Damase is the solo endeavor of Jeff Bye, one half of Manican Dream, and co-founder of Manican Dream Records.
Utilizing creative sound design techniques and a number of analog and modular synths, Damase takes the listener on a journey through the ethereal.
He seamlessly weaves elements of progressive house, techno, soul and ambient electronica, transporting audiences to places far beyond the dance floor..
Constantly evolving and pushing both genre and technological boundaries, Damase is poised to release his debut album "True Color" on vinyl in early 2017
"True Color" is the debut album of Damase, one half of Manican Dream. Recorded with a Roland Jupiter 6 synth, a modular eurorack system, and a variety of analogue outboard gear, Damase has crafted a lush, electronic landscape, grounded with a deep sense of groove.
Superstructure's new record is called "R.S.I. Therapy Center". As with all his stuff, Josh Younggren is still struggling to properly explain it, but seeing as this was a great opportunity to make a political record (as an American), he finds it telling he couldn't make it overtly political. The music here is an examination of our repetitive tendencies - simultaneously soothing and harmful.
On Saturday, May 20, multi-instrumentalist and lauded bass player Erik Kramer released his debut studio endeavor, an EP entitled ‘Missed the Boat.’ The Brooklyn-based musician has an especially eclectic sound, one that employs the talent of a slew of musicians: saxophone, trombone, viola, trumpet, back-up vocalists - they’re all there. An experimental record through and through, ‘Missed the Boat’ is an indie record quite unlike anything else that’s come across my desk in recent months.
The Great Long Distance is an audible recollection of the first 12 months of a long distance relationship, including the highs and lows and moments in between. It is a journal without words, each of the 12 tracks representing each month respectively. Inspired by the format of NIN's "Ghosts I-IV", the album is a sonic tapestry of different moods and themes, with various recurring motifs and the subtle melding of synthesizer and samples; the result something not quite classical, ambient or electronic - rather, an eclectic blend of the three. For fans of Ólafur Arnalds, Nils Frahm and later Ulver