"A Reminder" is a 7 song self-produced EP that features rich sonics and engaging songwriting. Influenced by The Cure, Failure, Radiohead, and Mogwai, A Reminder is focused on bringing quality tracks and powerful live performances.
Hold up to the Fire, Echo Nebraska’s sophomore effort sees the Vancouver folk-rock outfit expand on their reputation of combining soul-strung acoustic songs with melodic pop sensibilities. They were determined to write music that was universally accessible and affirming, focusing on introspective themes of love, loss, and perseverance.
The mission to spread positivity to a wider audience stems from heartbreak within the band itself. In September 2016, bassist and founding member, Gunn Park passed away after a battle with cancer. Even though this was a difficult time for the band, they focused on channeling this loss in a positive direction. This is apparent in the album’s first single ‘Follow Me’. As songwriter Devan Christodoulou puts it, “The song is all about life and how it’s okay to rely on each other to get us through the tough times.”
Devan, Gunn, and multi-instrumentalist Andy Schichter started Echo Nebraska in the fall of 2014, with the release of a music video for ‘Hey, Allison’. Within a week of the video premiering, CBC Music added the video to their list of Best New Music Videos. Their debut EP, Send the Ships, would eventually chart across several campus stations, reaching a high of #3 on CJSF.
The band spent the next couple of years touring Send the Ships across Canada, with drummer Mike Lauder, violinist Carly Frey, and bassist Dan Ponich. After showcasing at BreakOut West 2016 in Regina, SK and CMW 2017 in Toronto, ON, Echo Nebraska turned their attention to writing the songs that would eventually make up the new record. The title track, ‘Hold up to the Fire’ was written in honor of Park, weeks after his passing. Though Park never got to perform on Hold up to the Fire, his presence is felt throughout the record.
Echo Nebraska returned to the studio this past winter with producer Jeff Dawson (Daniel Powter, Holly McNarland, The Dudes), who helped hone in on the direction the band was taking with their new collection of songs. Colin Stewart (Dan Mangan, Yukon Blonde, New Pornographers) was brought on to mix the album.
Ultimately, despite the loss of their friend and bandmate, Echo Nebraska pushed their musical direction forward on Hold up to the Fire, resonant with messages of hope, love, and the power of human relationships.
Calvin Jung, known by his stage name Plusol, is a Canadian electronic musician and 3D visual artist. Growing up in Burnaby, British Columbia, he attended the Digital Sound Production program at Burnaby North Secondary, which led him to study in the Music Technology Diploma program at Douglas College in which he graduates in June. Aside from his music, Calvin also runs an Instagram page where he post 3D art using geometric shapes while he develops an fantasy like environment. He has also provided album art for Vancouver based collective “Crystals” for their third compilation album.
Following a string of singles, Plusol’s first album, “Aura” focuses on creating a surreal, and nostalgic experience through a combination of music and artwork. He finds inspiration in film and video game scores, as well as music produced by his fellow peers in the Vancouver electronic music scene. Covering a diverse range of genres within electronic music, Plusol focuses on simultaneously diversifying his style, while creating a cohesive album experience.
Righteous Woman is a feminist awakening and excavation of the voices within, repositioning the multitudes of womanhood, to push back against the patriarchy, to offer the possibility of living on one's own terms.
"With Righteous Woman I wanted to explore the themes of trying to be a modern, progressive and open-minded woman and all the challenges that come along with that a life approach that has proved again to often feel isolating. Lots of folks seem pretty cozy with the status quo."
The SirensSound presents the new single "Baby" by Basement Revolver.
"Baby is about feeling sad and down even though you are generally happy about everything and everyone in your life. It’s about feeling confused about what I want in life, and how that affects other people. It is about crying a lot and feeling like I was burdening my partner with those questions. It is also about my tendency to retreat when things get too overwhelming, to spend all day and night in my bed and watching netflix and eating doritos. "Baby" was written at a point in my relationship where I was so happy with my partner and with the things in my life at that point – but I felt an overall dissatisfaction and sadness that I couldn’t explain. I’d be having a really nice date, and I would start crying, and I didn’t know why. Sadness was just there, sitting with me in uncertainty. So I dealt with it by trying to sleep it off, or hanging out on my own. I felt like this depressive state was affecting those around me in a negative way and I felt guilty about that.
The chorus on this one pretty much states clearly how I was feeling – “Baby I’m so sorry, I’m trying my best to figure this out, I swear that I’m so happy, this crying won’t fix what’s already broken and dead, just give me some time”.
"Baby" will be part of the new album ‘Heavy Eyes’ out this summer via Sonic Unyon (North America) & fear of missing out (UK).
A combination of retro aesthetics, enduring lyrics and alt-rock grit.
The best music happens when artists refuse to remain stuck in their own comfort zones and creative boxes. Whenever this happens, they are free to give full range to their vision, and they can really come up with something that’s groundbreaking and personable. This is certainly the case here with Tommy Red and his brand new EP release, “I Wanna Be Exploited.”
Marva Von Theo is an Electropop / Synthwave duo formed in 2016 by the Athens-based singer-songwriter Marva Voulgari and the Vienna-based composer-producer Theo Foinidis.
Their Debut Album “Dream within a Dream” was released early in 2018. The 12 songs on their Album, lean towards an electronic sound that incorporates a variety of influences ranging from the music of the 80’s until today. Darkwave sounds, Jazz harmonies, Rock and Dance drum beats resonate together and mature into something darkly romantic.