Adda and mastered by Emiliano Zapata. The cover design is by Nacho Adda with 3D modeling by Carlos Laviña.
Dani Lee Pearce is a transgender music producer from Portland, Oregon who has been musically active since 2011 and actively releasing since 2015. She currently handles all production of albums herself including visual design with only rare collaborator input.
Her songs' subject matter frequently concerns life within trans-ness and mental illness, frequently includes fantasy imagery and sounds, and stylistically varies between releases, approaching the composition of each album as if they were films. Her first three albums, 'Dani Lee Pearce', 'Depayse' and 'Kelvin' were instrumental albums centered around different moods, with the first album being based around the concept of recovery, illustrated by its deliberately non-linear progression from chaotic to serene.
'Notes of a Nervous Little Pixie', released in early 2016, was her first album with vocals and was recorded in harsh conditions with limited equipment and space, and is largely a document of emotional abuse received by and the mental illnesses of the artist around that time. Her newest album, 'Petrichor', released last November, adds poetry as a new influence and compositional tool to her music, reflected in the album's story and writing.
A concept album about Star-Gods, magical beings and the depiction of different forms of survival in the journeys of various characters, in addition to a variety of interpretations of this thing called Purity, both false and true, and how Disarray entangles with it.
The Ember Leaf - 02:44
The Lone Survivor - 03:48
Over My Wall - 02:48
From Young Unknowing Eyes - 04:02
Down In Evergreene - 04:35
The Hill of Mist - 07:14
Where the Ashes Go - 06:05
I Hope It Doesn't Rain When I See You Today - 05:54
December Hung Himself's music is enchanting and nocturnal. "Audiofollia.it" / November 2013
DHH are Aurora Atzeni, born in Cagliari (Italy), in 1986 and Nicola Olla, born in Iglesias (italy) in 1987. They both started playing guitar as children before becoming involved by rock music performing in several bands such as Drought, Thank U For Smoking, Charun, and many more. DHH’s debut ep “Ivory” (out in 2013) was a modern songwriting album, driven by gentle airy guitars and soft percussions, where the two voices meet to create dreamy soundscapes. Influenced by electronic, modern and contemporary classical music and shoegaze they slowly evolved their compositions recording in late 2016 an entire soundtrack album called “Perseidi”, out in January 2017.
The italian duo founded by Aurora Atzeni (singer and guitar player in Thank U For Smoking) and Nicola Olla (guitar player in Drought, Charun) are today releasing a soundtrack album, born from the naturalistic event "Perseidi" in Sardinia (Italy). On 10 August every year, during the perseids meteor shower, the band plays an acoustic set in beautiful specific locations such as Domus De Janas, nuragic necropolises and Nuraghe houses. These songs reassume the last years performances through an electriconic-oriented approach.
The Great Long Distance is an audible recollection of the first 12 months of a long distance relationship, including the highs and lows and moments in between. It is a journal without words, each of the 12 tracks representing each month respectively. Inspired by the format of NIN's "Ghosts I-IV", the album is a sonic tapestry of different moods and themes, with various recurring motifs and the subtle melding of synthesizer and samples; the result something not quite classical, ambient or electronic - rather, an eclectic blend of the three. For fans of Ólafur Arnalds, Nils Frahm and later Ulver
In order to excel in the independent music industry, an act has to define itself as especially unique with a sound quite unlike anything else in the community. This is a tall order, one that isn’t easily filled by acts entering variations of rock music due to the immense amount of bands flooding the scene right now. Palehorse/Palerider, a “doomgaze” trio from Denver, has released an EP entitled ‘Burial Songs’ that does a surprisingly superb job at separating itself from the pack. Let’s delve into it.
Even though the independent rock scene is quite inundated with new acts, there’s always a welcome place for an outfit that changes the formula enough to be consistently interesting and worth taking notice of. The New York-based alternative rock group Voices from Deep Below attempts to do just that, fusing together a variety of styles into a surprisingly coherent sound. Their new record, “I Want to Stand Where the Sun Himself Shakes with Fear”, is a five song album that navigates alt-rock, experimental, and borderline metal and progressive influences all at the same time.