Eastern-Washington's Lanterns of Hope creates an evolving indie rock and Americana sound with Celtic influences. Lanterns of Hopes performances emphasize songwriting, structure, and creating an upbeat atmosphere.
After performing with indie bands in ten states on Winter in July Records, Joshua released solo neo-classical project Lessons in the Wind. Later on he started in the Northwest and gathered some of his friends to form three piece Americana band Lanterns of Hope. Currently, Joshua performs solo around the Northwest as Lanterns of Hope and promotes his new EP Harbors.
Grizzly Coast"s background as a poet, mixed with her lifelong affinity for playing music, lead her to blending the two mediums on her debut album Gold Lined Path. Her new single, “Zuzu’s Petals,” showcases her expansion into a full-band sound, and her commitment to free-falling even deeper into her lyrics. This video attempts to capture the growth and joy that solitude can bring, and frames it in a single summer’s day.
"“Zuzu’s Petals” is about the feeling of self-assurance – something that struck me on a refreshing upswing that I rode after going through a breakup. Finding simple luxuries in both solitude and community, and really focusing on music were what brought me back home to myself. With the song’s upbeat tempo and lyrics, I aimed to evoke the excitement that you feel when you’re inspired by the boundless possibilities that exist in your future."
Cheb Abdessalam Ichraqi is a multi-instrumentalist and Rai artist living in rural Wisconsin. His work has been featured with and he has collaborated with Cheb Samdoun and the Iridescent Ensemble, German Shepherd, Tuluum Shimmering, The Dallas S, and others. His current interests include the buzuq, lavta, cumbus, mandola, sitar and other Middle Eastern and Far Eastern instruments.
The forthcoming EP entitled "for the seafarers" is a brief meditation on impermanence, based on an old Sufí theme and an excerpt from the teachings of Huang Po, using only the medium of 12-string acoustic guitar, lap steel and vocals. Recorded in rural Wisconsin.
Should Have Gone by Sea - 08:25
Under All the Visible Stars of the Northern Hemisphere - 03:24 info
Formed in 2008, Toronto-based pop-rock quartet Jane's Party - comprised of Devon Richardson, Tom Ionescu, Jeff Giles, and Zach Sutton - are fresh off Tunnel Visions, their third full-length album and most successful release to date. Lead single “Coming on Strong” garnered multiple accolades (including being named a top-100 single of 2016 by CBC), a number of the album’s other tracks appeared in film and TV, and, together with acoustic companion Tunnel reVisions, the record has earned over three million streams on Spotify. Their recent self-produced release - an acclaimed cover of July Talk's “Guns + Ammunition” - saw the band in its most creative element, taking on the roles of director, producer, and editor in creating the video for the song.
Jane’s Party has carried that momentum into their latest project, which represents a thematic and conceptual departure, if not necessarily an aesthetic one. Featuring collaborations with Skratch Bastid, Fast Romantics, and The Darcys, the new album sees the band exploring more mature and sometimes darker subject matter. Whether they’re touching on superficial relationships, politics, the pervasiveness of technology, or the intractability of human nature, the songs often hide dystopian undertones beneath deceptively breezy riffs and vocal harmonies.
For over a decade, Jane’s party has brought their irreverent, genre-bending sound to live audiences around the world; in buzzing clubs and famed concert halls in downtown Toronto, in stadiums across Canada, and in historic venues throughout Europe, opening for and playing alongside artists like Lowest of The Low, The Sadies, Sam Roberts Band, The Arkells, Tom Odell, Blue Rodeo, Stars, LIGHTS, and Lord Huron. As they gear up to play festivals like Alianait Art (Iqaluit), Liquid Arts (Hamilton), Northern Lights Boreal (Sudbury), and NXNE (Toronto), with a cross-Canada tour to follow, 2018 will see them continue to expand their reach, as they showcase their new collection of material with the soulful, energetic live shows that have become their hallmark.
"When writing new material, we always aim to push the boundaries of what we have previously done as a band and explore new aspects of our musical relationship. This is reflected in “Acknowledgements” by the conscious decision to not have drums on the song. We knew that such a fundamental decision would force us all to get out of our old habits and comfort zones – “shuffle the deck” in a way. With David Spekter's work on the vocal harmony arrangement, “Acknowledgements” ebbs and flows beautifully, with the lyrics always at the forefront.
Coming up in music as jazz students, we’ve always played and listened to instrumental music yet have somehow never made any of our own. The concept was a 60’s style approach to recording “Surfing on a Sinewave” – a one-day studio session with all four of us jamming together in a single room. Who better to inspire us and guide us through the process than Leland Whitty of Badbadnotgood? His production work in the studio and throughout the mixing process made for an incredible learning experience."
June 29 – July 3rd @ Alianait Arts Festival, Iqaluit, NU
July 6 – 7 @ Northern Lights Festival, Sudbury, ON
July 26 – 28 @ Beaches International Jazz Festival, Toronto, ON
August 18 @ Village Vibe Festival, Blue Mountain Resort, Collingwood, ON
Lora's newest single of her album is "Good Men Don't Hurt You". This single reflects friendly advice in love. As a victim of sexual trauma, Lora is vocal about her support towards other women, as well as the #MeToo campaign. Her work as an artist is to reach out to those who feel alone and those who have been victims themselves. This inspired her to be vocal about her own experience and also led to the single. The song is a playful and poignant ditty with a nod to the current cultural landscape of the #MeToo movement. It tracks the story of a young girl and her dialogue with the song's narrator in what seems like a playful manner, but still revealing honest truths.
Lora Kelley released her new album, self-titled "Lora Kelley", on June 16th exclusively with CD Baby. The album showcases her songwriting ability, with each track being more personal than ever. Lora continually pulls from her life experiences, blending the memories with a rock/country flare. Currently residing in Charlottesville, VA, Lora grew up on the wide open plains of Texas, and was raised on 10,000 Maniacs, Tracy Chapman, Bonnie Raitt, Patty Griffin, Joni Mitchell, The Carpenters, and more contemporary influences - Patty Griffin, Brandi Carlile, Margo Price, Secret Sisters & John Paul White. As a wife and a mother of two small children, she enters the music scene with a gently produced record reflecting her southern roots and experiences as a woman. It deals, playfully and somberly, with both grit and grief and how we synthesize our corporate human experience.
A combination of retro aesthetics, enduring lyrics and alt-rock grit.
The best music happens when artists refuse to remain stuck in their own comfort zones and creative boxes. Whenever this happens, they are free to give full range to their vision, and they can really come up with something that’s groundbreaking and personable. This is certainly the case here with Tommy Red and his brand new EP release, “I Wanna Be Exploited.”
Marva Von Theo is an Electropop / Synthwave duo formed in 2016 by the Athens-based singer-songwriter Marva Voulgari and the Vienna-based composer-producer Theo Foinidis.
Their Debut Album “Dream within a Dream” was released early in 2018. The 12 songs on their Album, lean towards an electronic sound that incorporates a variety of influences ranging from the music of the 80’s until today. Darkwave sounds, Jazz harmonies, Rock and Dance drum beats resonate together and mature into something darkly romantic.