George D. Stănciulescu is a Romanian electronic and experimental music producer, composer / sound designer and PhD in Philosophy of Digital Music & New Media. In 2005, he founded the neo-classical ambient / avant-garde ensemble Ad Ombra, which consequently released a CD trilogy: Rites of Genesis (2008), Magna Charta Illusorum (2009) and Almost Eternity (2011). In 2009, Stănciulescu started to focus on the more electro-dance oriented sonic dimensions by creating the eclectic electronica music project LeVant, which had its debut CD, Beyond the Masque of Eden (2010). The second album, Knock, Knock, Ginger (digital) came in 2014, revealing an eclectic paradigm that comprises indie electro, trip-hop, contemporary music and art-pop altogether. Since its inception, LeVant has performed acclaimed multimedia shows both as a band and as a DJ at various national & international festivals and venues, with a plethora of featured vocalists and guest artists, ranging from theater and film, choreography, visual arts and so on. LeVant’s releases have been featured in the international underground press, in a number of online publications, radio shows and samplers worldwide.
According to LeVant, “UnFinetude” is a rather special work and probably the most radical and genre-bending amongst the ones he made so far so far. As a sort of “raison d’etre” for its genesis, came from the subconscious challenge he got from various persons asking him what is that? So he thought of creating a digimodern work and this slowly shaped in, thanks to some hours of expanding fantasy, unrelenting encounters with the realm of Illusion and a handful of plugins."
Following the dark, yet melodious nostalgia of Sunwarper, and the hazy summer warmth of Life Aquatic, Selles returns with the otherworldly single, Callisto. A song built from real instruments being spliced and warped to create an immediately recognizable, yet seemingly foreign melody. Selles creates an auditory world filled with ghostly synths, warped guitars, booming bass, and field recordings teeming underneath an electronic surface. Taking influence from artists as varied as Boards of Canada, Cloudkicker, Tycho and Explosions in the Sky, Selles combines the ambience and groove of IDM and Chillwave with the instrumentation and aesthetic of Post-Rock. This was part of a planned early 2017 EP; however, as writing progressed it became apparent that this would be the start of the next Selles full length album.
Michael Jakucs began creating music as Selles in 2013 to explore the electronic experimentation of chopping instruments into samplers. Drawing equal influence from artists as varied as Boards of Canada, Explosions in the Sky, Tycho and Eluvium, Jakucs’ music is filled with carefully crafted chords, organic sounds and instruments manipulated beyond recognition with a computer. Using the tumult of the world as influence, Jakucs creates a memory filled soundscape of fractured melodies with meaning buried under the audible surface.
Debutante is the Zurich-based solo project of Chris Zimmermann, in which they blend droney shoegaze music with pop sensibilites and chiptune synths, ending up sounding like an odd blend of Boris, The Microphones and Giles Corey. With deeply personal lyrics about themes such as depression or growing up in a physically abusive household, the music varies between slow, mellow soundscapes and fuzzy, bass-heavy gut punches that capture their energetic live shows perfectly.
Covers is a compilation album of covers and remixes done by Debutante between 2014 and 2016. It includes reworks of material by Swans, Have a Nice Life and the OSTs of the video games ,The World Ends With You and We Know The Devil. There's also remixes of tracks by Life In Slow Motion and Abraxas Axents, aswell as a breakcore track he did with a Yume Nikki sample. The EP was released digitally in November 2016.
These Are Truly The Last Days is a musical project with a driven experimental twist. Their music blurs the lines between various genres, including ambient, electronica, glitch hop, and more. The project’s self-titled studio effort features 11 studio tracks.
Crafting a concept album is an incredibly difficult task. Tying together a cohesive narrative across a record’s worth of songs isn’t just daunting, it’s an endeavour that even some of the industry’s finest have failed to do memorably. This task, however, becomes notably more difficult when you’re dealing in the abstract via instrumental soundscapes. That is what Chronotope Project, the moniker of composer Jeffrey Ericson Allen, attempts to do with his latest project, ‘Ovum.’