The new track “Mysteries of Nature” speaks for Mouth Breather – politically, socially, passionately, romantically. A track that, like lighting at a dive bar, illuminates crucial features while still leaving many mysteries to be discovered. Mouth Breather released a new music video to accompany the song on YouTube.
“Mysteries of Nature” grew out of a funky bass-line I laid down while jamming with some friends last summer. Simple, yet catchy enough that every other part of the song just seemed to naturally fall into place. There wasn’t much planning that went into the video either. The director, William Wilkinson, and I used an old TV zoom lens and a sequin curtain to capture a glossy, zoom-heavy 70s visual accompaniment."
PILLARS is an American four piece indie rock band from Indianapolis, Indiana. Formed in early 2015 by guitarist/vocalist Marc Ertel (former member of Spicolie, The Bowels of Judas, Heathens) and bassist Nason Frizzell (former member of ReVera, Asking Autumn), they quickly recruited Justin Williams (former member of ReVera, Asking Autumn) and Zach Frizzell (former member of Anapparatus). Each member comes from various musical pasts and this diversity has fostered a unique sound that blends indie rock, post hardcore, and alternative rock. PILLARS have become very deliberate in pushing to defy the normal restrictions of a definable genre with renewed vigor and passion.
2 years in the making & finally the new Memoryy album SKELETONS dropped on Friday. The new single is "NOT OVER YOU" - and Memoryy's saved the best for last. The stand-out single "Not Over You" is already creating a buzz with it's universally emotive chorus "I'm not over not getting over you." Flourished with violins, breathy choirs, glitching vocals & pulsing synths, Not Over You is a knock-out from start to finish & showcases Memoryy's ability at crafting emotionally-driven Electronic Pop is right up there with the best of them. After writing the Netflix Chelsea Handler theme song & dropping remixes for Body Language, Bridgit Mendler, Paperwhite more last year, MEMORYY wraps up 5 of his recent HypeMachine hits in the new album SKELETONS. It's a genre-spanning pop accomplishment that features collaborations with artists & producers including The Golden Pony, Brothertiger, Brain Tan, Frances Cone, Yeasayer-producer Abe Seiferth, Saint Motel-producer Joe Napolitano, Grammy-nominated Katy Perry mixer-Abe Seiferth.
Kilmanjaro is a unique and emerging 4-piece from Toronto, performing the densely layered and immersive electronic compositions of Kaan Gunesberk and Ian Culley. Two drummers Luke Graves and Ryan Macdonald weave through interlocking parts to create a bed of driving rhythm that sits underneath lush synth textures and dream-like vocal melodies. Culley and Gunesberk are both active songwriters and musicians outside of Kilmanjaro, with Culley contributing songwriting efforts to Daniel Caesar’s “Get You” and Gunesberk adapting his signature vocals on Drake’s “Right Hand.”
In January 2017, they released their debut LP A Place Unknown To All You Ever Say under NYK records. The album explores a spectrum of lofty and grimy textures amongst Gunesberk’s ethereal vocals, invoking feelings of a nocturnal daydream as he reflects on the different manifestation of his personality and relationships around him.
The band's thoughts on the song:
“This song is the climax point in the album. All the feelings conveyed throughout the album come to this point of realization. There’s a lot of tension in the first half of the song. But it reaches a point where you’re freed from that prison of emotion that’s been holding you for the whole album. There’s this sense of awakening.”
22 (Foreboding) - 02:32
15 (The Masochist) - 03:13
14 (The Idealist) - 03:33
17 (Your Mind Has Eyes That Look Upon You) - 02:31
Vie En Ville is the project of Aaron Atkins, a musician hailing from San Francisco, California. Drawing influence from the likes of Oasis, Roxy Music, New Order, and The Smiths, Aaron's music is a delicate mixture of ambiance and melody. As a passionate lover of classical music and a student of Opera, Atkins brings a very meticulous approach to the production of his music. He takes much of his inspiration from the words spoken through the bustle of life in the city, which provides him with the stories he uses in his songs once called "powerfully minimalist". Currently, Aaron is working on completing a small collection of songs aimed to form a solid introduction to his style and approach to music-making.
On the track itself, Aaron says the following: "This is the second single I've released with this project, and I was going for a dancer, '80s disco vibe based on some really shiny keys and an aggressive chorus. I know the Bee Gees don't get a whole lot of love in the music press, but I was actually pretty inspired by tracks like "Tragedy" that just had a huge, shameless chorus."
The Great Long Distance is an audible recollection of the first 12 months of a long distance relationship, including the highs and lows and moments in between. It is a journal without words, each of the 12 tracks representing each month respectively. Inspired by the format of NIN's "Ghosts I-IV", the album is a sonic tapestry of different moods and themes, with various recurring motifs and the subtle melding of synthesizer and samples; the result something not quite classical, ambient or electronic - rather, an eclectic blend of the three. For fans of Ólafur Arnalds, Nils Frahm and later Ulver
In order to excel in the independent music industry, an act has to define itself as especially unique with a sound quite unlike anything else in the community. This is a tall order, one that isn’t easily filled by acts entering variations of rock music due to the immense amount of bands flooding the scene right now. Palehorse/Palerider, a “doomgaze” trio from Denver, has released an EP entitled ‘Burial Songs’ that does a surprisingly superb job at separating itself from the pack. Let’s delve into it.
Even though the independent rock scene is quite inundated with new acts, there’s always a welcome place for an outfit that changes the formula enough to be consistently interesting and worth taking notice of. The New York-based alternative rock group Voices from Deep Below attempts to do just that, fusing together a variety of styles into a surprisingly coherent sound. Their new record, “I Want to Stand Where the Sun Himself Shakes with Fear”, is a five song album that navigates alt-rock, experimental, and borderline metal and progressive influences all at the same time.