NAAL is the surrealist, drone/rock project of Chicago native Dave Mantel. Characterized by a sonic journey taken between more traditional instrumental post-rock, and the fringe elements of ambient, noise, drone, and field recordings, NAAL is a project that wanders freely between elements of all of those genres, while juxtaposing their individual elements to create a unique sonic palate.
Formed in 2013 with the release of the debut project titled Wilderlands, NAAL has released 4 EP's, with a debut full-length announced for a 2017 release. Each of the past three releases, 2014’s “Compass” and “Chaos Monsters,” and 2015’s “TIME” EP, charted as best-sellers on Bandcamp. Beyond his recordings, NAAL has begun to bring a live show audio/visual experience that focuses on the mellower side of the project. Long, texturally complex soundscapes are complimented by an ambient visual experience aimed at exploring dark, metaphysical and surrealist themes.
A703 is a slow, intricate walk through several years worth of dark, complicated emotional landscapes, compiled together to create a listening experience that will both relax and challenge the listener. The slow drones and complex textures give voice to both a deep sadness, and a deep hope. Of the new album, Mantel says, “There's an idea in Japanese that has captured me- 'mono no aware'- which is an awareness of the impermanence of everything. But, at the same time, not letting that overwhelm or immobilize you. It's a gentle sadness of things. But that idea of simple awareness is not where I want this story to end... That is the concept for the album.”
The first full length album from NAAL, A703’s soundscapes are charged with the weight of their author's own emotional darkness. This album is unlike NAAL's past releases in both the volume of work, and the compositional and instrumental restraint involved in the process. Leaving behind the more traditional post-rock vibe of the project's previous releases, A703 fully embraces the “drone” side of the so called “drone/rock” genre Mantel has coined.
The slow moving chord structures made up of layers of guitar and synthesizer textures, combined with bits of field recordings taken over the course of some of these aforementioned defining emotional moments, create ambient and droning atmospheres that are at once intricately complex and utterly benign. Although these 7 tracks are, for their author, ultimately about mortality and the fleetingness of the temporal, in the depth of the music, there seems to be a glimmer of light. In the end, Mantel says, the interpretation remains up to the listener, “That's the beautiful thing about making the kind of music I make. I can write something out of the deepest feelings of sadness and pain, and someone can listen to those same lines and feel hope in the middle of that. That's really all I want from this project. Yes, there is sadness, there is death. But I have to believe that there is also life.” A703 releases on June 30th, digitally everywhere and physically at NaalMusic.com
Élvio Rodrigues is a composer and producer from Madeira island, now based in Lisbon, Portugal. In spite of being a player of multiple instruments, in the last couple of years, Élvio has been experimenting with piano, field recordings, and ambient soundscapes. The result is embodied in Slowburner’s debut EP - Before I Return To Dust - which was bself-released in digital and CD formats on March 14th 2017.
The EP deals with the realization that time is limited. Most of the time we’re just living life on autopilot and forget our dreams and hopes for the future. We somehow expect for things to fall into place, except things don’t always work out that way. In that sense, ‘Before I Return To Dust’ is a statement - the time to accomplish all those things we’ve always wanted is now. Time’s ticking.
Start where you are with what you have - 03:56
Time waits for no one - 05:03
Never too late to be someone else, somewhere else - 05:34
Please let me be more than this fleck of dust in the air - 07:29
We All Die! What A Circus! Is the solo studio project of João Guimarães from Portugal and was created in 2013. It all started with the release of the EP Drowning Gives Meaning To Breath (June, 2013) which consisted of soundscapes (synths, samples, field-recordings) mixed with post-rock and "folk" guitars with a minimalist approach focusing on the atmosphere. The song "Drowning Gives Meaning to Breath" was featured on the RibsOut Compilation 6 and the song "Hold" was featured on the compilation The Best of Portuguese Post-Rock 2013 made by the Portuguese website Planeta Post-Rock.
In September of 2014 the first full-length "Until The Cosmos Takes Me Back"was released featuring more drone elements, intricated guitar-work and a more layered sound, featuring two singles: From India To Gaza I, one of the highlights of the album with a strong guitar-lead dwelling in the air with its simplicity, and Old Village In Space which combines a sense of nostalgia with an eerie slow-pace solo. The album was considered one of the best Portuguese albums of the year by the website Bandcom and the song "Our Dust Turned Into This" was featured on the compilation The Best of Portuguese Post - Rock 2014 by Planeta Post-Rock.
Between 2015 and early 2017 the new self-titled album was recorded expanding the sound of the project with a different concept, including elements of dark jazz, modern classical all warped up by reverb-drenched drone soundscapes and also post-rock guitar featuring drums for the first time.
The album was released on March, 3, 2017. Conceptually it deals with the existential issues of human life, the need for a meaning of life and/or the lack of it; and how time and space wraps our own existence. It was inspired by the thoughts of philosophers and writers like Emil Cioran and Charles Bukowski (his famous poem Bluebird is recited on that song) and is a homage to them. Sound-wise this album makes heavy use of drone synths and field-recordings processed with various effects setting the atmosphere; some elements of dark jazz and classical modern piano; post-rock guitars for the lead melodies and harmonies and a sparse use of drums, mostly downtempo. Some said it resembles Angelo Badalamenti and Bohren & der Club of Gore making post-rock.
On Saturday, May 20, multi-instrumentalist and lauded bass player Erik Kramer released his debut studio endeavor, an EP entitled ‘Missed the Boat.’ The Brooklyn-based musician has an especially eclectic sound, one that employs the talent of a slew of musicians: saxophone, trombone, viola, trumpet, back-up vocalists - they’re all there. An experimental record through and through, ‘Missed the Boat’ is an indie record quite unlike anything else that’s come across my desk in recent months.
The Great Long Distance is an audible recollection of the first 12 months of a long distance relationship, including the highs and lows and moments in between. It is a journal without words, each of the 12 tracks representing each month respectively. Inspired by the format of NIN's "Ghosts I-IV", the album is a sonic tapestry of different moods and themes, with various recurring motifs and the subtle melding of synthesizer and samples; the result something not quite classical, ambient or electronic - rather, an eclectic blend of the three. For fans of Ólafur Arnalds, Nils Frahm and later Ulver