"Triad" is the new EP from Groundburst, released on September 4th by Out is within records. Groundburst are an instrumental trio from Dublin. Their music combines complex rhythms with lyrical melodies and unusual concepts and draws upon elements of funk, jazz , soundtrack and electronic music.
Airships on the Water is an instrumental post rock band from Fayetteville, AR, USA, formed by multi-instrumentalist Russel Hensley. Hensley, who plays drums for the math rock band Take Shapes, started the project as a way to experiment with and expand on a backlog of keyboard riffs and drum parts he had written.
Drawing inspiration from the infectious hooks of El Ten Eleven, the emotional power of Explosions in the Sky, and the rhythmic complexity of Japanese post rockers Toe, Hensley started writing and overdubbing new parts to flesh out the sound of his existing arrangements. He carefully layered beautiful keyboard melodies, bass guitar hooks, intricate drum patterns, and rich synth textures onto these skeletal arrangements, shaping them into catchy instrumental post rock songs. Bit by bit, a chilled out sound with subtle math rock influences emerged, and Beneath a Thousand Branches was born.
Dore Mear Beon is a solo recording project by Andrew Sagriff. The project mixes math rock, progressive rock and post rock elements to envelope an intricate yet emotive sound.
"A Commending Paean for the Forgotten Henrietta Swan Leavitt" is a full length album by Dore Mear Beon. It is emotive progressive instrumental rock album, layered with an album narrative that explores cosmological and human themes, mixing the personal with the universal which reflects the music's balance of intricate song structures with affective harmonies.
SanMono is an instrumental quartet located in Mexico City. Formed in 2014, the band has explored with sounds of post-rock, math-rock and progressive rock, creating powerful tunes alongside with atmospherical and melodic passages. The band is integrated by drummer Jerónimo Carvajal, guitarist Luis Gutiérrez, bassist Rod Barriga and Pablo Cervera in keyboards, synths and sequences. In 2016, the band´s debut Ep was released, called "SanMono Ep".
"SanMono Ep" is the debut Ep from the instrumental band SanMono. It consists of 5 tracks that evoke the necessity of humans to have a relief of habitual stress and anger (represented by a man hitting the ground with a baseball bat on the cover of the cd). "Intro" and "Navíos" (which stands for "ships") are songs about letting out and accepting the fact that sometimes negative feelings may invade us. "Colisiones" (which stands for "collisions") is a brief interlude about daily routines that might make you feel stuck and pointless. "Punto y aparte" (which stands for "new paragraph") refers to the feeling of loosing a friend because of distance or time. Finally, "Co-dependencia" ("which stands for "codependency") is a song about taking all the feelings evoked by the other songs, in a process of healing, to finally let go, although the title refers to the fact that humans tend to embrace the suffering of the process rather than the relief.
Intro 2 - 01:50 NavÃos - 04:56 Colisiones - 01:40 Punto Y Aparte - 04:52 Co-Dependencia - 05:02
Draws Creature Mask are a four piece math/post-rock outfit from central Scotland comprised of drummer Lee Haxton, guitarist Fraser Walpole and brothers Callum and Daniel Elks on vocals/guitar and bass respectively. Borrowing musical tricks from an endless list of influences the band write intricate and ambitious songs, creating a dense sound that evokes experimental and indie rock heroes such as Radiohead, Mogwai and The National. In the bands almost two years they have grown in a run of self-released singles from their sprawling, anxious debut 'Football Season is Over' through to this years upcoming release, the slow-burn epic 'Hibernal'.
'Hibernal' has been a centrepiece of the band's live set since their inception in July 2015. The song encompasses the groups musical idioms as found on previous singles and expands upon them with further studio experimentation and a greater attention to sonic detail. For the sessions the core band was bolstered by string arrangements and guest vocals, all of which were recorded and mixed in Glasgow by Lewis Glass at Glassworks Studio, the result being the band's most expansive and accomplished track to date.
These Are Truly The Last Days is a musical project with a driven experimental twist. Their music blurs the lines between various genres, including ambient, electronica, glitch hop, and more. The project’s self-titled studio effort features 11 studio tracks.
Crafting a concept album is an incredibly difficult task. Tying together a cohesive narrative across a record’s worth of songs isn’t just daunting, it’s an endeavour that even some of the industry’s finest have failed to do memorably. This task, however, becomes notably more difficult when you’re dealing in the abstract via instrumental soundscapes. That is what Chronotope Project, the moniker of composer Jeffrey Ericson Allen, attempts to do with his latest project, ‘Ovum.’