'sunday sketches' is the sixth album recorded by Chris Woodyard. In this compilation of live tracks he erases the lines that separate poetry, artwork and music.
A story without words that interpret the collection of emotions, places and experiences that he's had the pleasure to endure. After releasing 'Glass House", an experimental post-rock EP recorded in Boulder, CO last year ; The sounds in this next album will be songs translated from a series of paintings he's done. The first song is a prelude to the LP which will be released next year
New record "Summering" by The Bronzed Chorus via doubleplusgood records out of Minneapolis, MN.
Don't Go To That Pool Party - 04:32 Books - 05:11 Cowabunga, Ohio - 04:35 Tin Roof Burrito - 05:20 It Snows Here Forever - 03:13 How Gooda Friends Are Ya? - 04:17 Hounds Of The Barrier - 04:42 Rodeo Rodeo - 03:01 Decollage - 02:36 Widdley Wah ('Till The Break of Dawn) - 02:36
This new song "Bakkah: The History of Humankind", was initially just a poem about humanity as a whole. When it began to rhyme Emay basically just ran with it. It was also a great opportunity for him to experiment with his writing as he was always self-conscious about using a more poetic/metaphorical style of writing so with this track Ihe allowed myself to get completely lost in that form.
For the video, him and the director, Aaron Hall, bounced a lot of ideas off of each other and eventually Aaron thought of using riot gear for the video. The video is a battle displaying Emay's ideological development and the conflict of ideas taking over and building off of one another.
Mindsedge has taken a different approach than on the first album "Theta". They wanted this record to feel smooth and be much more positive, despite retaining the dramatic feel of the previous record. The songs feel tighter and more structured. Shades, the titular track is unique in a few ways. It is a redoing of the drummer's old song that he recorded along with the bassist in their old band. He wrote it himself but we wanted to put a new "Mindsedge" spin on it... so they made it sound nothing like a Mindsedge song. It's somewhat ambient and poppy at the same time (even if it's twice as long as your run-of-the-mill pop-song) and features vocals by Małgorzata Pawłowska (who you can also hear on Pathways) as well as keyboards by jazz guitarist Piotr Grudzińsk. Another unique thing about the song is that it was recorded with instruments downtuned to 432Hz instead of 440Hz. It made them sound deeper, perhaps somewhat broken but also very warm.
From Mountains are a new 4 piece instrumental post rock band from Buckinghamshire, UK. With soaring guitar, delicate piano and a driving rhythm section 'From Mountains' piece together an emotive cinematic soundscape experience. Couple this with live projection of the 1982 classic 'Koyaanisqatsi' , their performances act as a live soundtrack to a visually breath taking film. The debut 5 track EP was recorded live in the epic surroundings of Wittington House near High Wycombe and mixed & mastered in The Lodge Studios, Northampton. October 2016
Orellana is a neo-classical/post-rock collective hailing from Bristol, UK. Their new album “52”, released in late December, brought in the new year with it’s explosive and intricate sound. The project’s music transcends genre definitions in order to focus on a broad, diverse concept that is more emotional than tangible. This particular release is full of rich and diverse arrangements, but it is also a powerful exercise in minimalism, one that showcases the strength of very few notes placed in the right spots. The simplicity of the arrangement is actually one of the strongest aspects of this entire release: there’s a palpable stillness created by the long, drone notes in the background, which almost makes you feel like the world is happening in slow motion. When the chords and notes change, it feels quite monumental due to the beautiful contrast between the stillness of the background textures and the expressive sound of the guitar-based melodies.
Ali Murray is an ethereal folk songwriter/musician from the cold isle of Lewis in the north of Scotland. He writes dark atmospheric folk music with lush sweeping dreamy soundscapes and Celtic-twinged instrumentation. His new album LAND OF EVERGONE strikes a balance that is intimate and soaring, peaceful and haunting, sad and quietly joyful, delicately reverberating with Murray's dreamy voice and guitar playing.