Galaxxu's music can best be summed up with this Sonny Sharrock quote: "I’ve been trying to find a way for the terror and the beauty to live together in one song. I know it’s possible." Galaxxu draws inspiration from Chicago's incredible free jazz and indie scenes of the past and present, European free improv, and electronic noise to create spontaneous compositions that range from quiet, delicate serenity to an abrasive, pedal-to-the-floor assault.
Galaxxu is currently finishing mixing for several upcoming releases and planning a couple of tours in summer and fall of 2017.
Chicago’s Galaxxu is excited to announce a super-limited edition seven inch lathe cut, featuring artwork by Alex Dycylyxyvyi. The two sides reflect the terror and the beauty the quartet tries to capture in their free improvisations. Side A starts off innocently enough, until devolving into a mess of disjointed interplay between a sax crying out, and a guitar that is seemingly being torn apart at the atomic level. Suddenly, the drums offer a rallying cry and Galaxxu breaks out into a wall of furious noise. Side B offers a glimpse into the more subdued side of Galaxxu. At times even soulful, albeit still operating within the confines of their chaotic take on free improvisation, it ends things in a dreamy sequence as if the Galaxxians are surveying the damage they wrought on Side A.
A Tisket, A Trifle, A Flittering Flutter [Stereo Edit] - 05:22 info
"Late Bloomer" was recorded by James Whitten (Pears, Thou, Gland, Donovan Wolfington) and mastered by Carl Saff. Static Masks are a four piece with two vocalists. They tend to get put in the math rock, shoegaze, indie categories. With a goal to make "interesting" and "beautiful" music, Static Masks blend melody and complexity with some nontraditional song structures to create their own version of progressive pop music.
Mixtaped Monk is a DIY music project by a journalist and music producer (Arka Sengupta) who believes in making music that soothes the mind. This project was started as an outlet for his creative expressions. Under the moniker of Mixtaped Monk, he not only expresses himself as a music producer but also as a writer and a visual artist.
Being socially awkward since childhood, he always loved solitude. And, in his solitude, the thing which he liked to do the most is discovering music. Be it the cassette of Pink Floyd's “Dark Side of The Moon,” which he discovered, in his uncle's old room, during his early teenage, or the first mixtape that he made for a girl when he was a little bit older, music has always been his sole companion. Gradually, he picked up playing the keyboard and the guitar, started experimenting with music and realized that there is a whole world of possibilities for him to explore. That is how the idea of Mixtaped Monk started.
"Light Of The East EP" is like a tribute to Japan, its rich culture and heritage. Through dreamy atmospheres and intricate melodies, this EP tries to convey different emotions you can experience when you think about or even literally visit various places in Japan such as Mt. Fuji, Osaka, Kyoto and the Akihabara district in Tokyo. Sonically, the instrumental EP borders around ambient and post-rock while taking influences from indie rock, alternative rock and shoegaze music.
Fuji-san - 03:49 Dreams Of Kyoto - 05:34 From Osaka, With Love - 03:28 Akihabara Nights - 04:54
The song Dream Sequence is from their upcoming LP Departures Vol. 1, out as of March 17th on Polar Seas Recording. The video was directed by Kiarash Sadigh and shows a blindfolded quartet playing in the forest with a light approaching. The core concept being musicians playing very aggressively in juxtaposition to the very slowly evolving ambience of the piece.
"once they sense the light they begin questioning their own actions...they stop and remove the blindfold looking directly at the source of light....what that light is and what it represents is for the viewer to find out, but the takeaway is to be open minded for breaking habits and traditions if and when a brighter truth presents itself"
Philadelphia noiserockers Cemetery Flowers released their debut EP this week through Glowing Dagger, the Oakland tape label run by Megan Biscieglia of Bad Braids and Dustin Khebzou. Made up of multi-instrumentalists Andrew North and Pat Friel, the record is an intense tapestry of roaring guitars and cold, nervy electronic beats, with North and Friel howling nihilistically. The record is a gripping listen, all the way through the 15-minute closer “vi,” which hammers away in brutal riff repetition but is pretty impossible to turn away from.
On Saturday, May 20, multi-instrumentalist and lauded bass player Erik Kramer released his debut studio endeavor, an EP entitled ‘Missed the Boat.’ The Brooklyn-based musician has an especially eclectic sound, one that employs the talent of a slew of musicians: saxophone, trombone, viola, trumpet, back-up vocalists - they’re all there. An experimental record through and through, ‘Missed the Boat’ is an indie record quite unlike anything else that’s come across my desk in recent months.
The Great Long Distance is an audible recollection of the first 12 months of a long distance relationship, including the highs and lows and moments in between. It is a journal without words, each of the 12 tracks representing each month respectively. Inspired by the format of NIN's "Ghosts I-IV", the album is a sonic tapestry of different moods and themes, with various recurring motifs and the subtle melding of synthesizer and samples; the result something not quite classical, ambient or electronic - rather, an eclectic blend of the three. For fans of Ólafur Arnalds, Nils Frahm and later Ulver