New track Population Grave by Laytcomers

2017-11-20 05:28:18 UTC

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The Laytcomers are a collective of ambitious losers, trapped inside a small Bay Area garage with a 4-track. They produce a mixture of noise rock, post-punk and even some elements of twee and Kiwi underground, all showcased on their new track "Population Grave"

"The first time we tried to come up with songs was when me (Ilya) and two of our other friends, who were original members of The Laytcomers, came to Cyes' place in Davis, where he went to college," Ilya explains. "I was hoping we were going to write some music, but at that time no one was really motivated to do anything, until I actually sat down with a cheap microphone myself and played/sang (pretty terribly), forcing everyone to contribute. Most of the sounds from that time were almost unlistenable. For drums we used a Guitar Hero drum set, which we used to write some of our first songs (Coldfront, Coppertone). There weren't a clear idea who does what, I was switching between bass and acoustic guitar, both of which I could barely even play at the time."

"We came a long way in terms of musical development and taste. In recent years our project The Laytcomers started to gain its own identity especially after we got two new members from Craigslist (Sam on saxophone and John on drums). We still walk a line between catchy indie-rock, based on short catchy bass lines and guitar riffs, psychedelic sounds and ear-bleeding noise rock with amp feedback and all kinds of noises."

"Our title song Population Grave wasn't coming along for awhile. We recorded original drum/vocal/guitar version almost five years ago. Something wasn't working out in it until I actually rethought the bassline from the scratch. It turned into a catchy angular post-punk thingy with roots in the no wave and New Zealand noise-rock."


Genre : art, punk, experimental, noise, rock, california, garage, indie, lo-fi, post-punk, psychedelic

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New single "These things for you" by The Retroaction

2017-11-16 06:26:24 UTC

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The Retroaction brings the gritty groove of the 60s and 70s to the modern day. In 2016 the band won the "Best new group award" at the Hamilton Music awards. Keith Mosfet and Thomas Duxbury originally started playing together as a backing band for a local songwriter with Thomas on Bass but eventually decided to form their own band. Soon after Charles Kostash joined on bass along with Raul Gutierrez on drums. Collectively the band is inspired by groups such as The Kinks, The Rolling Stones, The Beatles, The Who, along with newer groups such as Arctic Monkeys, The Orwells, Black Keys, Alvvays, and The White Stripes.

"The video itself is a fun take on the exploration of our record collection. While the players hand is examining some of the classic and humorous records, the lyrics for the single are displayed along with band themselves. The lyrics for the song were written about the idea of loving a stranger, the brief moment of imaging life with them. The inspiration came when Keith had a large crush on a neighbor, the opportunity to speak with her never came up, but there was an energy, looks, and an obvious attraction. Once on a stormy night he witnessed her running from her car in their shared parking lot to her apartment below. "Tonight I seen you running, running in the rain. Thats how I know theirs something, I hope to see you again. But ill just keep on waitin', waiting for you. My heart is slowing breaking, I guess i'm drinking for two.""



Genre : rock, blues, garage, psychedelic

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New track Mysteries of Nature by Mouth Breather

2017-04-26 04:39:55 UTC

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The new track “Mysteries of Nature” speaks for Mouth Breather – politically, socially, passionately, romantically.  A track that, like lighting at a dive bar, illuminates crucial features while still leaving many mysteries to be discovered. Mouth Breather released a new music video to accompany the song on YouTube. 

“Mysteries of Nature” grew out of a funky bass-line I laid down while jamming with some friends last summer. Simple, yet catchy enough that every other part of the song just seemed to naturally fall into place. There wasn’t much planning that went into the video either. The director, William Wilkinson, and I used an old TV zoom lens and a sequin curtain to capture a glossy, zoom-heavy 70s visual accompaniment."


Genre : rnb, rock, electronic, expressionist, garage, indie

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