The Orchestra Of Mirrored Reflections plays deep and touching music, smooth dark jazz, ambient, neoclassical, for your dreams. The Orchestra Of Mirrored Reflections is an ensemble originated in Benares, India, formed around writer/producer and multi-instrumentalist Jol Tai - who had heard this music while he was staying at Manikarnika Ghat - The place of cremation - the holy place in India, thinking of love death and beauty - sharpening the skills of self awareness and acceptation of all, along with his music skills, inspired by amazing improvised music - free form of existence. Later, when he came back to Ukraine - he gained access to different music tools and that's how it started.
1.Dissociative Fugue 06:31
2.Narrow Escape 08:16
3.Marvelous Journey 10:19
4.Le Printemps arrive dans l'Hémisphère Nord 03:25
Nasby&Crosh is a folk pop band from Milano, Italy. As the band name suggests, they are deeply rooted in the folk tradition from the west side, such as CSNY, The Eagles and Jackson Brown, but with a solid pop soul.
Born in 2007 as a duo founded by Luca "Bittì" Cirio (guitars and main voice) and Federico "Inartecapra" Cavaliere (accordion and backing vocals), it became a trio in 2012 with the addition of Alessio Premoli (guitars). They started to write a concept, "The Storm", divided in three parts. In 2014 "Quiet Before the Storm", the first chapter, is released gaining consent from audience and critics alike.
During summer 2016 Gabriele "Gaab" Faoro joins the team as a drummer / percussionist and the band reaches its ideal line-up, touring aorund the city. In 2018 "Here Comes the Storm", second chapter of the trilogy, its published, after two years of concpetion and work.
"A couple years ago during Canadian thanksgiving I was phoned by a friend Diane and she asked me to pray for her friend, a 30 year old woman who had two children and had been just diagnosed with cancer. She had been given two weeks to live. I really didn’t know what to do, so I wrote the first half of this song. I sang it every day for those weeks and she ended up living another 2 years.
After she passed the song took on a new meaning for me. Originally it was about giving her another chance to live, but now it’s song of hope. A song that is about fighting when you feel you have nothing left. It’s about supporting your friends and being unafraid to strive for your dreams.
So why release the song now and not 4 years ago? Well there’s been a new fight for me recently. The beautiful natural habitat which is featured in this video currently has a court case where developers are trying to rezone it and rip it up. This is our fight to keep it green.
The song is about hope and supporting each other, and the music video is about supporting the people, plants, and living things in your environment."
Katey Morley's music follows few rules, weaving together singable yet unexpected melodies, and effortlessly fusing her lifelong love of country, folk, jazz and pop music. The forthcoming EP is a collection of songs that swell from deep sources. She is a storyteller, and her words invite the listener to see as well as hear.
“'Good Little Girls' is the second single from Katey Morley’s forthcoming EP "Then". The song showcases the timelessness of Morley’s songwriting, transcending the roots genre by adding in elements of jazz and pop. Sweeping arrangements brings an anthemic and uplifting sensitivity to the song, while every piano hit relays an intense, emotive rawness that carries the song forward into a climactic final crescendo.
Her upcoming release 'Then' was produced by Scott Currie (Gypsy Sol, Emily Haines) and Tom McKay (Joydrop, Sate, Nightcrawlers), and features the talents of some of Canada’s finest musicians: Maury LaFoy (Jann Arden, Barenaked Ladies), Dafydd Hughes (Feist, Jacksoul), Duncan Coutts (Our Lady Peace), Paul Mathew (Matt Barber, Hidden Cameras), Joshua Van Tassel (Doug Paisley, Amelia Curran), Jody Brummell (Shanks, Bella Clava), Louis Simao (Nelly Furtado, Mary Margaret O’Hara) Kevin Neal (Ron Hawkins, The Do Good Assassins) and many more.
On Saturday, May 20, multi-instrumentalist and lauded bass player Erik Kramer released his debut studio endeavor, an EP entitled ‘Missed the Boat.’ The Brooklyn-based musician has an especially eclectic sound, one that employs the talent of a slew of musicians: saxophone, trombone, viola, trumpet, back-up vocalists - they’re all there. An experimental record through and through, ‘Missed the Boat’ is an indie record quite unlike anything else that’s come across my desk in recent months.
The most unique quality ‘Missed the Boat’ boasts is its ability to effortlessly hop between genres, all while maintaining an aura of cohesiveness. It’s very difficult to be an artist that pulls influence from so many sonic avenues and keep your sound organized, and Kramer does this remarkably well. The titular track, which opens the EP, has a very Radiohead-infused sound. The soft vocal croons, funky bass riffs, and erratic brass sections all sound like they’re from a ‘King of Limbs’ session.
The following track has much more of a jazz influence, offering a rather beautiful soundscape of piano noodling accented by a fantastic string section. If New York experimental music was written for a late night jazz club, ‘Seagulls’ would be the song that would result from it. ‘One of Many,’ the track after that, is a tune that really lets the brass section shine. There’s more funk and fusion influence apparent on that song, and the more upbeat nature of the track gives Kramer more room to experiment as a vocalist.
The EP’s most easy-listening track is surely ‘Tell You Otherwise,’ a sublime listening experience that washes over the listener in a surreal fashion. The equally enigmatic lyricism matches the instrumentation beautifully, as does the sparse, but effective female vocal backing. Heavy jazz inspiration then returns for ‘The Way It Goes,’ exhibiting some of the collection’s most excellent musicianship.
The finale of the EP, ‘The Light,’ may be its strongest song, at least, lyrically. The story-like lyricism puts the vocal content at the forefront of the song, whereas the rest of the EP usually reverses that dichotomy. At this point, it’s also very much worth mentioning that the production on ‘Missed the Boat’ is incredibly good, too, and Kramer has a superb hand over such a large soundscape of musicians.
‘Missed the Boat’ is an excellent EP from beginning to end, defying genre by jamming together funk, jazz, and experimental influences. It does it in an unpretentious fashion, too, which is rather vital to success in this arena.
A combination of retro aesthetics, enduring lyrics and alt-rock grit.
The best music happens when artists refuse to remain stuck in their own comfort zones and creative boxes. Whenever this happens, they are free to give full range to their vision, and they can really come up with something that’s groundbreaking and personable. This is certainly the case here with Tommy Red and his brand new EP release, “I Wanna Be Exploited.”
Marva Von Theo is an Electropop / Synthwave duo formed in 2016 by the Athens-based singer-songwriter Marva Voulgari and the Vienna-based composer-producer Theo Foinidis.
Their Debut Album “Dream within a Dream” was released early in 2018. The 12 songs on their Album, lean towards an electronic sound that incorporates a variety of influences ranging from the music of the 80’s until today. Darkwave sounds, Jazz harmonies, Rock and Dance drum beats resonate together and mature into something darkly romantic.