2017-09-08 05:45:42 UTC
Chicago-based Floral Couches, the project of Cody Gray, released his new album Electric Fever in August. One of the album's highlights, “Ketamine Dreaming” is a nice display of Floral Couches’ late-night atmospheric development and knack for emerging, twinkling hooks — present here just past the one-minute mark, with twangy guitars entering the fold shortly thereafter.
Floral Couches' debut album came in 2016, with Not Quite Your Type. "I recorded all of it in a Logan Square bedroom over the course of a 16-month span and it was just a totally weird pop album. The cohesiveness was nonexistent but it was really just me experimenting with my own sound."
From there, Cody decided to pursue a more electronic-minded sound. Shortly, he had three songs written with synths and buzzsaw basses, and put them in a folder called "Electric Fever". That name stuck, and after a year Cody had his second album, Electric Fever. "I never had any plans to play live shows since i dealt with bad performance anxiety in the past and just didn't have any friends in Chicago to perform with. When I met my best friend Conor we just worked out how the hell two people could perform this stuff live and we've been performing for about five months."
Both tracks (as well as every other Floral Couches track) were recorded and mixed using only instruments and VSTs in Logic, including the guitars. "I was broke when I first started recording under Floral Couches and decided I was going to fully exhaust Logic of everything I could do with it before I purchased new equipment or instruments," Cody explains. "About half of Electric Fever actually has some serious track bleed on the vocal takes because while I was recording "Now You've Done It", my headphones broke and I couldn't afford to get another pair for a while. I was going to redo the vocals, but I liked the washed-out sound that it had produced and decided to keep them as is. "
Per Cody, "Ketamine Dreaming" is the only really sad song on the album. "A week before Christmas 2016 our dog passed away unexpectedly and I just totally lost it. I emailed my boss that I wasn't going to be going into work for a while and nobody saw me for about two weeks. When I was in high school and college I was dealing with peak depression and anxiety and I was absolutely coping by drinking myself stupid. I stopped drinking for the most part after college... During that two weeks of intense grieving I basically kept myself sustained on beer and cheese (I'm a Wisconsin boy at heart). It was the first time since I had graduated college that I was trying to just escape from what was happening in my life. I wrote the lyrics to capture that escapism mentality... "I don't need to feel pleasure/ and anything's better than this" was exactly what I had going through my head."
indie, electronic, pop
2017-09-06 05:21:30 UTC
Airships on the Water is an instrumental post rock band from Fayetteville, AR, USA, formed by multi-instrumentalist Russel Hensley. Hensley, who plays drums for the math rock band Take Shapes, started the project as a way to experiment with and expand on a backlog of keyboard riffs and drum parts he had written.
Drawing inspiration from the infectious hooks of El Ten Eleven, the emotional power of Explosions in the Sky, and the rhythmic complexity of Japanese post rockers Toe, Hensley started writing and overdubbing new parts to flesh out the sound of his existing arrangements. He carefully layered beautiful keyboard melodies, bass guitar hooks, intricate drum patterns, and rich synth textures onto these skeletal arrangements, shaping them into catchy instrumental post rock songs. Bit by bit, a chilled out sound with subtle math rock influences emerged, and Beneath a Thousand Branches was born.
- Recover Your Tracks - 06:05
- When You're Caught - 04:54
- Almost Found - 03:39
- Both Fingers Wrapped - 05:32
- Where the Vessels Meet - 03:41
- Midair - 05:02
- Bloom Beneath the Branches - 07:03
- Alpine Blankets - 05:07
experimental, indie, instrumental, post-rock, math, postrock
2017-08-23 05:24:37 UTC
"Leave Behind" is the first single out of Sarah Cripps' new record.
"During the making of this album, I was going through a turbulent transition in my life. I was struggling with the perception of who I thought I was supposed to be, and who I truly am. It left me feeling pretty dark at times. It was making this record that helped me decide I would embrace the darkness and the weirdness. I pulled myself out of the perfect box I thought I had to fit into. I found a way to create my own narrative and not subscribe to the one that is often forced on young women. Although ‘Leave Behind’ is a reflection of losing myself and some of my lowest moments, ultimately, it’s the turning point that gave me the guts to just embrace the weirdness."
2017-08-15 05:37:08 UTC
New single “Fathers Day” by NONA.
"When writing my new single “Fathers Day”, I realized that everyone is a little lost - that gave me some solace in trusting my own opinions. The song sheds some new light on my childhood and inspired some conflicting realizations about my last few months with my father.Thematically, “Fathers Day” is an accurate representation of the musical project as a whole. The foundation of NONA is based on feeling the pressure to create and realize something on my own without compromise. There’s a deep rooted self reflection in each song which inspires a sense of nostalgia."
indie, alternative, rock
2017-08-09 06:33:51 UTC
Singer/songwriter Bradley Palermo has fronted the bands The Sudden Passion and Femme Fatality for the past 15 years. His solo work is equal parts indie folk and Americana. A fan at a recent show described his sound as “Hank 3 meets Bright Eyes,” which is right on the money with his strongest influences. Originally from St. Louis, MO, Bradley is currently based in Los Angeles.
Lie in the Sound blog wrote, “I usually fall for distinctive vocals.... Bradley Palermo’s voice got my heart within seconds.” His lyrics are no less heartbreaking than his vocals—autobiographical, alcohol-soaked tales of bar fights, arrest warrants, and failing at love. It’s what you might expect from a guy who has spent the majority of his life playing smoke-filled dive bars across the country. He manages to put a poetic spin on even the lowliest events. As Incognito Magazine put it, Bradley “shows some wordplay that would make Bob Dylan proud.”
As The Sudden Passion, he released two full-length albums (one on vinyl), an EP, a few singles, and a collection of demos. From time to time his music appears in unlikely places such as NBC’s The Voice, The CW’s 90210, and UFC’s Ultimate Insider. Lately Bradley has focused on his solo work, performing live as a one-man show with his guitar, harmonicas, and a ukulele. Bradley is currently recording new music and performing shows in various regions of the US.
08/17 San Francisco, CA - Neck Of The Woods (facebook event)
08/18 Victorville, CA - Kennedy's Pub (facebook event)
08/19 Las Vegas, NV - House Show (facebook event)
08/20 Los Angeles, CA - The King Eddy (facebook event)
09/06 St. Louis, MO - Foam (facebook event)
09/07 Chicago, IL - House Show (facebook event)
10/08 Portland, OR - Analog Cafe & Theater (facebook event)
10/09 Seattle, WA - Substation (facebook event)
10/26 Oceanside, CA - Pour House (details TBA)
11/16 Tucson, AZ - Illegal Petes (details TBA)
11/17 Slab City, CA - The Range (details TBA)
11/19 Scottsdale, AZ - Rogue Bar (details TBA)
11/20 Flagstaff, AZ- The Green Room (details TBA)
11/21 Salt Lake City, UT - TBA
country, americana, folk, acoustic, punk, rock, harmonica, indie