2017-11-20 17:59:11 UTC
The New album "beasts in binary city" by Mandala eyes is an all improvised electric guitar + looper, underlaid by also improvised electronic beats. The story is about wildness struggling to exist in a reductive environment, a reflection of his internally difficult time living in a city in middle America over the past year.
- memory of dying flowers - 01:22
- my love wanted a skyscraper of me, an electric nightlife of me, a smog city of me - 12:03
- bent truth - 05:41
- they erased the name for what I am - 02:47
- dysphoric descent - 04:02
- human skull packed with explosives - 04:20
- hide & seek - 01:56
- ?uestion engine - 03:34
- in my debris, the first breath of pine trees - 05:08
experimental, ambient, art, rock, electric, guitar, improvisation, indie, instrumental, loops, post-rock, progressive
2017-11-20 05:28:18 UTC
The Laytcomers are a collective of ambitious losers, trapped inside a small Bay Area garage with a 4-track. They produce a mixture of noise rock, post-punk and even some elements of twee and Kiwi underground, all showcased on their new track "Population Grave"
"The first time we tried to come up with songs was when me (Ilya) and two of our other friends, who were original members of The Laytcomers, came to Cyes' place in Davis, where he went to college," Ilya explains. "I was hoping we were going to write some music, but at that time no one was really motivated to do anything, until I actually sat down with a cheap microphone myself and played/sang (pretty terribly), forcing everyone to contribute. Most of the sounds from that time were almost unlistenable. For drums we used a Guitar Hero drum set, which we used to write some of our first songs (Coldfront, Coppertone). There weren't a clear idea who does what, I was switching between bass and acoustic guitar, both of which I could barely even play at the time."
"We came a long way in terms of musical development and taste. In recent years our project The Laytcomers started to gain its own identity especially after we got two new members from Craigslist (Sam on saxophone and John on drums). We still walk a line between catchy indie-rock, based on short catchy bass lines and guitar riffs, psychedelic sounds and ear-bleeding noise rock with amp feedback and all kinds of noises."
"Our title song Population Grave wasn't coming along for awhile. We recorded original drum/vocal/guitar version almost five years ago. Something wasn't working out in it until I actually rethought the bassline from the scratch. It turned into a catchy angular post-punk thingy with roots in the no wave and New Zealand noise-rock."
art, punk, experimental, noise, rock, california, garage, indie, lo-fi, post-punk, psychedelic
2017-11-07 06:08:46 UTC
Orlon Gunner is an inspired and intriguing DIY solo effort that slyly borrows from music of the past to create something full of character and easy on the ears. The project's newly released three-song eponymous EP is, at times, reminiscent of The Zombies and other acts of the '60s & '70s, while still remaining fresh and original. Since its October 2017 release, Orlon Gunner is beginning to see regular airplay on campus and alternate radio stations across Canada.
Orlon Gunner is the pet project of Canadian multimedia artist, Robert Bernard Armieri, who has seen success as a short filmmaker, entrepreneur, and co-founder of Housecreep, a controversial true crime website.
While attending the University of Western Ontario between 2006-2009, Armieri focused on creating short films and recording his own music rather than on his studies. It was not in vain, however, with several of his films being picked up by Ouat Media for international distribution after a few successful short film competitions.
Using the competition prize money, Armieri started his own multimedia production company, Northern Recorders, and began working as a multimedia developer to fund his creative projects. Among these projects were the mobile game Chewy Train, and the niche true crime/real estate website Housecreep, which has received a great deal of media attention since its creation in 2013.
Armieri’s latest project is a three song EP under the alias Orlon Gunner, which was released on October 2nd, 2017.
"Writing and recording "Closer" was like a quick pick-me-up," Robert explains. "After spending weeks rewriting, remixing, and overworking the first track I finished for the EP, Carousel, I wasn’t feeling great about the results I was getting and was pretty disappointed in myself. "Closer" came together a lot easier. The song has a frenetic pace with lots of percussion and minimal lyrics. It was an attempt at quieting my negative self-talk and a reminder to keep plugging away."
indie, psych, rock
2017-11-03 16:27:40 UTC
PILLARS is an American four piece, primarily instrumental, post-rock band from Indianapolis, Indiana. PILLARS has played alongside established instrumental bands such as Pelican, and indie juggernauts, The Appleseed Cast, The Get Up Kids, The World Is A Beautiful Place And I am No Longer Afraid to Die, We Are Scientists and more.
PILLARS is an American four piece, primarily instrumental, post-rock band from Indianapolis, Indiana. Each member comes from various musical pasts, and this diversity has fostered a unique sound that blends indie-rock and post-rock.
On their latest full-length, _of Salt and Sea_, PILLARS' distinct mesh of musical colors is on full display, as the band takes listeners on an aural voyage full of thoughtfully crafted peaks and plunges.
Due out on Indianapolis label In Store Recordings on Dec. 15, _of Salt and Sea_ marks the bands most complete release to date, while also marking their first entirely instrumental collection of songs. From the towering "Salt" to the succinct yet stunning "Subtract/Submerge," the album delivers a rejuvenated post-rock sound that pushes the boundaries of the genre to stratospheric new levels.
PILLARS has played alongside established instrumental bands such as Pelican, and indie juggernauts The Appleseed Cast, The Get Up Kids, The World Is A Beautiful Place And I Am No Longer Afraid To Die, and more.
rock, ambient, indie, post, post-hardcore, post-rock, posthardcore
2017-11-02 04:49:07 UTC
Austin TX's indie rock foursome, Young Tongue (previously The Baker Family), consists of husband and wife Stu and Liz Baker along with Nathan Ribner, and Darryl Schomberg II. The band has been writing, performing, and recording material since their freshman full length “Death Rattle”, and is currently releasing a series of singles from September 2017 to Summer 2018.
"After our full length came out in 2015, our band had two babies," explains lead vocalist Stu Baker. "Needless to say, that changed a lot for us; but all along we've still been regularly playing shows, writing, and recording new songs together. Eventually we decided to put the songs out one at a time, and release a single once a month starting in September 2017."
"Electric Display is a song that felt like it wrote itself while we were just kind of jamming during a rehearsal. The lyrics came to me while I was hiking on the green belt with my daughter strapped to my chest. Being alone in the woods with my daughter, and thinking about how strange it is to be on the other side of the parent/child relationship now, I had a sort of existential epiphany that I'm at the beginning of the middle of the end of my life. The song sort of circles around that concept, along with the theme of how identity relates to cultural behavior. "
Young Tongue complicates the earthy momentum of their percussion-driven sound with surprising touches — an airy omnichord melody or a jagged guitar solo. Their sound generally ranges from progressive indie rock to psychedelic dance-infused dream pop. It’s this range of lightness of sound and force of rhythm that stirs their audiences to dance. Their lyrics move cohesively, stringing along images to reveal stories. If a new language is born out of a necessity to communicate, Young Tongue captures that same sense of urgency to expose narrative.