There is music that can make you want to dance. There is music that can make you happy or emotional, and sometimes even sad. But in a very niche corner of the musical spectrum dwells a type of music that can make you visualize your own story while listening to it. “Soundtrack To Your Own Fantasy,” a split album by Indian music producer Arka Sengupta aka Mixtaped Monk and British ambient music legend Cousin Silas, is a record that falls into that very musical spectrum.
Bordering around ambient, post-rock and experimental music, the album blends ambient and cinematic music sensibilities of Cousin Silas with the experimental-minded post-rock sensibilities of
Mixtaped Monk. The cinematic nature of the album, when listened to as a whole, can trigger your mind to imagine your own fantasy world and play out a story in it while the album acts as its soundtrack.
This self-produced EP is the first work by Go Ask Alice: eight instrumental tracks, composed between 2012 and 2013, recorded and mixed by Matteo Spinazzé, in collaboration with Curzio Ferri playing drums and Andrea Oggiano with his acoustic guitar. Perfection is terrible is the first verse of Sylvia Plath's poem "The Munich Mannequins". "Perfection" here is completeness, closure, inability to evolve and reborn, perfection is death. Perfection is indeed terrible, can't have a child, just as Plath's Munich Mannequins, cold marble statues, beautiful and perfect, frozen with us in a never ending present, the immense futureless present of the "capitalist realism": the end of history.
Nathan Kairis is a composer and multi-instrumentalist based in Asheville, NC. He crafts pieces of music made to bounce off all the nearest peaks of the Appalachian Mountains, like shouting at those surrounding monoliths and listening to the evolution of your own echoes. Each of Nathan’s compositions are reflective, expansive, and imaginative in a different manner than the last. The excitement at the first tremble of thunder, the loneliness of a tundra stretching forever before you, the gentle joy of life with loved ones, and the dynamic interplay between all of these feelings. That is the music of Nathan Kairis.
Acherontia. The Death’s Head Hawkmoth. This album is about disconnection, reconnection, and fluttering between the two. The vibrations between these two emotions can be violent and visceral, or almost calming in their agitation. Here is where we find the shuffling trudge of “Solipsism”, straining pressure of “Surface Tension”, and the breakthrough of the title track. Acherontia is a sonic exploration of what happens in between, a transitory stage that most of us just want to get through.
Psychonavigation Records founder, Keith Downey returns with his latest musical offering, Buddha Bowl. Under the guise of No Mask Effect, the prolific Downey has just released his fifth project in under two years through Psychonavigation Records.
The album opens with “Be Good To Us”, a diverse mix of industrial complex beats, electronic and Afro-Caribbean inspired vocal snippets alongside an ear worm of a saxophone groove. On “Siren” the mood shifts with a lush sea of sound drifting from the speakers. A sinister yet tranquil string melody lurks beneath the audio waves, eventually emerging to create a beautiful piece of effortless ambient.
Meanwhile the mysterious bells, chimes and subtle, pulsing rhythm of “Hidden Surprises” takes Downey's long time love of Ambient music to new territory. With chattering electronic beeps and bleeps, celestial vocal samples and an ultrasound inspired bassline that is both intriguing and unexpected.
“Dark Emotion” however, reveals itself to be more enigmatic rather than pessimistic. An eight minute sensatory expedition of obscure samples both organic and electronic, nature sounds, glorious synths spiraling electronic loops are all included in the production. Music for headphones, this track's intricacies can only unfold with repeated listens.
With what is undoubtedly his most accomplished and eclectic collection to date, Buddha Bowl should satisfy long time No Mask Effect fans while exposing his unique sound to many new listeners.
GroundBurst is an instrumental rock trio whose sound strikes for the band’s kaleidoscopic approach and wide-open mindset. The band consists of Phil, Si, and Erik, respectively on guitars, bass & keys, and drums. These three talented musicians set out to create a lush, diverse and textural musical backdrop, borrowing from influences as diverse as electronic music, psychedelia, rock and even jazz with a minimalistic flair. Their recent release, “Triad” is an EP featuring 3 original compositions, as the title of the release might lead you to guess!
These Are Truly The Last Days is a musical project with a driven experimental twist. Their music blurs the lines between various genres, including ambient, electronica, glitch hop, and more. The project’s self-titled studio effort features 11 studio tracks.