The Edward Furlongs are a New Jersey-based endeavor in American music, comprised of Dan Gugger and Nick Afflitto. The project is a tip of the hat to the pioneers before them, a reflection of their collective experiences and a bullish reaction to the state of modern music.
Although Dan and Nick grew up playing music in the same thriving New Jersey music scene, they didn't meet until performing together on the Vans Warped Tour in the summer of 2009. After spending several years performing music for other bands, they decided to create music of their own, with a few core principals in mind.
The most significant of these is the idea that there is a void in modern music that yearns to be filled. It is is a composite of old and new, a return to the clarity and simplicity of rock music from decades past while reflecting the experiences of those living in the world as it is today. If the band achieves its ultimate goal, the music should reflect a desire for something simple and familiar, but modern and unique; these are candid recordings that are, if anything, under-processed by today's standard but hold honesty and individuality that honors both the musicians creating it and the people and experiences that have made their lives better.
Defend The Rhino is a cinematic instrumental music project conceived by singer-songwriter / composer / audio engineer, Nathaniel Sutton. A multi-instrumentalist with a flair for musical drama, he pursued a degree in audio engineering, developing a deft touch for exploiting emotion through sonic texture and expansive soundscapes.
Defend The Rhino cites influence from instrumental artists such as Mogwai, Explosions In the Sky and Godspeed You! Black Emperor. He is currently presenting Defend The Rhino for feature/review opportunities for his debut album, "There's No Place Like Home", released through Mint 400 Records based in New Jersey, USA.
For the last few years NO TERRAIN has traveled the world, performing stunt shows. During his travels, he wrote the No Terrain EP. When he returned, his friend and producer, Leon Taheny (Owen Pallett, Dilly Dally, Weaves, Austra, many many more) and him sat down in the studio to put all the pieces together. The EP comes out on the 18th of November.
Jackson Reed's debut solo album “The November Gales EP” is out on Deadplant Records!! It was engineered by Jonas Bonnetta at Port William Sound, mastered by Gavin Gardiner at Lacquer Channel and artwork is drawn by Kyle Field of Little Wings.
The video was recorded during 2 days in Sweden last summer and was directed, produced and edited by Francis Moon. The song is about letting go of barriers and tries to look forward despite obstacles standing in front. A person can do so much with just some encouragement and new energy from people around. Sometimes it doesn´t require much to take that extra step in the right direction. This video and song might very well be all you need for today.
The Great Long Distance is an audible recollection of the first 12 months of a long distance relationship, including the highs and lows and moments in between. It is a journal without words, each of the 12 tracks representing each month respectively. Inspired by the format of NIN's "Ghosts I-IV", the album is a sonic tapestry of different moods and themes, with various recurring motifs and the subtle melding of synthesizer and samples; the result something not quite classical, ambient or electronic - rather, an eclectic blend of the three. For fans of Ólafur Arnalds, Nils Frahm and later Ulver
In order to excel in the independent music industry, an act has to define itself as especially unique with a sound quite unlike anything else in the community. This is a tall order, one that isn’t easily filled by acts entering variations of rock music due to the immense amount of bands flooding the scene right now. Palehorse/Palerider, a “doomgaze” trio from Denver, has released an EP entitled ‘Burial Songs’ that does a surprisingly superb job at separating itself from the pack. Let’s delve into it.
Even though the independent rock scene is quite inundated with new acts, there’s always a welcome place for an outfit that changes the formula enough to be consistently interesting and worth taking notice of. The New York-based alternative rock group Voices from Deep Below attempts to do just that, fusing together a variety of styles into a surprisingly coherent sound. Their new record, “I Want to Stand Where the Sun Himself Shakes with Fear”, is a five song album that navigates alt-rock, experimental, and borderline metal and progressive influences all at the same time.