The song comes from Twin Bandit's new album 'Full Circle', which will be out this summer on Nettwerk Music Group. Twin Bandit is Hannah Walker and Jamie Elliott. Together they bring you an intimate folk songs, with a sheen of pop brilliance.
"At first listen these two songs may seem to be opposites in sound and message but to us, they belong together. Everything Under the Sun was one of our first experiences with Co-writing. We were excited to be in Nashville for the first time and wanted to write a song that expressed our gratitude. A tune for the highway on a sunny day, feeling your freedom, bright eyed and thankful. To Stay is a song that Jamie wrote. A more personal expression of struggle on days when it's hard to get out of bed. It's a reminder to pull yourself up and keep working for the things you hold dear in life. You've got to take the joy with the struggle, we believe that's what life is on about!"
Starting in 2011 when Johnstown, PA artist Jake Dryzal was only 12 years old, Blue Navy was conceived through his love of indie music and surrealism. Crafting fictional stories that dealt with relationship strife or dreamlike circumstances, Blue Navy released several demo EPs between 2011 and 2013. Jake took a hiatus from Blue Navy in 2014 to focus on his post-metal project, Pallor, and later returned to Blue Navy after the breakup with a girlfriend. Influenced by slowcore, dream pop, and shoegazing music, Jake released his debut album, "Mine" in early 2016 to critical acclaim. Another bout of unrequited love hit Jake in early 2017, resulting in the production of his newest album, "Ours," which was released that May.
"Ours" is Blue Navy's sophomore LP - another concept album that covers topics such as heartbreak, loss, and memories following the destruction of a meaningful relationship. Along with introspective, confessional lyrics, "Ours" contains balanced elements of stripped-down acoustic folk, as well as dense layers of lush, ethereal, and reverberated ambient soundscapes.
On Saturday, May 20, multi-instrumentalist and lauded bass player Erik Kramer released his debut studio endeavor, an EP entitled ‘Missed the Boat.’ The Brooklyn-based musician has an especially eclectic sound, one that employs the talent of a slew of musicians: saxophone, trombone, viola, trumpet, back-up vocalists - they’re all there. An experimental record through and through, ‘Missed the Boat’ is an indie record quite unlike anything else that’s come across my desk in recent months.
The most unique quality ‘Missed the Boat’ boasts is its ability to effortlessly hop between genres, all while maintaining an aura of cohesiveness. It’s very difficult to be an artist that pulls influence from so many sonic avenues and keep your sound organized, and Kramer does this remarkably well. The titular track, which opens the EP, has a very Radiohead-infused sound. The soft vocal croons, funky bass riffs, and erratic brass sections all sound like they’re from a ‘King of Limbs’ session.
The following track has much more of a jazz influence, offering a rather beautiful soundscape of piano noodling accented by a fantastic string section. If New York experimental music was written for a late night jazz club, ‘Seagulls’ would be the song that would result from it. ‘One of Many,’ the track after that, is a tune that really lets the brass section shine. There’s more funk and fusion influence apparent on that song, and the more upbeat nature of the track gives Kramer more room to experiment as a vocalist.
The EP’s most easy-listening track is surely ‘Tell You Otherwise,’ a sublime listening experience that washes over the listener in a surreal fashion. The equally enigmatic lyricism matches the instrumentation beautifully, as does the sparse, but effective female vocal backing. Heavy jazz inspiration then returns for ‘The Way It Goes,’ exhibiting some of the collection’s most excellent musicianship.
The finale of the EP, ‘The Light,’ may be its strongest song, at least, lyrically. The story-like lyricism puts the vocal content at the forefront of the song, whereas the rest of the EP usually reverses that dichotomy. At this point, it’s also very much worth mentioning that the production on ‘Missed the Boat’ is incredibly good, too, and Kramer has a superb hand over such a large soundscape of musicians.
‘Missed the Boat’ is an excellent EP from beginning to end, defying genre by jamming together funk, jazz, and experimental influences. It does it in an unpretentious fashion, too, which is rather vital to success in this arena.
"Flowers on the Moon" is more complex that it might seem on the surface. It's not just a dreamy pop song-- it's an invitation to imagine what we can't see. All of these different flowers-- visions, colors, and perspectives-- could exist together like they do in my dreams, but that's a world we have to build ourselves, from the ground up. We need to imagine, first, in order to create.
The Kenyan born and now Seattle based artist has received wide spread recognition being featured on NPR. In "Beautifully Human", Wachira highlights issues of human equality, especially when it undermines the divine sacredness of those who are different. Her sophmore album "Songs of Lament" she describes, ‘was born out the many tragic losses we’ve witnessed globally."
Crafting a concept album is an incredibly difficult task. Tying together a cohesive narrative across a record’s worth of songs isn’t just daunting, it’s an endeavour that even some of the industry’s finest have failed to do memorably. This task, however, becomes notably more difficult when you’re dealing in the abstract via instrumental soundscapes. That is what Chronotope Project, the moniker of composer Jeffrey Ericson Allen, attempts to do with his latest project, ‘Ovum.’
NAAL is an eclectic music project led by Chicago composer Dave Mantel. This talented musician has a true passion for great melodies and haunting musical textures. His blend of ambient, shoegaze and experimental drone music feels personal and unique, echoing the work of artists such as Slowdive, Boards of Canada or Sigur Ros, just to mention a few.