“The river that everything drags is known as violent, but nobody calls violent the margins that arrest her.”
This quote from Bertolt Brecht is the best way to portray FLEUVE, the devastating new album of belgian outfit THOT. After a decade of challenging its music across several albums, EPs, videos, alternative versions, remixes and european tours, the gang lead by Grégoire Fray is going to bring a breath of fresh air in the industrial-rock and post-rock genres. Produced by Magnus Lindberg (Cult of Luna) and engineered in live circumstances, FLEUVE features 9 songs built around a powerful drums/bass/guitar trio, on which passionate vocals, heavy synths, clarinet laments and bulgarian choirs melt together perfectly. Thereby, FLEUVE is a luminous ode to the european continent and its cultural history, to nature’s immuable inspiration, to women and transcendance.
ICAUNA - 02:36 info ODRA - 03:36 VLTAVA - 04:01 RHONE - 05:53 RHEIN - 07:32 DUNA - 07:44 VOLGA - 03:37 info SAMARA - 04:44 BOSPHORE - 13:10 info NOW'S THE ONLY TIME I KNOW (Fever Ray Cover - Bonus track) - 04:03
In the middle of México, in the Capital of the Country, north of the so called “City of Hope” Rafael Gtz. Under the nickname: Elvaan Ibanfure rises as an alternative with a totally aggressive, contradictory and defiant proposal for the social context in which it develops.
Elvaan Ibanfure, with a long career as a musician and singer with some of the most unique and original bands in México (All You Hate) and Arda is now exploring the music world as a solo artist, confronting his own mind and maturity, maturity that has been cause and result of some series of tragedies and events that, with time, allowed him to extend his consciousness and made him aware about social decadency, which goes over borders and infest the whole planet.
Upon the reality in which he lives, a strong feeling of impotence arises, that began to take form in his mind and heart, in front of the apparent inevitable destruction of life, men, nature and universal virtues, and then realizing that the only possible way to make a significant change in the environment, it’s creating a massive “wake up” expressed in one of the branches of the human language… Music.
Elvaan then created a rich universe in which all of his songs take place, the world of "Nothing" where an accidental god soon realizes that his creation should not be taken lightly.
This is the world of "Sheol"
Elvaan Ibanfure tempts people to be free to love and hate, without prejudices, always searching the evolution of the spirit & never to give up.
Several demo songs are now under his sleeve, and now Elvaan Ibanfure launches his first official material, under the name of "The Wolves Are No Longer Howling". A 5 minute instrumental opus that transcends the borders of Rock & Metal, showing the world, his unique and singular style of aggressiveness, despair, pain, hate, love and thirst of justice and change. With catchy and powerful guitars, deep and vibrant bass lines, explosive drums charged with rhythm and the finesse and class of strings and brass sections makes it clear that this is music for the intelligent, music for the elite. This is his new vision of Metal, his particular vision of Music.
Philadelphia noiserockers Cemetery Flowers released their debut EP this week through Glowing Dagger, the Oakland tape label run by Megan Biscieglia of Bad Braids and Dustin Khebzou. Made up of multi-instrumentalists Andrew North and Pat Friel, the record is an intense tapestry of roaring guitars and cold, nervy electronic beats, with North and Friel howling nihilistically. The record is a gripping listen, all the way through the 15-minute closer “vi,” which hammers away in brutal riff repetition but is pretty impossible to turn away from.
George D. Stănciulescu is a Romanian electronic and experimental music producer, composer / sound designer and PhD in Philosophy of Digital Music & New Media. In 2005, he founded the neo-classical ambient / avant-garde ensemble Ad Ombra, which consequently released a CD trilogy: Rites of Genesis (2008), Magna Charta Illusorum (2009) and Almost Eternity (2011). In 2009, Stănciulescu started to focus on the more electro-dance oriented sonic dimensions by creating the eclectic electronica music project LeVant, which had its debut CD, Beyond the Masque of Eden (2010). The second album, Knock, Knock, Ginger (digital) came in 2014, revealing an eclectic paradigm that comprises indie electro, trip-hop, contemporary music and art-pop altogether. Since its inception, LeVant has performed acclaimed multimedia shows both as a band and as a DJ at various national & international festivals and venues, with a plethora of featured vocalists and guest artists, ranging from theater and film, choreography, visual arts and so on. LeVant’s releases have been featured in the international underground press, in a number of online publications, radio shows and samplers worldwide.
According to LeVant, “UnFinetude” is a rather special work and probably the most radical and genre-bending amongst the ones he made so far so far. As a sort of “raison d’etre” for its genesis, came from the subconscious challenge he got from various persons asking him what is that? So he thought of creating a digimodern work and this slowly shaped in, thanks to some hours of expanding fantasy, unrelenting encounters with the realm of Illusion and a handful of plugins."
Party like a Fireman" is a nonstop sonic journey of madness spanning just over an hour, with an overall beat driven, industrial, and darker ambient tone than some of our previous releases. That's not to say it's all doom and gloom. There are serval upbeat and comical moments, but they all eventually veer into an uncomfortable waking dream state.
Macaroni Pudding - 04:02 Moon Garden - 02:28 Madman's Carriage Ride - 02:06 Hidden Caverns - 03:50 Atmospheric Reentry - 02:05 S T A N Stan - 03:55 Let's All Stan - 02:33 Everybody Stan - 04:01 Stan the Dancing Man - 07:27 Residual Babble - 00:58 Brown Mass - 03:48 There's Always Something in the Way - 04:14 Forever a Ghost - 03:36 Leather Slug - 04:19 Death's Sweet Grip - 02:58 Cataract Jack - 02:47 Nobody Knows what it's like to Eat My Dick (Tonight) - 08:24
Orellana is a neo-classical/post-rock collective hailing from Bristol, UK. Their new album “52”, released in late December, brought in the new year with it’s explosive and intricate sound. The project’s music transcends genre definitions in order to focus on a broad, diverse concept that is more emotional than tangible. This particular release is full of rich and diverse arrangements, but it is also a powerful exercise in minimalism, one that showcases the strength of very few notes placed in the right spots. The simplicity of the arrangement is actually one of the strongest aspects of this entire release: there’s a palpable stillness created by the long, drone notes in the background, which almost makes you feel like the world is happening in slow motion. When the chords and notes change, it feels quite monumental due to the beautiful contrast between the stillness of the background textures and the expressive sound of the guitar-based melodies.
Davenport Rex is a music project based in Detroit, Michigan. Their sound is diverse and challenging, yet accessible and appealing. The band’s music stands out as a combination of tasteful progressive rock, with shades of various influences, ranging from alternative to symphonic hard rock, just to mention a few.