George D. Stănciulescu is a Romanian electronic and experimental music producer, composer / sound designer and PhD in Philosophy of Digital Music & New Media. In 2005, he founded the neo-classical ambient / avant-garde ensemble Ad Ombra, which consequently released a CD trilogy: Rites of Genesis (2008), Magna Charta Illusorum (2009) and Almost Eternity (2011). In 2009, Stănciulescu started to focus on the more electro-dance oriented sonic dimensions by creating the eclectic electronica music project LeVant, which had its debut CD, Beyond the Masque of Eden (2010). The second album, Knock, Knock, Ginger (digital) came in 2014, revealing an eclectic paradigm that comprises indie electro, trip-hop, contemporary music and art-pop altogether. Since its inception, LeVant has performed acclaimed multimedia shows both as a band and as a DJ at various national & international festivals and venues, with a plethora of featured vocalists and guest artists, ranging from theater and film, choreography, visual arts and so on. LeVant’s releases have been featured in the international underground press, in a number of online publications, radio shows and samplers worldwide.
According to LeVant, “UnFinetude” is a rather special work and probably the most radical and genre-bending amongst the ones he made so far so far. As a sort of “raison d’etre” for its genesis, came from the subconscious challenge he got from various persons asking him what is that? So he thought of creating a digimodern work and this slowly shaped in, thanks to some hours of expanding fantasy, unrelenting encounters with the realm of Illusion and a handful of plugins."
Mixtaped Monk is a DIY music project by a journalist and music producer (Arka Sengupta) who believes in making music that soothes the mind. This project was started as an outlet for his creative expressions. Under the moniker of Mixtaped Monk, he not only expresses himself as a music producer but also as a writer and a visual artist.
Being socially awkward since childhood, he always loved solitude. And, in his solitude, the thing which he liked to do the most is discovering music. Be it the cassette of Pink Floyd's “Dark Side of The Moon,” which he discovered, in his uncle's old room, during his early teenage, or the first mixtape that he made for a girl when he was a little bit older, music has always been his sole companion. Gradually, he picked up playing the keyboard and the guitar, started experimenting with music and realized that there is a whole world of possibilities for him to explore. That is how the idea of Mixtaped Monk started.
Right from the time he was in school, Arka had an immense fascination for anime. And that led to his (almost) obsession with Japanese culture. It all started with Naruto and Naruto Shippuuden. But when he watched Rurouni Kenshin for the first time, he was fascinated with the way the city of Kyoto was portrayed in the anime. And so he began researching the city, its current form and the long history associated with it. Since then, from time to time, he's had these dreams about the city. Sometimes they were associated with historical events and sometimes with the modern era. But in all, they were always so vivid that he could literally feel the profound beauty and heritage of Kyoto within him.
Through DREAMS OF KYOTO, Arka has tried to provide a soundtrack for the nature of the dreams he has of Kyoto.
Recorded in batches over a couple of years, Anna, don't disappear is the 2nd album from Toronto band Red Nightfall and features the continued maturation and morphing of the sound they developed on their 2011 self-titled debut and 2013 EP Late in the Fever.
Here's a warm blast of gauzy guitar-based rock from Blue Plutos, a track called "Immediate Engagements". Off the group's new album 'Moon Language', "Immediate Engagements is about getting older and recognizing the need to really focus attention on the interests or hobbies or matter most, in order to feel like we're maximizing the time we have on this Earth.
"As far as the writing of the song, we wanted to write a song that was really straightforward but also kind of chugging at the same time," Ryan Agnew explains. "I was listening to a lot of Beach House and and you will know us by the trail of dead... while we were recording it which I think is reflected in the production of the song. The riff at the end of the song is a very fun one to play and was written separately but fits well - it also has a really nice solo from Tyler. "
The trio - based out of both Brooklyn, NY and Boston, MA - is comprised of Tyler and Matt Agnew, in addition to Mat Lundin. Their 2014 EP, Dennett St, combined jangle-pop with cut-up electroacoustic beats, and reverb-drenched samples. The new album pursues a more layered, eclectic sound.
On Saturday, May 20, multi-instrumentalist and lauded bass player Erik Kramer released his debut studio endeavor, an EP entitled ‘Missed the Boat.’ The Brooklyn-based musician has an especially eclectic sound, one that employs the talent of a slew of musicians: saxophone, trombone, viola, trumpet, back-up vocalists - they’re all there. An experimental record through and through, ‘Missed the Boat’ is an indie record quite unlike anything else that’s come across my desk in recent months.